Skip to main content

NASA moving ahead with asteroid-capture plan, wants to grab one in 2019

Asteroid
Image used with permission by copyright holder

When NASA said last year it was planning to capture an asteroid, park it close to the moon and later send astronauts to explore it, many people had to check the calendar to confirm the space agency wasn’t simply demonstrating it had a sense of humor.

Well, make no mistake, NASA’s Asteroid Redirect Mission (ARM) is certainly real, and the agency recently offered a progress report on its ambitious plan, which essentially involves grabbing a space rock using a robotic spacecraft before putting it in a stable orbit around the moon.

The process of getting hold hold of the asteroid has been likened to popping it into a bag with a drawstring

“You bag it,” NASA’s Donald Yeomans said. “You attach the solar propulsion module to de-spin it and bring it back to where you want it.”

The space agency is currently in the middle of deciding which of two missions to go with – the first idea is to “fully capture” a small asteroid in open space, while the second is to collect a “boulder-sized sample” from a much bigger asteroid.

2019

The mission, whichever it decides to go for, is on schedule to take place just five years from now, in 2019, with NASA planning to make its final decision on which asteroid to capture a year earlier.

In the meantime, concept studies are set to take place over a six-month period, beginning this July, in which the agency will work on refining key concepts and technologies for its grand mission.

“With these system concept studies, we are taking the next steps to develop capabilities needed to send humans deeper into space than ever before, and ultimately to Mars, while testing new techniques to protect Earth from asteroids,” William Gerstenmaier, associate administrator for NASA’s Human Exploration and Operations Mission Directorate, said in a release.

2011 MD

So far, nine asteroids have been selected as candidates for ARM, with each ticking the boxes for orbit type and size. The sun-orbiting Spitzer space telescope has identified one asteroid in particular – 2011 MD – as having the ideal characteristics for the full-capture mission. Spitzer’s data shows 2011 MD to be about 20 feet (6 meters) in size, fitting nicely within NASA’s desire for a rock no larger than 32 feet (10 meters). Once secured in a stable orbit, the agency plans to send astronauts to explore the asteroid some time in the 2020s.

“Observing these elusive remnants that may date from the formation of our solar system as they come close to Earth is expanding our understanding of our world and the space it resides in,” said John Grunsfeld, associate administrator for NASA’s Science Mission Directorate. “Closer study of these objects challenge our capabilities for future exploration and will help us test ways to protect our planet from impact.”

NASA has said it thinks there are some 4,700 potentially hazardous asteroids (PHAs) flying around ‘near’ Earth, with each one big enough to ruin our day should it score a direct hit. PHAs are defined by NASA as any space rock currently within five million miles of Earth with a diameter greater than 330 feet (100 meters).

Editors' Recommendations

Trevor Mogg
Contributing Editor
Not so many moons ago, Trevor moved from one tea-loving island nation that drives on the left (Britain) to another (Japan)…
Digital Trends’ Top Tech of CES 2023 Awards
Best of CES 2023 Awards Our Top Tech from the Show Feature

Let there be no doubt: CES isn’t just alive in 2023; it’s thriving. Take one glance at the taxi gridlock outside the Las Vegas Convention Center and it’s evident that two quiet COVID years didn’t kill the world’s desire for an overcrowded in-person tech extravaganza -- they just built up a ravenous demand.

From VR to AI, eVTOLs and QD-OLED, the acronyms were flying and fresh technologies populated every corner of the show floor, and even the parking lot. So naturally, we poked, prodded, and tried on everything we could. They weren’t all revolutionary. But they didn’t have to be. We’ve watched enough waves of “game-changing” technologies that never quite arrive to know that sometimes it’s the little tweaks that really count.

Read more
Digital Trends’ Tech For Change CES 2023 Awards
Digital Trends CES 2023 Tech For Change Award Winners Feature

CES is more than just a neon-drenched show-and-tell session for the world’s biggest tech manufacturers. More and more, it’s also a place where companies showcase innovations that could truly make the world a better place — and at CES 2023, this type of tech was on full display. We saw everything from accessibility-minded PS5 controllers to pedal-powered smart desks. But of all the amazing innovations on display this year, these three impressed us the most:

Samsung's Relumino Mode
Across the globe, roughly 300 million people suffer from moderate to severe vision loss, and generally speaking, most TVs don’t take that into account. So in an effort to make television more accessible and enjoyable for those millions of people suffering from impaired vision, Samsung is adding a new picture mode to many of its new TVs.
[CES 2023] Relumino Mode: Innovation for every need | Samsung
Relumino Mode, as it’s called, works by adding a bunch of different visual filters to the picture simultaneously. Outlines of people and objects on screen are highlighted, the contrast and brightness of the overall picture are cranked up, and extra sharpness is applied to everything. The resulting video would likely look strange to people with normal vision, but for folks with low vision, it should look clearer and closer to "normal" than it otherwise would.
Excitingly, since Relumino Mode is ultimately just a clever software trick, this technology could theoretically be pushed out via a software update and installed on millions of existing Samsung TVs -- not just new and recently purchased ones.

Read more
AI turned Breaking Bad into an anime — and it’s terrifying
Split image of Breaking Bad anime characters.

These days, it seems like there's nothing AI programs can't do. Thanks to advancements in artificial intelligence, deepfakes have done digital "face-offs" with Hollywood celebrities in films and TV shows, VFX artists can de-age actors almost instantly, and ChatGPT has learned how to write big-budget screenplays in the blink of an eye. Pretty soon, AI will probably decide who wins at the Oscars.

Within the past year, AI has also been used to generate beautiful works of art in seconds, creating a viral new trend and causing a boon for fan artists everywhere. TikTok user @cyborgism recently broke the internet by posting a clip featuring many AI-generated pictures of Breaking Bad. The theme here is that the characters are depicted as anime characters straight out of the 1980s, and the result is concerning to say the least. Depending on your viewpoint, Breaking Bad AI (my unofficial name for it) shows how technology can either threaten the integrity of original works of art or nurture artistic expression.
What if AI created Breaking Bad as a 1980s anime?
Playing over Metro Boomin's rap remix of the famous "I am the one who knocks" monologue, the video features images of the cast that range from shockingly realistic to full-on exaggerated. The clip currently has over 65,000 likes on TikTok alone, and many other users have shared their thoughts on the art. One user wrote, "Regardless of the repercussions on the entertainment industry, I can't wait for AI to be advanced enough to animate the whole show like this."

Read more