Performance and Use
Minutes after this one arrived, the battery was charging and we were checking out the owner’s manual PDF (yes, we read manuals). Let’s get some of the specs out of the way before getting into the shooting experience and final results. Since the NEX-5 has a 14.2-megapixel APS HD CMOS sensor, it captures 4592×3056 pixel photos as JPEG Fine, RAW files (or both). The basic burst mode is 2.3 frames per second which is slower than the PEN and every DSLR (which are usually 4 fps or better). It’s a bit disappointing until you realize the camera has a Speed Priority mode which grabs 7 fps. It also has a very rapid DSLR-like shutter speed of 1/4000th of a second, twice as quick as the PEN. ISO ranges from 200-12,800 another spec usually found on the much larger and bulkier DSLRs. But you get the idea—there are very few compromises with this camera for those looking for photo tweaks.
Since this is a brand new class of camera for Sony, the company tossed out the old menu system like those found on Cyber-shots and alpha DSLRs. It’s much more user-friendly and a breeze to use. Since this camera is designed for more casual users than traditional aperture-crazed shutterbugs, it has a help system that explains each feature. Fortunately for those who know a bit about photography, this can be disabled so you can speed through your adjustments. Here’s an example of the new menu showing how the camera is targeted to non-photo geeks. Rather than expecting people to know that by changing f/stops you can blur the background, the NEX-5 has a Background Defocus Control—which even works in auto—that lets you blur the background by turning the jog wheel. Olympus tried to do something similar with its PEN but Sony did the job right for newbies.
The NEX-5 can be used as a point-and-shoot with Intelligent Auto but has the wide range of adjustments DSLR users expect including full manual. Naturally you can change any parameter you’d like. We started off in iAuto then used other options including scene modes in the JPEG Fine and RAW+JPEG settings.
Because this camera has the Exmor chip, it can do a number of tricks which we liked so much in the TX7. These include Hand-held Twilight, Anti-motion Blur, Auto HDR and Sweep Panorama. Because the sensor/processor is so fast, it can stitch images together quite rapidly.
As for the 3D Sweep Panorama, our review sample couldn’t do it simply because the firmware upgrade isn’t available. Sony states it should be ready in July. Once in place—and if you have a 3D-capable HDTV, you’ll be able to experience three-dimensional panoramas using glasses, of course. We saw some examples during the press preview and they were quite impressive. This is another feature that puts the NEX-5 way ahead of the competition.
Now that you’ve read what the camera theoretically can do, let’s see how it actually performed. We took a wide variety of shots indoors and out, doing the same for videos. We’re happy to say the NEX-5 has a nice feel with logically positioned controls. Unlike some DSLRs, it’ll be the rare bird that can’t use this one right away. We liked the new menu system and found it legible and simple to follow. We do wish ISO weren’t so buried (it takes two screens) to reach but no camera is perfect. The NEX-5 is very responsive thanks to 25 focus points. Although it uses Contrast AF like all mirror-less cameras the camera has a decent burst mode of 2.3 frames per second. If you want to shoot faster, just move to Speed Priority and it jumps to 7 fps, far better than most DSLRs. To take advantage of this, definitely use the fastest rated card you can afford. We opted for 4GB Class 6 SDHC media.
After downloading the images and videos, it was time to examine them closely on a monitor, make 8×10 prints and check out the clips on a 50-inch plasma via HDMI. Although we had wished we had the NEX-5 with us on our trip to New Orleans with the PEN and other digicams, there were plenty of colorful subjects to capture. And capture them, it did. Colors are extremely accurate as blooming rhododendrons speckled with raindrops looked as real as can be, The same held true for colorful still-lifes bathed in sunshine. Not to wax too poetic but you’ll be very happy with the results. We did most of shooting with the 16mm pancake lens as we prefer a wide-angle view. We used the 3x 18-55mm zoom as well and the photos were sharp and life-like.
As for noise, the camera was solid to ISO 1600 with 3200 and 6400 quite useable for 8×10 prints but we’d still try to keep it 1600 or less. The 12,800 setting was a mess at that size although you might get away with a 4×6. But stepping back, our test subject was light years ahead of 99 percent of the cameras available.
The movies were very good, far better than the more common 720p. Again colors were spot on with none of the “jelly” effect of DSLR video. And focusing was not an issue. Still the NEX-5 is not a total replacement for a top-notch 2010 camcorder such as the new $999 JVC Everio GZ-HM1 (we shot similar scenes with both to compare). This state-of-the-art videomaker records at 24 Mbps versus 17 for the Sony and the difference on the 50-inch screen is very noticeable—and so is the impact on your wallet. Our search for the perfect two-in-one device continues. Perhaps the nex-gen NEX cameras will move up to 24 Mbps? This is not to take away what the current camera can do, just our wishes for something even better in the future.
Sample footage has been compressed for web.
At one point, Sony was synonymous with innovation. The company lost its way a little and Apple—among others—kicked its butt. Apple with its iPad and iPhone still drives a good chunk of the electronics business, but with gear like the NEX-5 and TX7 Sony is once again dominating digital imaging – by far. The new alpha NEX-5 is truly a breakthrough and even if you’re not in the market to spend over $600 for a camera, you should play with it at a local store. Once you pick up the NEX-5, you’ll quickly realize you have photography’s future in your hands.
- Truly compact and lightweight
- Rich, accurate colors
- Very good 1080i videos
- Superior 3-inch adjustable screen
- Very noisy at highest ISOs
- Limited lens selection
- Would like color-coordinated attachments
- Even more of a slam-dunk if it were cheaper