The Review

We haven't had a chance to fully test this product yet, but we've assembled this helpful overview of relevant information on it.

Sony's Cyber-shot gets a new addition with the TX200V which comes with an 18.2-megapixel sensor and a 3.3-inch touchscreen.

Sony is adding to their cyber-shot line of point and shoot cameras with the TX200V. Sony hopes that some of the upgrades that come with the TX200V will entice consumers back to point and shoots. The camera comes with an 18.2-megapixel CMOS sensor. The AF is pretty fast at about .13 in daylight and .25 in low light. On the back of the camera is a 3.3-inch OLED wide touchscreen. According to Sony TX200Vs are waterproof, dustproof and freeze-proof. High def, 1080p video recording and the camera comes with a dual record feature that takes 13-MP images while shooting. There isn’t much memory in the camera, about 105 MB, but you can expand it using a Memory Stick Duo/Pro Duo or the Pro-HG Duo.  The ISO range is pretty big going from 64 to 12800.

Features List:

- 18.2-megapixel CMOS sensor

- Fast AF – .13 daylight, .25 low light

- 3.3-inch OLED touchscreen

- Waterproof, dustproof, freeze-proof

- HD 1080p video recording

- Dual record feature

- 105 MB internal Memory

- Memory Stick Duo/Pro Duo/Pro-HG Duo slot

- ISO 64 – 12800

Digital Trends’ Camera Buying Tips:

How many megapixels do I need?

In 2000, the answer to this question was “more is always better.” In 2010, the answer is more likely “if you have to ask, you have enough.” Even the cheapest cameras these days typically pack eight or more megapixels onto a sensor, which produces superb 4 x 6 prints, all the way up to 8 x 10, and sometimes more. The physical size and quality of the image sensor along with the corresponding optics play a much bigger role in image quality than megapixels alone, so don’t be fooled into thinking more megapixels will produce better photographs. Unless you’re planning to blow up shots to poster or billboard size, any modern camera has enough resolution.

When you’re researching different cameras, manufacturers will state the maximum file (or picture) size you can take. In the case of a 6 megapixel (MP) camera, it’s 2816 horizontal pixels x 2112 vertical pixels, with 7MP it’s 3072 x 2304 and so on. Simply multiply the numbers and you get the effective resolution of the imaging device. We suggest you avoid anything less than 6 or 7MP at this point unless you’re looking for an inexpensive camera for the kids.

Pros have access to 21-megapixel imagers in very expensive D-SLRs. You don’t have to go this route or spend that much money for great everyday photos. However, 6MP should be your minimum and if you plan on making very large prints, such as 13x19s, or you feel you’re going to experiment cropping photos with imaging software, consider 8- or more megapixels. There are no hard and fast rules since so much depends on your final end use

Don’t Buy Til You Try

One final bit of advice. Never, ever buy a camera purely on its specs or a few positive reviews. What looks good on paper, and what feels good to one person, isn’t necessarily going to be the perfect camera for you. Patronize shops that allow you to spend a lot of hands-on time with your prospective models. Cameras are extremely touchy-feely products, and the truth is that most of them include similar feature sets and take decent pictures. But they come in a wide variety of shapes and sizes, and you’ll be spending many hours with one of them in your hands. Long-term comfort is perhaps the most important factor of all.

Flexibility and Options: SLR or Point-n-Shoot?

Lens Flexibility: Point-and-shoot cameras offer a wide variety of zoom lenses from the basic 3x up to 26x. If you’re thinking compact, you have many options, but we recommend starting out with a basic wide-angle view (28mm or so) then multiplying that to your heart’s content. A 24x model like the Nikon Coolpix P90 even offers 28-624mm options so you can take nice group shots and zoom into subjects you can barely recognize. There are many small cameras with wide focal ranges that are easily toted around-a huge plus for point-and-shoots.

Contrastingly, DSLRs are far from compact and typically are supplied with a 3x kit lens. From there you can go crazy, spending a small fortune on interchangeable lenses. Canon and Nikon, the two biggest DSLR sellers by far, each have over 65 to choose from. And these lenses use finer glass than point-and-shoots, adding to overall quality advantage of DSLRs. The downside is that they are much heavier, bulkier and require at least a backpack to lug everything around. Still, for the professional or prosumer, DSLR is the natural fit.

Options: Most point-and-shoot digital cameras offer limited manual options for adjusting aperture (f/stops) and shutter speeds. Granted, the vast majority of amateur paparazzi out there couldn’t care less about this small range of potential adjustments, and will be perfectly happy firing away in Auto mode. But while DSLRs have Auto settings too, they also let you unleash your inner Annie Leibovitz by adjusting depth of field, blurring subjects and going wherever the creative muse takes you. If you’re looking to get more creative with photos, a DSLR is the right choice.

Key differences between SLR and Point-n-shoot

Price: According to industry analysts, the vast majority of cameras sold go for less than $200. Making the leap to a DSLR will definitely set you back, but many shoppers obviously believe that the investment is well worth it.

Speed: Speed is the one of the most critical factors. If you’ve ever used a compact digicam, you know that these devices take time to focus and save images to memory cards. During these delays, you can easily miss a smiling face or a running child. To put things in perspective: Point-and-shoot digital cameras generally capture 1 frame per second, while most DSLRs take 3 frames per second or more, making them better suited for fast action shots or sporting events. The difference between snagging the perfect picture and missing it entirely is one of the biggest factors weighing heavily in DSLR cameras’ favor.

Image quality: Compact cameras use much smaller imaging devices. By cramming so many megapixels on a small chip, digital noise is a constant problem. In our reviews, we always recommend keeping the ISO (sensitivity) of a digicam at 400 or less. DSLRs have much larger APS-C sized imagers, meaning you’ll encounter less noise in low light situations and better picture quality overall. Using one, you can shoot in more dimly lit conditions without a flash with little image degradation. In addition, if huge prints are in your future-or extensive cropping-DSLRs should be in your sights.

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