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Time to kill? These are the 96 best movies on Netflix

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Foreign

Girl with the Dragon Tattoo

If you sat through the Daniel Craig version of author Stieg Larsson’s best-selling book and thought, “I wish there were at least six more hours of this,” then Swedish version of Larsson’s “Millennium” trilogy is surely for you. Girl with the Dragon Tattoo recreates the books scene by scene, starting with an investigation into a 40-year-old case and ending with an engrossing murder and government conspiracy. Also, Noomi Rapace’s portrayal of the lead heroine is impeccable.

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Amelie

Director-writer Jean-Pierre Jeunet’s Amelie remains the highest-grossing French film released in the United States (and for good reason). It’s the whimsical tale of a shy waitress in contemporary Paris who decides to return a collection of toys she found behind a baseboard in her apartment to their original owner, an act that helps her cope with her own isolation and despair after a difficult upbringing. Still, the film is warmhearted and quirky, with laughs to spare.

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IP Man

There are hundreds — if not thousands — of kung-fu movies on Netflix, but few of them are as good as the film dramatizing the life of Yip Man, one of Bruce Lee’s teachers and the first to teach Wing Chun martial arts in China. Film title controversy racked the film even before its debut in Hong Kong, and though we wouldn’t say the film is historically accurate when it comes to detailing Ip’s life in the city of Foshan during Sino-Japanese War, the spectacular stunts belie its accuracy.

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Blancanieves

Spanish director Pablo Berger’s modern retelling of the classic Snow White story is not what you might expect—and the band of bullfighting dwarves and remarkable gladiatorial scenes don’t even begin to sum it up. The silent film is shot entirely in black-and-white and brims with an eerie sense of ambiguity and melancholia, which further capitalizes on the sadomasochism of the evil stepmother and inspiration drawn from the likes of horror masterminds such as Hitchcock and Browning. It’s a dark portrayal of Spanish culture set in 1910, yet, there’s also an unspoken beauty lining the vivid close-ups and flamenco-flecked score.

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Living is Easy with Eyes Closed

Living is Easy with Eyes Closed is an appropriate title for this Spanish comedy, given the title is culled from a Beatles song and revolves around an English schoolteacher (Javier Camara) and two hitchhikers who road trip across Spain in 1966 in the hopes of meeting John Lennon. The low-key film swept the country’s Goya Awards upon its release and was even selected to represent Spain at the Academy Awards, owing to Camara’s winning performance and that of fledgling actress Natalia de Molina. It’s also based on a true story, one that takes a tender turn with the help of director David Trueba’s vision and subtle, political undertones.

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The Admiral: Roaring Currents

South Korean director Kim Han-min’s look on the 1597 Battle of Myeongnyang is a David-and-Goliath tale of the highest caliber. It focuses on Korean admiral Yi Sun-shin — played by Choi Min-sik if Oldboy acclaim — and his efforts to thwart an encroaching fleet of 330 Japanese ships with little more than 12 of his own and a literal boatload of courage. However, the characters in the film are only secondary to the Michael Bay-esque action sequences strewn throughout the film, all of which seamlessly combine model warships and computer-generated effects to great effect. The way Sun-shin utilizes the currents and whirlpools to his advantage is captivating, even if Han-min doesn’t delve into the logistics of it all with that much attention to detail.

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Ode to My Father

South Korean director Yoon Je-kyoon’s Ode to My Father is teeming with political controversy — some feel it attempts to idealize the country’s past under the rule of a authoritarian regime — but that hasn’t stopped it from becoming one of the country’s most glorified films in recent years. The epic melodrama traces Korean history from the 1950s through the present day using the lens of one Yoon Deok-soo (Hwang Jung-min), an everyday refugee and shopkeeper who spends his life attempting to care for his family after the death of his father and sister. The film’s merit lies in its resounding ability to interweave historical events, such as the Hungnam Evacuation, with a concise narrative, while managing to wring a sentimental familiarity from the distant events.

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