Skip to main content

Sony’s HT-G700 could be the ultimate Dolby Atmos soundbar on a budget

Dolby Atmos has been the “it” factor in home theater technology for some time now. For just as long, it’s also been a feature mostly reserved for premium products, at premium prices.

As with most tech, someone has to take the initial plunge in the charge towards making something more affordable. In this case, that someone is Sony, which may have just released the budget Dolby Atmos soundbar we’ve all been waiting for.

Recommended Videos

Here’s a look at Sony’s new HT-G700 soundbar, a 3.1-channel, Dolby Atmos and DTS: X-supported product for $600 that promises to be one of the cheapest avenues into immersive audio that we’ve seen so far.

Please enable Javascript to view this content

Design

The HT-G700 is a package system that includes the soundbar itself, plus a wireless subwoofer. There are no rear speakers included in this setup, which is probably one of the reasons why Sony was able to keep the price where it is.

The soundbar has three front speakers, including a dedicated center speaker that Sony claims will ensure that “voice sounds can be clearly heard.” There are no up-firing speakers in this setup, a significant contrast to products with directional speakers built in like the Vizio SB46514-F6. Instead, Sony’s Dolby Atmos experience will rely on signal processing to reproducing “vertical audio,” as the company describes it.

Sony hasn’t released specific details on the wireless subwoofer, besides its dimensions and weight. The 16-pound unit does feature a ported enclosure, however, which could have good implications for reproducing deep bass.

Features

To make the entire “Dolby Atmos on a budget” concept work, Sony is tapping into its Immersive Audio Enhancement feature. Essentially, it will allow you to press a button and command the soundbar to upscale even stereo audio to 7.1.2 surround sound. We’d be interested to see how well that works given the limited amount of speakers Sony has to work with but call us cautiously optimistic for now.

The HT-G700 has different sound settings meant for various content, including Auto Sound, Standard Surround, Cinema, Music, Night, and Voice modes. It’s also got several different connection options, from Bluetooth to the included HDMI eARC/ARC or optical digital inputs on the soundbar itself.

Notably missing from the new Sony soundbar’s set of features is Wi-Fi connectivity. You can stream content from a mobile device via Bluetooth, of course, but streaming over the internet remains a more reliable option.

The HT-G700 also supports 4K HDR passthrough as well as Dolby Vision, HDR10, and Hybrid Log-Gamma.

Audio quality

A sound feature that Sony calls its Vertical Surround Engine is supposed to allow the soundbar to recreate a virtual surround sound experience. There’s some soundbars, like the Sennheiser Ambeo, that have achieved this kind of artificial surround sound incredibly well. Of course, that’s a $2,500 soundbar, and it remains to be seen whether Sony can create realistic surround sound at a far lower price.

Another audio perk is S-Force PRO, which Sony says fine-tunes the soundbar to match the height of your TV to make it sound like the audio is coming directly from your TV screen.

We can’t comment on how well the HT-G700 will sound beyond its specs without listening to it. But we are looking forward to seeing if this new bar can match the, well, bar that it’s trying to set.

Conclusion

Vizio has previously owned the budget Dolby Atmos soundbar scene, and still has a model that retails for less than Sony’s HT-G700. For a slightly higher cost, Samsung has a well-reviewed Dolby Atmos soundbar in the HW-Q70R. Plus, Sonos just came out with its own Sonos Arc soundbar, which supports Dolby Atmos and integrates into the Sonos ecosystem for $799.

That’s all to say that Sony isn’t the only one actively trying to drive down the entrance fee for Dolby Atmos. However, if Sony can succeed in creating an immersive experience with advanced technology and minimal components, it might be the product that helps launch the home theater world into more accessible Atmos.

Might is the keyword here. Until we’ve tested this new bar, we’re at the mercy of Sony’s spec sheet. So, stay tuned.

Nick Woodard
Former Digital Trends Contributor
  As an A/V Staff Writer at Digital Trends, Nick Woodard covers topics that include 4K HDR TVs, headphones…
Hisense reveals a Sony Bravia Theater Quad competitor ahead of CES 2025
Hisense HT Saturn Wireless Home Theater System.

Hisense has a little pre-CES 2025 teaser for us, and it looks like the company is taking a page from Sony's home theater playbook. The new Hisense HT Saturn is a 4.1.2 Dolby Atmos "wireless home theater system" with four speakers and a single subwoofer, which uses a small HDMI ARC/eARC breakout box as a transmitter -- a similar configuration to Sony's Bravia Theater Quad.

Hisense hasn't released pricing or availability for the HT Saturn yet.

Read more
Dolby Atmos FlexConnect gets its first competitor at CES 2025
Diagram showing Fraunhofer IIS UpHear Flexible Rendering.

Dolby Labs' Dolby Atmos FlexConnect platform is a clever concept. It's software that's designed to be built into a TV, where it performs some room calibration magic, ultimately letting you place your speakers anywhere you want, while still getting an Atmos experience. And now it has its first competitor: Fraunhofer UpHear Flexible Rendering.

Fraunhofer Institute for Integrated Circuits (better known as Fraunhofer IIS, or just Fraunhofer) -- the organization that created the ubiquitous MP3 music format -- will be demoing UpHear Flexible Rendering at CES 2025, exactly one year after the first demos of Dolby Atmos FlexConnect.

Read more
Dolby Atmos Music in a Rivian R1S is a transformative experience
The center console touchscreen in a Rivian R1S displaying Dolby Atmos Music tracks on Apple Music.

When most of us think about Dolby Atmos, an immersive movie experience with loads of speakers is what comes to mind. It is, after all, where the first Dolby Atmos experience happened back in 2012 at the El Capitan Theater in Hollywood. The object-based surround sound system extended into the home a couple years later, initially requiring either up-firing speakers (integrated into the speakers or added with a separate module on top of a speaker) or ceiling-mounted speakers paired with an AV receiver (AVR). Later, soundbars made the point of entry for Atmos easier, sometimes utilizing advanced virtualization to accomplish the feat instead of discrete speakers.

Dolby Music then followed, with R.E.M.'s 25th anniversary remix of Automatic for the People being one of the first major releases. It was a bit slow going until streaming services began supporting the format more and, perhaps more importantly, major headphones manufacturers included spatial audio in their releases. In my experience, Dolby Music can be a hit-or-miss experience. Even on my home setup, I sometimes sit back while listening to a Dolby Atmos mix and just think, "Why bother?" before putting on a stereo recording. But when it's right, oh man is it good, and I recently got the chance to hear a demo that was so very, very good.

Read more