Skip to main content

BTS Podcast: 'Sausage Party' remakes stoner comedies, Tales from the Crypt returns

DT’s weekly entertainment show, Between the Streams, is your guide to all of the hottest, most important, and (of course) dumbest new developments in streaming and entertainment, providing a handy recap of the week that was. Follow us here every Friday or add us via RSS, iTunes, or Stitcher at the links above to take BtS on the road!

Recommended Videos

Well, it’s a brand new week of movies, TV shows, and all sorts of good stuff. We’ve made our peace with Suicide Squad — including its absolutely monster opening box office numbers and its gently resting 26 percent score on Rotten Tomatoes — and now it’s time to move forward with our lives. Forward this week includes a brand new trailer for the Star Wars anthology film, Rogue One: A Star Wars Story. We’re still not sure about the name, but we are sure about our excitement, and last night’s trailer did nothing but further stoke the flames for a movie we’ve still got to wait four months to see.

We’ll say this for Disney and Lucasfilm: they know how to play a crowd. Last night’s Olympics broadcast made for a great debut for the new scenes, and there were some excellent moments, including a sneak peek of you know who’s gleaming black helmet. We’ll discuss highlights for the latest shot of Rogue One, and whether it’s still the film to see come Christmas.

But, of course, Rogue One is still a long way out on the horizon and we’ve got a mess of critically well-received movies to talk about in our Weekend Box Office preview. In fact, it’s hard to recall a time when we’ve had this many critically warm movies debuting at once, as virtually every movie on the list is above 80 percent on Rotten Tomatoes. Now, it’s important to remember that doesn’t mean they’re all highly reviewed movies, but it does mean they’ve all made a majority of the critics pretty content.

The list includes a film that nobody would have believed could have been made until we saw it with our own eyes. That’s right, we’re talking about Sausage Party, the raunchy new animated feature from Seth Rogen & Co. that spits out fart jokes and F-bombs (so many F-bombs) as easily as it does overlying themes about religion and the existence (or lack thereof) of god. Sausage Party walks this bizarre road by telling the tale of a happy group of anthropomorphic groceries who get snatched up in the store for what they think will be nirvana, only to find out that they’re about to be skinned, skewered, roasted, and/or eaten alive by the “gods” they’ve been dreaming about. It’s a brilliant turn from Rogen and partner Evan Goldberg and a relative first for the genre, co-directed by the man behind films like Shrek and Madagascar, Conrad Vernon. Sausage Party is sure to cause some controversy this weekend, and it won’t be for everyone, but its massive comedic cast — which includes Jonah Hill, Paul Rudd, Kristen Wiig, Bill Hader, etc. — and blend of dumb and witty humor should offer more than enough to please Rogen fans — and even South Park lovers.

As we mentioned, Sausage Party is just one of several intriguing films this weekend. Chris Pine, Jeff Bridges, and Ben Foster will hope to grab those looking for more some weightier storytelling with Hell or High Water, a modern western that pits Pine and Foster as desperate bank robbers in a depressed town against Bridges’ soon-to-retire Texas Ranger. The film, from the writer of Sicario, looks excellent and it’s nice to see Pine branch out from Star Trek with something worthy of his talents.

Of course, there’s also Pete’s Dragon, the surprisingly well-reviewed remake of the classic (and rather bizarre) 1977 film from Disney. Frankly, the wooly CGI dragon and Karl Urban’s seemingly two-dimensional pitchfork-and-torch character in the trailers made this one look like a mess, but critics seem to have been taken aback by its charm and good pacing.

Joining those great choices are Meryl Streep’s biopic about a plucky heiress who wants to sing opera but has a horrible voice, Florence Foster Jenkins, and Mel Gibson’s pulpy B-movie, Blood Father, about a father saving his daughter from drug dealers.

Whew! That’s a lot of movies premiering all at once, and there really is something for everyone. But that’s not all we’ll be talking about this week. We’ll also be discussing the latest turn for the long awaited (and seemingly doomed) remake of The Crow, a quick review of Vice Principals by our own Greg Nibler, this week’s Between The Cracks segment, which details a movie or show you probably don’t know about, and Tales From the Crypt returns to TV. That’s just part of the story, so tune in to find out more!

Check us out live at 10:00 a.m. PST here or on YouTube, or take us along with you by subscribing to our podcast on iTunes or Stitcher.

Ryan Waniata
Former Digital Trends Contributor
Ryan Waniata is a multi-year veteran of the digital media industry, a lover of all things tech, audio, and TV, and a…
3 underrated Netflix shows you should watch this weekend (March 14-16)
Kyle Chandler and Linda Cardellini stand and look.

Netflix's tremendous success as a streaming behemoth comes in part from its ability to constantly introduce subscribers to something new. That feeling that there's always something to watch is great. However, the tradeoff is that tons of stuff might never pop into your recommendation algorithm.
If you're looking for a great show to watch this weekend, we've pulled together three shows on Netflix that are unlikely to show up for you on their own.

We also have guides to the best movies on Netflix, the best movies on Hulu, the best movies on Amazon Prime Video, the best movies on Max, and the best movies on Disney+.
Bloodline (2015-2017)
Bloodline - Trailer

Read more
Don’t let these 3 hidden March 2025 streaming TV shows fly under your radar
A group of well-dressed people crowd by a doorway, looking shocked in The Residence.

Every month, there's always one, maybe two, new shows that get all the attention. Sometimes, it's a popular show returning with a new season. This March, many less high-profile shows are flying under the radar. You might have heard of these shows but weren't quite sure what they were about or even if they're worth watching.
We suspect that you'll be pleasantly surprised if you give any of these shows your time. Check out an episode or two, and it will likely lead to binging the whole thing. Two of the three series release all season one episodes at once, while the third will tease you with the first two episodes this month. What are these three hidden March 2025 streaming TV shows you shouldn't let fly under your radar? Have a look.
Need more recommendations? Then check out the best new shows to stream this week, as well as the best shows on Netflix, the best shows on Hulu, the best shows on Amazon Prime Video, the best shows on Max, and best shows on Disney+. 
Deli Boys (March 6)
Deli Boys | Official Trailer | Hulu
Already receiving rave reviews, Deli Boys is a hilarious comedy about two Pakistani American brothers, Mir (Asif Ali) and Raj (Saagar Shaikh), who discover that their father was much more than a convenience store owner. When he suddenly passes, the brothers discover that dear Dad was actually embroiled in a life of crime.
If they don’t want to lose everything their family has worked for, they need to take over as the new crime bosses. But this is not a life they know anything about. As one of the most anticipated Hulu shows of 2025, Deli Boys’ first season delights thanks to its clever one-liners, talented cast, and bizarre storylines.
Stream Deli Boys on Hulu.
The Residence (March 20)
The Residence | Official Trailer | Netflix
The best way to describe The Residence is that it's like Knives Out in the White House with a gender-swapped Benoit Blanc-like character. The lead is Cordelia Cupp (Uzo Aduba), an equally eccentric yet brilliant detective who consults with the local police. When the White House chief usher, A.B. Wynter (Giancarlo Esposito in a role that was originally supposed to be played by the late Andre Braugher), winds up dead, she’s called in to investigate. A state dinner is going on downstairs with officials from Australia, and Cupp orders that no one leave until she questions all 140+ people present.
The Residence is plenty of fun, mixing the usual whodunit formula with Shonda Rhimes' unique creative flair that will keep you guessing from one episode, even a moment, to the next. Aduba is perfect as Cupp, who combines an oddball personality — including repeatedly birdwatching in the middle of a murder case — with a subtle sarcasm. Through it all, however, she throws down astute observations that teach everyone she knows exactly what she’s doing, even if it doesn’t look like it. If you love the whodunit genre, The Residence won’t disappoint.

Stream The Residence on Netflix. 
The Studio (March 26)
The Studio — Official Trailer | Apple TV+
One of Apple TV+’s quieter new show releases is The Studio, which has gotten overwhelmingly positive reception in early reviews. Seth Rogen created and stars in this comedy as Matt Remick, a man who longs to run a Hollywood studio. When he finally realizes this dream, however, the reality of the complicated balancing act of managing budgets, changing economic and societal times, corporate demands, and eccentric actors sinks in.
The Studio has an incredible cast that includes Catherine O’Hara, Ike Barinholtz, Chase Sui Wonders, and Kathryn Hahn. There's also a rotating selection of guest stars playing exaggerated versions of themselves to add to the Hollywood feel, from Zac Efron to Martin Scorsese. Early reviews already give The Studio a perfect 100% Rotten Tomatoes score, with Slant Magazine’s Ross McIndoe singling out the dark and “more than a little pointed” comedy as the highlight.

Read more
Opus: John Malkovich, Mark Anthony Green on storytelling and creating pop stars
A director points to two actors.

If John Malkovich is in a movie, he's stealing the show. From the high-pitched Russian mobster (Rounders) and sadistic killer (Con Air) to the charismatic seducer (Dangerous Liaisons) and the satirical version of himself (Being John Malkovich), Malkovich portraying an eccentric character is the norm, not the exception. Because of his mysterious demeanor and distinct voice, who better to play a legendary pop star than Malkovich?
In Mark Anthony Green's Opus, a young writer named Ariel Ecton (Ayo Edebiri) and her journey to the compound of the iconic Alfred Moretti (Malkovich), the world's most famous pop star, who is preparing to release his first album in 30 years. Surrounded by several journalists and Moretti's followers, Ariel quickly learns about the dark side of celebrity and tribalism in this psychological horror.
Malkovich and Green spoke to Digital Trends about the art of storytelling and how to create a pop star out of thin air.
This interview has been edited for length and clarity.

Digital Trends: I wanted to start with a question for both of you about storytelling because I feel like there's this debate on who is a storyteller. Can actors be storytellers? I watched a recent interview with Kieran Culkin and Coleman Domingo, and they said they weren't necessarily storytellers. They were servants who were in service to the story. That was their job. At the end of the day, it wasn't their script. Mark Anthony, I'll start with you. How do you see yourself? Do you see yourself as a storyteller because you wrote and directed this script?
Mark Anthony Green: Yeah, I think most people would probably agree — Writer-director, storyteller, especially if it's an original story. The reason I approach it differently, I won't say I disagree with ... I'll never say I disagree with Coleman Domingo because I'm such a fan. The reason I kind of approach it differently, probably the best part of the job, is working with John and Ayo and Murray [Bartlett] and Juliette [Lewis] and Tony [Hale]. Working together to tell the story.
There's never a moment where I feel like I'm the only one in charge or tasked with the story. I thoroughly expect Shirley Kurata, our costume designer, to be telling that story, and you better believe I expected John's ass there on time to tell that story, and he was. He [John] would send ideas, even improvise lines. There are some moments in Opus when John improvises lines and tells the story. I don't think that's how it works. I think that those guys [Colman and Kieran] were being humble, and I appreciate that.

Read more