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John Wick at 10 and the resurrection of Keanu Reeves

Keanu Reeves in John Wick.
Summit Entertainment

Ten years ago this month, John Wick hit theaters and gave Keanu Reeves a comeback for the ages. But it’s easy to forget that the film wasn’t a huge hit out of the gate. An $86 million worldwide take at the box office is hardly memorable, even when considering the film’s modest $20 million to $30 million budget. It took time for action fans to latch on to John Wick when it had its post-theatrical release on home media. But once they did, John Wick became the start of a franchise that is still going a decade later.

To celebrate the 10th anniversary of John Wick, we’re looking back at the film itself and how it brought Reeves’ career back to life after a long downward spiral following his stint in The Matrix and its sequels.

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John Wick revitalized Keanu Reeves’ career

Keanu Reeves in John Wick.
Summit Entertainment

Before we get into the film itself, it’s worth taking the time to remember that Keanu Reeves had lost a lot of his star power in the industry. By 2014, it had been over a decade since the third Matrix movie, The Matrix Revolutions, and Reeves hadn’t had any comparable hits in that timeframe. Reeves still worked regularly, but John Wick wasn’t a big-time major studio release. Everyone outside of the film assumed it would just be another low-budget action flick with a former star in the lead.

Reeves also deserves credit for helping screenwriter Derek Kolstad reshape the character of John Wick to more closely line up with Reeves’ on-screen persona. Excess dialogue was chopped, and the film relied on Reeves’ face and body language to convey what he was going through, rather than having him state the obvious out loud. That went a long way toward making the audience feel like they knew John, because he seemed so similar to Reeves.

The title character is immediately compelling

Keanu Reeves holds a puppy in John Wick.
Summit Entertainment

John starts in a very human place at the beginning of the film, and the audience meets him while he’s grieving the death of his wife, Helen (Bridget Moynahan). Before she died, Helen arranged for John to be gifted with a puppy he could take care of, and he accepted that dog into his heart. But in no time at all, Russian mobsters break into John’s home, steal his car, and murder his puppy before leaving him for dead.

Unlike the vast majority of moviegoers, John didn’t need to seek relief from the police. As a former assassin, he recovered from his injuries and set out on a bloody path of revenge. Ironically, John’s desire to avenge himself and his dog resonated with moviegoers and proved to be more interesting than simply avenging his wife, as so many action heroes had done before.

The action is incredible

Keanu Reeves kicks a goon in John Wick.
Summit Entertainment

Aside from Reeves’ performance as the title character, the big draw of John Wick is its action. Former stuntmen Chad Stahelski and David Leitch co-directed John Wick, although only Stahelski was credited due to DGA rules. Regardless, Stahelski and Leitch brought an understanding of action that the Michael Bay school of filmmakers lack. They didn’t rely on quick cuts or incomprehensible editing to convey action. Their focus was on longer takes and well-choreographed fights.

Even the gunplay of John Wick featured stylized action that separated it from the films that came before it. Once John Wick was discovered by action fans, they embraced its unique touches which were pushed even further in the sequels.

John Wick takes the time to create its own underworld

Ian McShane as Winston in John Wick.
Summit Entertainment

Compared to the films that came after it, John Wick is clearly set in something that resembles our reality. This was long before audiences learned about the High Table and the arcane rules of this world of assassins. Having said that, John Wick sets the table — so to speak — for all of those things by introducing The Continental hotel, which is an oasis for killers and criminals to roam freely without fear of violence.

This movie also revealed that the currency of the underworld isn’t strictly cash. Instead, it revolves around gold coins that are worth more than mere money, and they can buy access to The Continental among other services that can’t be legally acquired.

The supporting cast gives great performances

Adrianne Palicki and Keanu Reeves in John Wick.
Summit Entertainment

There are two scenes in the movie where characters slap the taste out of the mouth of Iosef Tarasov (Alfie Allen) for being stupid enough to attack John Wick, steal his car, and shoot his dog. John Leguizamo’s Aurelio does it, and he’s soon followed by Iosef’s father, Viggo Tarasov (Michael Nyqvist). The reason why those scenes are so effective is that they set up the mythology of John Wick himself, as expressly laid out by Viggo. Without any flashbacks, the audience learns that John was one of the most feared assassins in the underworld. The supporting players hype up John for the audience before the movie shows what he’s capable of doing.

Two of the other supporting characters, Winston (Ian McShane) and Charon (Lance Reddick), were so memorable that they’ve been in every sequel to date. McShane in particular commands the screen as Winston, and he adds a lot of flavor to the movie. Willem Dafoe and Adrianne Palicki also have great turns as Marcus and Ms. Perkins, respectively. They helped flesh out this world and they gave Reeves intriguing characters to play against.

It wasn’t intended to be a franchise

Keanu Reeves holds an umbrella in John Wick.
Summit Entertainment

Three sequels and one TV miniseries later — with a spinoff movie, Ballerina, to come — it’s easy to forget that John Wick was a standalone movie. It didn’t end on a cliffhanger like the second and third films. Instead, John’s story is finished when he finally gets his revenge, as well as a new reason to keep on living. That was John’s happy ending.

Of course, once John Wick became wildly successful in its home release, plans were drawn up for more movies and the rest, as they say, is history. Even though John Wick: Chapter 4 went out of its way to seemingly end the story once and for all, there’s still talk about a potential John Wick: Chapter 5. Sometimes, Hollywood just doesn’t know how to let a franchise go and won’t let characters reach their conclusions. It’s the kind of thinking that got us The Matrix Resurrections, another Reeves action franchise that lost sight of what made the movies before it so entertaining.

Surprisingly, John Wick isn’t currently on any of the major streaming services, but that should change as we get closer to Ballerina‘s release next year. And yes, Reeves has already filmed his cameo appearance for that movie.

Rent or buy John Wick on Prime Video.

Blair Marnell
Blair Marnell has been an entertainment journalist for over 15 years. His bylines have appeared in Wizard Magazine, Geek…
20 years later, Constantine is more devilish fun than you remember
Keanu Reeves smokes a cigarette as John Constantine in a still from the movie Constantine.

Keanu Reeves in Constantine Warner Bros.
The Lord forgives. So, in time, do film critics, whose snap judgements can be as severe as the punishments of a vengeful god. There was certainly some Old Testament fury to the reviews that crashed like lightning upon Constantine, the 2005 Vertigo comics adaptation that cast Keanu Reeves as an existentially bummed anti-hero, sending unruly half-demons back to Hell with a cigarette dangling from his sneering mouth and a middle finger raised high. But the movie, which turns 20 today, has aged better than you might imagine, given its initially damning reception. Maybe this minor Hollywood hit simply benefits by comparison to what passes for a special-effects spectacle in our current fallen world.
Constantine was Keanu’s first starring role after the conclusion of the Matrix trilogy, and no one could help reaching for unflattering comparisons. (Of course, the Matrix sequels were considered disappointments, too, before being reclaimed in the years that followed.) Certainly, there were parallels to draw between the messianic rise of Neo and the misadventures of John Constantine, another messiah of sorts, able to see the secret design of the world around him and forced to save his fellow man from a shape-shifting, incognito threat. Constantine simply made the religious subtext of The Matrix into text, trading Descartes for scripture.
Fans of the Hellblazer comic had plenty to complain about, too. The film was conceived without the blessing or involvement of Alan Moore, co-creator of the character and revered creative godhead with a grudge against the Hollywood system bastardizing his work. Constantine, which predates the fan-courting fidelity of modern comic-book movies, is what you could call a very loose adaptation. It relocates the action from Liverpool and London to Los Angeles, while refiguring the famously blonde title bloke into a dark-haired American goth, a neo-Neo. (The short-lived NBC series hewed a little closer to the Constantine of the page.)
Constantine | Official Trailer 4K Ultra HD | Warner Bros. Entertainment
Reeves wouldn’t be any diehard’s first choice to play a character modeled on the rock star Sting. All the same, he’s a lot of fun in the role — the exorcist as chain-smoking noir detective. “God’s a kid with an ant farm,” he says, with a cynicism that would make Humphrey Bogart proud, even if he was too cool to show it. Can we really blame this salty holy man for his angst? In the revised backstory cooked up by screenwriters Kevin Brodbin and Frank Cappello, John attempted suicide as a teenager to stop the visions of angels and demons running through his head — a mortal sin that plummeted him to Hell for two minutes that felt like forever, and which guaranteed he’d eventually return for permanent damnation. Keanu’s performance carries the bitter burden of that knowledge. He’s soulfully miffed.
The plot of Constantine is silly and convoluted. It involves the unearthed Spear of Destiny (that is, the lance that supposedly poked and prodded Christ on the cross), the ambitious son of Satan, twin psychic sisters played by Rachel Weisz, and a collaboration between Heaven and Hell meant to bring about a thousand years of darkness or something. But there’s lots of fun around the edges of the story, particularly in the matter of handing its hero Men in Black-style tools of the trade. Constantine consults his own version of James Bond’s tech support, Q; loads up sprinklers with holy water; sports brass knuckles with cross indentations on them. At one point, he shakes down a half-demon played by Bush frontman Gavin Rossdale by threatening to send him not back to inferno but up to paradise, where they don’t take too kindly to minions of Beelzebub.

Tilda Swinton in Constantine Warner Bros.
The cast is better than you might expect or remember. Reeves and Weisz invest the melodrama and exposition alike with dignity, as through they weren’t headlining a goofy graphic-novel riff on Catholicism. This is also a movie that secures a pre-Oscar-winning Tilda Swinton to play mad, androgynous half-angel Gabriel — a character, and performance, that deserved more screen time — and Coen-brother regular Peter Stormare as a gloating, eccentric Lucifer. The weak link, naturally, is Shia LaBeouf, though it’s not really the then-rising star’s fault: His character, an eager getaway driver and sidekick, feels shoehorned into the proceedings, as though the studio felt that such moody material demanded some broad comic relief.
Constantine could definitely be scarier. Its vision of Hell is a bit of a bust — a blazing City of Angels that’s like something out of a bad Terminator sequel. And most of the unholy attractions are weightless digital phantoms, conjured through CGI that now looks like the one element here that has aged badly. You might wish that the movie gave us more of Constantine on the job, trudging to work like the Almighty’s most put-upon exterminator. The first set-piece, in which Keanu trash talks the evil spirit that’s turned some innocent girl into a post-Y2k Regan MacNeil, promises a thriller at once funnier and more intense than the one we get.
All the same, it’s above-average studio claptrap. What sticks out today is the relative competence, even the casual elegance, of the filmmaking. Francis Lawrence, the music-video veteran who made his feature debut with Constantine (before going on to direct I Am Legend and most of the Hunger Games movies), has a refreshing affinity for exaggerated angles and dynamic framing. You can always tell what’s going on this movie — a virtue that should be a given, but unfortunately isn’t in our present age of overblown, under-thought tentpoles. If time has been kind to Constantine, that’s mostly because the baseline sturdiness of its craftsmanship is no longer something you can take for granted in Hollywood franchise fare. It’s a relic of a time before the industry decided that we’d all accept slop.
Let’s not overstate the matter: Constantine isn’t some deeply underrated classic. But it’s sporadically inventive and engaging pop filmmaking, elevated a couple notches above “good enough” by Keanu’s usual samurai charisma, fun mythology, and some striking imagery. Of course, there are those who do love the movie. It has a bona fide cult following at this point… which is one reason Reeves and Lawrence have decided to reunite for an unexpected sequel now in the works. In all likelihood, this belated follow-up will be met with disappointment, just as the original once was. But that’s never a strictly final judgement. Purgatory is packed with blockbusters awaiting redemption, salvation, and a second look.
Constantine is available to rent or purchase from the major digital services. For more of A.A. Dowd’s writing, visit his Authory page.

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10 best heist movies of all time, ranked
Robert De Niro and Val Kilmer as Neil McCauley and Chris Shiherlis aiming guns at something off-camera in Heat.

When movies successfully make criminal masterminds look cool, heist flicks end up being some of the most entertaining types of films to get the blood pumping from the comfort of one's couch. The greatest heist films combine careful preparation and strategizing with the high-stakes action and thrilling obstacles of executing those plans with everything at stake.
From engrossing classics like Heat and A Fish Called Wanda to stylish hits like Ocean's Eleven and Inception, the best heist movies are guaranteed to keep viewers on the edge of their seats. Expect meticulously crafted plots, shocking twists, and thrilling stories from these spectacular heist movies that set the gold standard for the genre.
10. Point Break (1991)

Keanu Reeves stars as FBI agent Johnny Utah in Point Break, which sees him tasked with infiltrating a gang of bank robbers known as the "Ex-Presidents" because of their distinctive masks. It turns out that they're also a rowdy group of adrenaline junkies getting their thrill from surfing, and Utah is drawn to their exciting lifestyle. The undercover agent soon forms an unexpected bond with the criminals, especially with their charismatic leader, Bodhi (Patrick Swayze).
Directed by Kathryn Bigelow, Point Break uses the surfer subculture as a unique backdrop for its exhilarating story. The heist movie is often over-the-top and sometimes downright absurd, which is what makes it so memorable and entertaining. It's also notable for Reeves' role, for which he performs an impressive balancing act between the role of a serious agent and a more comical fake surfer. The film hasn't been forgotten to time, with its cult following ensuring that new generations will continue to discover the bizarrely delightful action movie from the 1990s.
9. Baby Driver (2017)

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10 best movie remakes of all time, ranked
The characters from The Wizard of Oz holding each other close and looking at something off-screen.

Movie remakes have long been a Hollywood staple, with directors taking old classics or hidden gems and adding their own spin, often opting for bold creative risks. While not all remakes hit the mark, some manage to outdo their source material. The best movie remakes prove that some stories deserve to be retold and can shine even brighter the second (or third) time around.
From The Wizard of Oz (1939) to Scarface (1983), the greatest movie remakes ever breathe new life into forgotten or familiar tales, almost always introducing incredible stories to a new generation. These often become even more popular than their predecessors, praised for the way they reinvent old ideas and use fresh perspectives to transform genres, deepen narratives, update visuals, or all of the above. Even cinephiles may be surprised to learn that some of their favorites are actually remakes of lesser-known films.
10. The Talented Mr. Ripley (1999)

Based on Patricia Highsmith's eponymous 1955 novel, The Talented Mr. Ripley is a psychological thriller that follows Tom Ripley (Matt Damon), a young man and known con artist, who is sent to Europe to retrieve the spoiled and much wealthier Dickie Greenleaf (Jude Law). When he fails to convince Dickie to return home, he soon comes up with a plan driven by jealousy of Dickie and his expatriate girlfriend Marge Sherwood's (Gwyneth Paltrow) lavish lifestyle.

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