Skip to main content
  1. Home
  2. Entertainment
  3. News

Warner, Disney, and NBC are fighting Google & Apple over control of your smart TVs

Broadcasters are challenging Big Tech’s control over smart TV ecosystems

Add as a preferred source on Google
The default Google TV homescreen, as seen on the Onn 4K Pro.
Phil Nickinson / Digital Trends

Your smart TV might look like a simple screen for entertainment, but a bigger battle is playing out behind it.

Major broadcasters like Disney, NBCUniversal, and Warner Bros Discovery are now pushing European regulators to rein in tech giants like Google, Apple, Amazon, and Samsung over how content is controlled and delivered.

Recommended Videos

According to Reuters, the companies have approached EU antitrust authorities, asking for smart TVs and set-top boxes to be regulated under the Digital Markets Act (DMA). This law is designed to limit the power of large platforms (or so-called gatekeepers) that control access to users and markets.

Why broadcasters say your TV is now controlled by gatekeepers

Broadcasters argue that smart TV platforms and operating systems are no longer neutral. They decide which apps you see, how content is promoted, and how easily you can access services.

That is why they want these platforms classified as gatekeepers under the DMA. If approved, this would force companies like Google and Apple to follow stricter rules around fairness and competition.

The concern is clear in their statement. “A limited number of operators are therefore gaining growing ability to shape outcomes for millions of users and businesses by controlling access to audiences and content distribution,” the group said.

The lobbying group points to growing dominance in smart TV OS. Samsung’s Tizen TV platform leads with a 24% market share, followed by Android TV at 23%, and Amazon’s Fire TV OS at 13%, according to industry group data.

Which companies are involved and why this matters

The push comes from a wide group of broadcasters, including Canal+, Disney, ITV, NBCUniversal, Paramount+, RTL, Sky, TF1 Groupe, and Warner Bros Discovery. Together, they represent a significant share of Europe’s media landscape and reach millions of viewers.

These companies rely on smart TV platforms to distribute their content, but they argue that control is shifting toward the platform owners. This can affect visibility, app placement, and even how revenue is shared.

Tech companies, on the other hand, position their platforms as tools that simplify access and improve your viewing experience.

The argument also stems from an ongoing power struggle between broadcasters and platforms, highlighted by Disney’s recent dispute with YouTube TV that led to a three week blackout in November 2025.

If regulators step in, your smart TV could work differently in the future, with more rules on how content is surfaced and who controls what you see.

Manisha Priyadarshini
Manisha Priyadarshini is a tech and entertainment writer with over nine years of editorial experience.
EXCLUSIVE: Obsession composer Rock Burwell breaks down the horror hit’s unsettling score
Composer Rock Burwell talks creating the Obsession's beloved score, the film's Oscar campaign, and collaborating with director Curry Barker
Nikki (Inde Navarette) and Bear (Michael Johnston) sitting on a bed together in the horror film, Obsession, written and directed by Curry Barker.

Horror fans can't stop talking about Obsession, and Rock Burwell's haunting musical score has been one of the most celebrated elements of the movie. Made on a reported $750,000 budget with many emerging actors and crew members, Obsession has grossed over $300 million at the box office.

The film's extraordinary turnout has made it one of the highest-grossing horror movies of all time. Director Curry Barker has even told The Hollywood Reporter that Focus Features plans to launch an Oscars campaign for Obsession, making Burwell's score a possible awards contender.

Read more
Google is diving into the film world with millions of dollars, and yes, AI is involved
Google makes its first-ever stake in a movie studio.
Chiwetel Ejiofor looking astonished in Backrooms, the horror film directed by Kane Parsons and produced by A24.

Google is investing roughly $75 million in A24, the studio behind the latest hits like Backrooms and Obsession, according to the Wall Street Journal.

The investment comes attached to a new AI research partnership between A24 and Google DeepMind, Google's artificial intelligence research lab.

Read more
Amazon pulls back from Sam Altman film ‘Artificial’ as it may have hit too close to home
Amazon MGM Studios walked away despite strong test screenings and a finished cut
OpenAI CEO Sam Altman during the Uncapped podcast in June 2025.

Amazon MGM Studios just backed out of releasing Artificial, Luca Guadagnino's movie about OpenAI CEO Sam Altman.

According to Deadline, the studio confirmed it will no longer distribute the nearly finished film, even though it had been in the works for roughly a year and had already screened well in early test audiences.

Read more