Skip to main content

Box office hits and misses: Mission: Impossible soars while Pixels plummets

weekend box office mission impossible rogue nation  cruise plane
Image used with permission by copyright holder
Tom Cruise proved he was still more than capable of drawing a crowd this weekend, with Mission: Impossible — Rogue Nation earning the top spot at the box office while Adam Sandler’s sci-fi comedy Pixels found itself falling rapidly down the charts both at home and abroad.

The fifth installment of the successful Mission: Impossible franchise earned $56 million in the U.S. over the weekend and $65 million internationally, bringing its three-day total to $121 million worldwide. That tally gave it the second-best domestic opening of all the films in the series, just behind the $57.8 million opening of 2000’s Mission: Impossible II. Extremely positive word-of-mouth buzz surrounding the film has many box-office pundits predicting a long stay in theaters for Rogue Nation, which has already exceeded the international opening-weekend success of its predecessor, 2011’s Mission: Impossible —Ghost Protocol, the current chart-topper for the franchise with $694.7 million in overall ticket sales.

Recommended Videos

The other big film opening this weekend was Vacation, the part-sequel, part-reboot of the National Lampoon’s Vacation franchise, starring Ed Helms and Christina Applegate. The film opened early on Wednesday — likely hoping to generate some buzz before Rogue Nation entered the mix — but still only managed to stir up $21.2 million over an extended, five-day opening “weekend.”

Please enable Javascript to view this content

Next in the weekend rankings were Marvel Studios’ Ant-Man and Universal Pictures’ Minions, which continued to jockey for box-office position with $12.6 million and $12.2 million, respectively. This weekend’s ticket sales brought Ant-Man closer to moving past 2008’s The Incredible Hulk in the domestic box-office ranking of Marvel’s cinematic universe movies, and now the size-changing superhero’s debut needs just under $3 million to move out of the last-place position in Marvel’s movie-verse.

Closing out the top five was Adam Sandler and director Chris Columbus’ arcade adventure Pixels, which sank from last week’s underwhelming second-place opening to an even more underwhelming fifth-place finish at the weekend box office with $10.4 million domestically. So far, the film has earned $45.6 million in the U.S. and another $56.5 million internationally for a worldwide tally of $102 million — which means it likely hasn’t covered its $88 million production budget yet (given the small percentage of overseas earnings that actually go back to the studio).

The rest of the weekend’s top-10 ranks were filled out by Amy Schumer’s raunchy comedy Trainwreck ($9.7 million), director Antoine Fuqua’s boxing drama Southpaw ($7.5 million), the big-screen adaptation of John Green’s Paper Towns ($4.6 million), Pixar’s critically praised animated feature Inside Out ($4.5 million), and the record-smashing Jurassic World, which added another $3.8 million to its whopping $631.5 million tally in U.S. theaters so far.

Next weekend features the premiere of Fantastic Four, director Josh Trank’s reboot of the 20th Century Fox superhero franchise based on the popular Marvel Comics characters. Never a good sign for a film, reviews of Fantastic Four are being held until after its debut, which typically indicates that the studio is concerned about early reviews damaging a film’s opening weekend.

Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
5 sci-fi movies on Netflix you need to watch in January 2025
Three men have a talk in Inception.

Netflix is starting 2025 on a high note with its sci-fi collection. Netflix's original content has been pushed aside for a swarm of licensed movies from other streamers. Take Dune and Dune: Part Two (more on that below). The two-part adaptation of Frank Herbert's novel has primarily lived on Max. Now, the sci-fi epics are on Netflix and will certainly find a new audience.

That's the power Netflix can provide for a movie. Netflix continues to have the biggest audience among the streamers, and popular sci-fi movies will continue to benefit from its reach. For more sci-fi, check out our recommendations, including a polarizing Kevin Costner title, an innovative heist drama, and a fantasy buddy cop tale.

Read more
3 PBS shows you should watch in January 2025
Kate Phillips in Miss Scarlet.

PBS has such a powerhouse lineup in January that we weren't able to find a place for Antiques Roadshow when narrowing the choices down to three ... and that's one of the top shows on the Public Broadcast System! PBS has endured for decades by giving viewers programming options that the broadcast and cable channels wouldn't. And that's still true even in the streaming era.

Our picks for the three PBS shows you should watch in January include two British dramas returning for their fifth seasons, as well as the 11th season of another breakout hit.

Read more
Prime Target trailer: Leo Woodall is the world’s greatest mind in Apple TV+ thriller
A man sits down with a notebook and looks up in Prime Target.

Numbers are the greatest weapon in the trailer for Prime Target, a new Apple TV+ conspiracy thriller starring Leo Woodall and Quintessa Swindell.

Edward Brooks (Woodall) is a gifted mathematician searching for sequences in prime numbers. "What if numbers didn't behave the way we assume?" Edward tells his professor (David Morrissey). What Edward doesn't realize is that his work could be the foundation for a virtual key that opens every digital lock in the world. If this weapon gets into the wrong hands, it will lead to worldwide panic and chaos.

Read more