Skip to main content

How moving an adjustment layer in Lightroom can save you time

One of the most helpful tools in Lightroom is the adjustment brush. It allows you to selectively adjust various parts of an image by simply brushing a mask in place and tweaking the settings until it looks as you want it to.

One of the lesser-known and lesser-used features of the brush tool is the ability to move the adjustment brush edits after you’ve brushed them in place. If you’re wondering why you’d want to move around the edit after you meticulously shaped it in Lightroom, you’re not alone.

Recommended Videos

Here to explain why you might want to move the brush is photographer and Lightroom guru Scott Kelby of KelbyOne.

Please enable Javascript to view this content

In this three-minute tutorial, Kelby explains how the ability to move a brush edit can be incredibly helpful when you’re trying to edit a series of images that were captured in the same pose and same lighting environment, but are composed slightly different due to hand-holding the camera.

As shown in the video, the process involves creating a brush adjustment layer on the first image of the series and using Lightroom’s Autosync feature to apply it to all of the photos. With the first image taken care of, go to each image and fine-tune the placement so it lines up with the area you want altered.

By effectively batch editing the adjustment layer and fine-tuning it from image to image, you save yourself the problem of painting in the layer on each image in the series.

It’s a small feature and a niche trick, but it’s one that may very well save you valuable time in the future. For more Lightroom tutorials, head on over to the KelbyOne YouTube channel and subscribe.

Gannon Burgett
Former Digital Trends Contributor
What Lightroom RAW photo import defaults are and how to adjust them
adobe lightroom feb 13 update performance lifestyle laptop photo toning editing print

A RAW photograph is like a blank color-by-number picture; it's not quite a blank canvas, yet far from being a finished, polished image. When shooting RAW, the screen on the back of the camera doesn’t actually display a RAW image, but an in-camera processed JPEG preview: A color-by-number already colored in. When you import those RAW files into Lightroom, then, the neutral-colored images can often feel disappointing, or even intimidating.

RAW defaults were introduced in February 2020, with adaptive ISO presets following later in the year, so even Lightroom experts may not know where the settings are hiding. Here’s how to use Adobe Lightroom Classic with RAW defaults. (Sorry, Lightroom CC users, the option isn’t yet inside Lightroom CC.)
What are Lightroom RAW defaults?
The automatic processing of a RAW file as it is added to Lightroom is called a RAW default. The setting automatically applies a color profile upon upload to each image. This is nothing new, but where photographers could only previously import to a default Adobe color profile, the software now allows users to simply import with the color profile that was selected in the camera.

Read more
You can now check your credit report for free every week. Here’s how
8 things 2018 kids wont experience commonplace money

 

The three national credit reporting agencies -- Equifax, Experian, and Transunion -- are granting Americans free access to their credit reports every week through April 2021.

Read more
Astronaut’s latest stunning photo has so much going on in it
Earth and space as seen from the space station.

NASA astronaut Don Pettit has been busy with his camera again. The crack photographer recently shared another stunning image, this one captured from the window of a Crew Dragon spacecraft docked at the International Space Station (ISS).

“One photo with: Milkyway, Zodical [sic] light, Starlink satellites as streaks, stars as pin points, atmosphere on edge showing OH emission as burned umber (my favorite Crayon color), soon to rise sun, and cities at night as streaks,” Pettit wrote in a post accompanying the photo.

Read more