Skip to main content
  1. Home
  2. Entertainment
  3. Evergreens

Spider-Man: Across the Spider-Verse’s ending, explained

Add as a preferred source on Google
Miles Morales falls through a multiverse portal in Spider-Man: Across the Spider-Verse.
Sony Pictures Animation / Sony Pictures Animation

Warning: This article contains major spoilers for Spider-Man: Across the Spider-Verse (2023).

Miles Morales (Shameik Moore) was never meant to be Spider-Man. At least, not the version of Miles that viewers met for the first time in 2018’s Spider-Man: Into the Spider-Verse.

Recommended Videos

This information is revealed early on in Spider-Man: Across the Spider-Verse by Jonathan Ohnn, aka The Spot (Jason Schwartzman), a former scientist who was turned into a multidimensional being when Miles and his web-slinging friends destroyed Wilson Fisk’s (Liev Schreiber) Super-Collider at the end of Into the Spider-Verse. Ohnn insists that he is Miles’ archnemesis not only because Miles’ actions resulted in his transformation, but also because it was one of Ohnn’s early experiments with Fisk’s Super-Collider that brought the radioactive spider that gave Miles his powers into their universe.

Ohnn’s comments initially fall on deaf ears, but when Miles later travels to Nueva York with Gwen Stacy (Hawkeye‘s Hailee Steinfeld), Jessica Drew (Issa Rae), and Spider-Punk (Daniel Kaluuya), he discovers that The Spot wasn’t just blustering. There, Miles finally comes face-to-face with Miguel O’Hara aka Spider-Man 2099 (Moon Knight‘s Oscar Isaac), who explains that the Spider-Verse is held together by “The Canon.” According to Miguel, The Canon refers to a collection of events that are responsible for creating every universe’s Spider-Man — namely, the death of a loved one and the demise of a kindhearted police captain.

When he discovers this information, Miles realizes that The Spot, whose powers have grown considerably since their first encounter, intends to murder his father, a police captain named Jefferson Davis (Eternals‘ Brian Tyree Henry). Miles understandably expresses his desperation to get back to his universe and prevent his father’s death, but he’s warned not to by Miguel, Gwen, and his former mentor, Peter B. Parker (Jake Johnson). Miguel insists that Miles cannot upset The Canon or else the fabric of the entire multiverse could be torn apart. When Miles doesn’t relent, Gwen, Peter, and the rest of Miguel’s Spider Society try to physically prevent him from traveling back to his universe.

Miguel holds Miles down in Spider-Man: Across the Spider-Verse.
Sony Pictures Animation

What follows is a chase across Nueva York, one that pits Miles against all of his friends and, even more importantly, Miguel. When the two characters eventually come to blows on top of a sky train, Miguel tells Miles that he was never meant to become Spider-Man. He is, in fact, an anomaly who only became Spider-Man after Jonathan Ohnn tampered with the multiverse and brought a spider from another dimension into Miles’. When that spider bit Miles, not only was its reality robbed of its potential Spider-Man, but the Peter Parker from Miles’ universe then had to die in order to compensate for Miles’ transformation.

Despite the severity of these revelations, Miles still manages to break free from Miguel’s grasp and escape Nueva York by using the DNA of the spider that bit him to send him home. Unfortunately for Miles, his plan doesn’t go entirely according to plan. The spider that bit him, after all, wasn’t from his universe, so scanning its DNA doesn’t send him home. Instead, Miles ends up stranded in a universe that not only doesn’t have a Spider-Man, but where his uncle Aaron (Mahershala Ali) is alive and his father is dead. If that wasn’t bad enough, Miles also gets captured by said universe’s version of the Prowler, which isn’t his uncle, but a vindictive, bitter version of himself.

Across the Spider-Verse, thankfully, doesn’t end on an entirely negative note for Miles. Inspired by her friend’s refusal to back down and follow Miguel’s orders, Gwen recruits a team of “familiar faces” to help her find Miles and stop The Spot from killing his dad and destroying the entire multiverse. Gwen’s team not only includes Spider-Man India (Karan Soni) and Spider-Punk, but also Peter B. Parker, Spider-Ham (John Mulaney), Peni Parker (Kimiko Glenn), Spider-Man Noir (Nicolas Cage), and the rest of her and Miles’ friends from Into the Spider-Verse.

Gwen Stacy stands next to Peter B. Parker in Spider-Man: Across the Spider-Verse.
Sony Pictures Animation

In other words, while it leaves its story in an unfinished place, Spider-Man: Across the Spider-Verse’s ending does bring one aspect of Gwen and Miles’ shared journey full circle. After spending the majority of the film longing for company and friendship, Across the Spider-Verse ends with Gwen finally finding a band she actually wants to be a member of. Even though he may not know it yet, the film’s ending also proves that Miles isn’t nearly as alone as he thinks he is.

Viewers will still have to wait until Spider-Man: Beyond the Spider-Verse hits theaters on March 29, 2024, to see the conclusion of Gwen and Miles’ latest multiversal adventure.

Spider-Man: Across the Spider-Verse is now playing in theaters.

Alex Welch
Former Digital Trends Contributor
Alex is a writer and critic who has been writing about and reviewing movies for years. He was previously the Managing Editor…
YouTube is reworking the Home page with Custom Feeds and quicker access to Subscriptions
Saved Custom Feeds are rolling out as YouTube also experiments with a redesigned Home navigation bar.
YouTube custom feeds banner

YouTube is changing how its Home page works, giving viewers more control over what shows up there and making some of the app’s most-used sections easier to reach. Custom Feeds are now replacing the existing topic chips for eligible users, while YouTube is also testing a redesigned top bar on mobile that moves Subscriptions closer to the Home feed.

YouTube first started experimenting with Custom Feeds earlier this year, letting you type out what you wanted to watch and turning that request into its own stream of recommendations. Now, the feature is starting to look less like a side experiment and more like something YouTube actually wants people to use as part of their everyday Home page.

Read more
EXCLUSIVE: How Klara and the Sun warns of a future where humans compete with AI
What Does Klara and the Sun Say About the Dangers of AI?
Jenna Ortega stars in Klara and the Sun.

Artificial intelligence has already changed people's lives, both at home and at work, but what happens when people start treating AI as a replacement for their loved ones? Filmmaker Taika Waititi explores this terrifying idea with his new sci-fi movie, Klara and the Sun. Based on the novel by Kazuo Ishiguro, the film follows Klara, a solar-powered "Artificial Friend" played by Jenna Ortega, as she bonds with Josie, a sick teenager.

Klara and the Sun paints an unusual, unsettling portrait of a world with AI. Essentially The Wizard of Oz meets Blade Runner, Waititi's dystopian film is filled with his brand of vibrant visuals and quirky humor. But beneath all that, the film tells a deeper, more serious story about AI and whether it can cause the downfall of society and human connection.

Read more
Spotify has kicked 50 million AI slop tracks out of your recommendations
Spotify is cleaning up your music recommendations, and AI-generated spam is finally getting the boot.
Spotify on iPhone

Finding new music on Spotify is one of those little joys that can turn an ordinary day around. You play a song you love, let the recommendations take over, and occasionally stumble upon an artist you wish you’d discovered sooner. But with AI making it ridiculously easy to produce music in bulk, not everything landing in your recommendations deserves a listen.

Spotify knows this is becoming a problem, and it’s acting on it. The streaming giant has revealed it filtered more than 50 million spammy, low-quality tracks from its recommendations this year. That’s on top of another 75 million tracks it has completely removed from the platform for repeatedly or seriously breaking its rules. And Spotify isn’t stopping there — it wants to make sure actual artists aren’t buried under an endless stream of AI-generated content.

Read more