Skip to main content

'Don't Breathe' director hired for 'Dragon Tattoo' sequel 'The Girl In The Spider's Web'

girl in the spiders web movie dragontattoo g
Image used with permission by copyright holder
Secure those secret files, because Lisbeth Salander is headed back to the big screen.

Sony’s Columbia Pictures has hired Don’t Breathe director Fede Alvarez to helm an adaptation of The Girl in the Spider’s Web, the fourth installment in the best-selling Millennium series that began with The Girl With the Dragon Tattoo and chronicles the adventures of Swedish hacker Salander and journalist Mikael Blomkvist. The Girl in the Spider’s Web will feature a different cast from that of David Fincher’s 2011 adaptation of Dragon Tattoo. It will also be the first book in the series to be adapted as an English-language movie before it was turned into a Swedish film.

Recommended Videos

The official announcement of the Spider’s Web adaptation isn’t entirely clear about whether it will pick up after the events of The Girl With the Dragon Tattoo or completely reboot the movie franchise’s continuity. What is for certain is that the studio will be searching for a new actress to replace Dragon Tattoo star Rooney Mara as Salander. (The character was played by Noomi Rapace in the original, Swedish adaptation of the trilogy.) Alvarez will direct the film from a script penned by Steven Knight (TabooPeaky Blinders).

Please enable Javascript to view this content

Released in the U.S. in September 2015, the novel The Girl in the Spider’s Web is the fourth chapter of the Millennium series and the first not authored by the late Stieg Larsson, who created the series. The story penned by David Lagercrantz has Salander and Blomkvist crossing paths with U.S. intelligence organizations after a hacker uncovers damaging information about the National Security Agency.

Filming on The Girl in the Spider’s Web is expected to begin later this year, with a release date planned for late 2018.

The previous English-language adaptation of The Girl With the Dragon Tattoo starred Mara and Daniel Craig, and earned $232.6 million worldwide. The four books in the series have collectively sold more than 86 million copies worldwide.

In announcing the adaptation of Spider’s Web, Columbia Pictures President Sanford Panitch called Lisbeth Salander “one of the greatest female literary characters of all time,” and credited Alvarez for his “talent and skill in creating psychological intensity [that] will bring Lisbeth Salander back into popular movie culture with a roar.”

The Girl in the Spider’s Web is scheduled to hit theaters October 5, 2018.

Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
‘Mission: Impossible – The Final Reckoning’ director says the movie has ‘the most difficult thing we’ve ever done’
Tom Cruise stares with a concerned look on his face.

The Mission: Impossible movies are known at this point for including at least one death-defying stunt from star Tom Cruise. Cruise seems hellbent on putting his life in danger for the benefit of audiences, and thus far, that dedication has led to some pretty excellent movies.

Mission: Impossible - The Final Reckoning may or may not be the final installment in the franchise, but director Christopher McQuarrie is already suggesting that the movie has one of the biggest stunts in the franchise's history. In speaking with Empire (per GamesRadar), he said that the film contains "the most difficult thing" they've ever done with the series. Unfortunately, he didn't go into detail about what the sequence involved.

Read more
Adam Scott learned to run for the ‘Severance’ opening sequence by watching Tom Cruise
Adam Scott holds blue balloons in Severance season 2.

Few men in the history of cinema have more famous runs than Tom Cruise, so it makes sense that Adam Scott turned to the movie star when it came time for his major running sequence in the Severance season 2 premiere.

Scott discussed the opening scene with executive producer and director Ben Stiller on the official Severance podcast and also explained just how long the sequence took to shoot.

Read more
20 years ago, they brought a John Carpenter classic into the 2000s
Laurence Fishburne and Drea de Matteo crouch by a window in a shot from the 2005 movie Assault on Precinct 13.

The first thing you miss is the music. That funky, synthesizer throb. That heartbeat of stone-cold menace. Everyone loves the iconic tinkle of John Carpenter’s Halloween theme, but two years earlier, he composed a score every bit as infectiously stark, instantly setting the tone of his low-budget 1976 thriller Assault on Precinct 13. When Hollywood got around to remaking Assault in 2005, they went a different way musically. (The trend of modern genre movies with throwback electronic soundtracks was still a few years off.) Right from the jump, you feel the difference. The conspicuous absence of vintage Carpenter boogie is merely the most audible sign that a minimalist classic has been fruitlessly maximalized.

In the dubious field of remaking John Carpenter movies (a matter on which the director himself has been bluntly, hilariously pragmatic), the 21st-century Assault on Precinct 13 sits far from the bottom. It might, in fact, be the cream of a crop that includes an entirely forgettable upgrade of The Fog that opened just a few months later, a redundant prequel to The Thing, and Rob Zombie’s numbingly extreme Halloween. But the aughts Assault, which turns 20 years old today, also neatly illustrates and maybe exemplifies how these do-overs go wrong: They always manage to sacrifice the elegant simplicity of Carpenter’s work. 

Read more