Skip to main content
  1. Home
  2. Entertainment
  3. News

Brits love this epic movie score more than any other

The result of a vote was announced on Monday, and a 24-year-old movie score emerged as the winner.

Add as a preferred source on Google
Howard Shore’s The Lord of the Rings | Classic FM Live

U.K.-based movie fans have voted for their favorite movie score of all time, with Howard Shore’s epic The Lord of the Rings work emerging as the winner. 

Topping the vote for the third year in a row in the Classic FM Movie Music Hall of Fame, audiences first heard Shore’s moving piece in the first Lord of the Rings movie in 2001. You can enjoy it in the video at the top of this page.

Commenting on the win, the Canadian-born composer said: “It’s an honor that The Lord of the Rings has topped the Classic FM Movie Music Hall of Fame for the third year running,” adding: “It’s wonderful that audiences continue to enjoy this musical journey through J.R.R. Tolkien’s Middle-earth, and I am thrilled the music resonates so strongly today.”

Classic FM presenter Jonathan Ross, who announced the winning score on Monday, described The Lord of the Rings as “legendary in every sense — the storytelling, the world-building, and of course, Howard Shore’s unforgettable music.”

Ross added: “It’s a score that sweeps you away to another world, and I’m not surprised that our listeners have crowned it number one again.”

In the vote for the nation’s favorite movie music composer, Williams tied with Hans Zimmer, with each securing 11 entries in the top 100 movie scores. Zimmer’s Interstellar climbed seven places from last year to make it into the top 10, though his top-ranking work was Gladiator, which took fourth spot. American movie composer John Williams, meanwhile, had three scores in the top 10, including Schindler’s List at number 2.

Here are the top 10 movie scores of all time, according to movie fans in the U.K.

1. The Lord of the Rings – Howard Shore

2. Schindler’s List – John Williams

3. Star Wars – John Williams

4. Gladiator – Hans Zimmer

5. Jurassic Park – John Williams

6. Out of Africa – John Barry

7. Dances with Wolves – John Barry

8. The Good, the Bad, and the Ugly – Ennio Morricone

9. Interstellar – Hans Zimmer

10. Wilde – Debbie Wiseman

Trevor Mogg
Contributing Editor
Not so many moons ago, Trevor moved from one tea-loving island nation that drives on the left (Britain) to another (Japan)…
Netflix says it has used AI in over 300 titles and there’s no stopping it now
AI in hollywood is no longer just en experiment.
Netflix on TV couple watching

The Hollywood argument over whether AI belongs in film and television production may already have been overtaken by reality. Netflix has confirmed that its creative partners used generative AI workflows across roughly 300 titles in 2026, with the largest concentration of work happening during post-production.

Keep in mind this number describes AI-assisted production workflows and not 300 completely machine-generated films and shows. Regardless, it does show how quickly the technology has moved beyond isolated experiments.

Read more
Spotify’s new conversational AI can play tracks you request and answer your music questions
A ChatGPT-like AI feature is coming to Spotify for music requests and listening-history questions
spotify

Spotify is rolling out a new AI-powered conversational feature that lets Premium users talk directly to the app about what they want to hear. Users can type or speak a request and refine the results through follow-up questions instead of manually searching for a song, podcast, or audiobook.

The feature is available from Spotify’s Home and Now Playing screens and works much like a personal audio assistant. It can choose what plays, answer questions about the current track or album, recommend something new, and look through your listening history to provide more personalized responses.

Read more
Christopher Nolan’s personal take on smartphones is surprisingly practical
Christopher Nolan says not owning a smartphone helps him think better
Christopher Nolan sits in front of an IMAX camera.

Christopher Nolan has spent his career embracing cutting-edge filmmaking technology while resisting one of the most common gadgets on the planet: the smartphone. The Oscar-winning director behind Oppenheimer, Inception, and the upcoming The Odyssey says his decision isn't about rejecting technology altogether. It's about protecting something he believes has become increasingly rare - time to think.

In an interview with The Telegraph ahead of the premiere of The Odyssey, Nolan explained that he still doesn't own a smartphone, despite living in a world where QR codes, digital tickets, and messaging apps have become everyday necessities. His reasoning, however, is far more practical than philosophical.

Read more