Skip to main content

With Sinemia gone, are movie subscription plans too good to be true?

The dream of theatrical movie subscription services might be over, as Sinemia announced that has ceased its U.S. operations effective immediately.

In an official statement, Sinemia, which was one of the largest competitors to the infamously flakey MoviePass, cites funding issues, increased competition as theaters launch their own movie subscription plans and the cost of “unexpected legal proceedings” as the reasons for its closure. Over the past few months, Sinemiafaced lawsuits from subscribers who objected to the addition of a surprise processing fee, and MoviePass, which claims that Sinemia violates its patents.

Recommended Videos

It’s not clear what Sinemia’s U.S. closure means for the service in territories like the U.K., Canada, and Australia, where Sinemia built an audience before launching in America. Sinemia also didn’t say whether or not customers who prepaid for subscriptions will receive refunds. Previously, Sinemia customers had to pay for an entire year’s worth of service in order to avoid a $20 “initiation fee.”

Sinemia’s closure is another blow to the struggling movie subscription service industry, which promises subscribers that they can see a certain number of movies a month in theaters by paying a flat, discounted fee. MoviePass, which was founded in 2011, rose to fame on the strength of its $10 monthly plan, which allowed subscribers to view one movie in theaters every day.

That model proved unsustainable, and MoviePass quickly lost customers’ trust by implementing unexpected and byzantine rules for what people could and couldn’t watch, removing the most popular films from the service, adding “surge pricing” during the busiest times at the theaters, and other shady business practices. Recently, Sinemia has faced similar complaints from subscribers, thanks to hidden fees and problems with its app, which is necessary to use the service.

Not every movie subscription plan is a bust. AMC Stubs A-List, which lets subscribers see three movies a month in AMC theaters, continues to grow. Despite MoviePass and Sinema’s troubles, Infinity and Atom Theaters are prepping their own movie subscription services, while MoviePass’ co-founder is launching PreShow, a dystopian-sounding service that rewards customers with free movie tickets for watching 20 minutes worth of advertisements.

Still, the future of theatrical subscription programs doesn’t seem particularly bright, and if you really want a near-unlimited supply of movies for a single fee, you might want to check out Netflix

Chris Gates
Former Digital Trends Contributor
<a href="https://kecsukorejo.kendalkab.go.id/asset/-/situs-slot-resmi/">situs slot resmi</a>
Kraven the Hunter is a fun, freaky movie that’s 20 years too late
Aaron Taylor-Johnson stands near fire in Kraven the Hunter.

As the credits rolled on Sony's Kraven the Hunter, ostensibly the last entry in Sony's Spider-Man-less universe, all I could think about was that this movie would've been a success in 2004. Against all odds, I quite enjoyed Kraven the Hunter, going into it with low expectations and being mostly entertained throughout the film's 120-plus minutes. It's a rough movie, for sure, largely because it seems to be at war with itself over what it should be. However, it's undeniable that it has the same "this is remarkably stupid, but I can sort of dig it" quality that made films like 2005's Fantastic Four and 2009's Watchmen so enjoyable.

And yet, it feels woefully out of place in 2024, to the point where you sometimes can't actually believe something so dated was actually greenlit, let alone shot and sent into the world. But I truly believe there's value in the mess that is Kraven the Hunter. Sure, it's a movie that is uneven, but it's far from the worst way of spending two hours on a lazy afternoon. And while it's not making any best-of-2024 lists any time soon, I believe Kraven the Hunter is more than entertaining enough if you think about it as an ode to the comic book movies of the mid-2000s.
Freaky little men doing freaky little things

Read more
10 best movies based on true crimes, ranked
10 best movies based on true crimes ranked a man walks toward countryside scarecrow in memories of murder

True crime has become one of the most popular storytelling genres of the modern era. An entire category of podcasts has sprouted up around the genre, and the same goes for documentaries and scripted TV and big-screen thrillers. Like horror inspired meta films like Scream in the '90s, the genre's popularity has even influenced the creation of semi-parodic shows like Only Murders in the Building, which follows a trio of characters who are so obsessed with true crime that they transform into amateur detectives themselves.

Recent additions to the genre include Netflix and Anna Kendrick's Woman of the Hour and Hulu's Under the Bridge. While it has exploded in popularity over the past 10 years, though, true crime has been around for centuries and has been a popular form of storytelling for several decades now. With that in mind, here are 10 of the best true crime movies.

Read more
This now-forgotten ’90s action movie is just as good as Point Break. Here’s why it’s worth watching
A man and a woman skydive in Terminal Velocity.

When you hear the name Charlie Sheen, what comes to mind? His long stint on the CBS sitcom Two and a Half Men? His substance abuse problems and public meltdown in 2011? Or was it the way he popularized the words "tiger blood" and "winning" during said meltdown? All of that noise overshadows the fact that Sheen was once one of the top movie stars of his generation, thanks to his roles in the original Red Dawn, Platoon, Wall Street, and Young Guns.

Like most young actors in Hollywood, Sheen eventually took his shot at action stardom. One of those attempts was Terminal Velocity, a film that came out in 1994 just a week after Timecop. Screenwriter David Twohy -- who went on to write and direct Vin Diesel's Chronicles of Riddick movies -- and director Deran Sarafian were the creative team behind Terminal Velocity, which cast Sheen as a skydiving instructor who finds himself sucked into the dark world of espionage after one of his latest clients, Chris Morrow (Nastassja Kinski), dies in an apparent skydiving accident.

Read more