Skip to main content
  1. Home
  2. Entertainment
  3. News

Captain Marvel’s original ending didn’t explain her absence in Infinity War

Add as a preferred source on Google
Skrull in Captain Marvel
Image used with permission by copyright holder

Judging by the latest trailer, the Marvel Cinematic Universe’s latest superstar, Carol Danvers, will do whatever it takes to end Thanos’ threat in Avengers: Endgame, but dedicated MCU fans know that Captain Marvel wasn’t around for the Avengers’ first fight against the Mad Titan in Avengers: Infinity War. Captain Marvel, which is currently tearing it up at the box office, explained why. That wasn’t always the case. As Captain Marvel‘s editor reveals, the film’s original ending left the reasons behind Carol’s decades-long absence ambiguous.

Warning! Spoilers for Captain Marvel follow.

Recommended Videos

According to Debbie Berman, film editor on Captain Marvel, Black Panther, and Spider-Man: Homecoming, Captain Marvel’s origin story originally ended with Captain Marvel flying off into space all alone. “I found that a bit jarring. Like, where exactly was she going? And what was she doing?” Berman told ET. She argued that Captain Marvel needed “a stronger visual to assert a more specific justification for her leaving and disappearing for so many years.”

So, things changed. In the final cut of the movie, Carol joins Ben Mendelsohn’s Talos and his family on a quest to find the extra-terrestrials a new home. “It gave her more of a sense of purpose and made it easier to believe that she left her newfound life on Earth because she was with a friend we knew she cared about, and for a more specific mission,” Berman said. It also shows why Captain Marvel didn’t show up in Infinity War. After all, it’s hard to keep tabs on Earth when you’re house-hunting in space.

Captain Marvel stars Brie Larson as the titular superhero alongside Mendelsohn, Jude Law, Annette Bening, Lashana Lynch, and Samuel L. Jackson as a much younger Nick Fury. Not only is Captain Marvel Marvel Entertainment’s first female-led film, but it’s also the studio’s first movie with a woman director (Anna Boden, who co-directed with Ryan Fleck) and only its second penned by a female writer (Geneva Robertson-Dworet, who follows Guardians of the Galaxy‘s Nicole Perlman).

The film has been a big hit with audiences, raking in $500 million at the global box office, making it the second-biggest debut for a superhero movie ever. That’s good news for Marvel: Avengers: Endgame, the second half of the Infinity War saga, sees Larson reprise her role as Carol Danvers. It hits theaters on April 26.

Chris Gates
Former Contributor
<a href="https://kecsukorejo.kendalkab.go.id/asset/-/situs-slot-resmi/">situs slot resmi</a>
Christopher Nolan’s personal take on smartphones is surprisingly practical
Christopher Nolan says not owning a smartphone helps him think better
Christopher Nolan sits in front of an IMAX camera.

Christopher Nolan has spent his career embracing cutting-edge filmmaking technology while resisting one of the most common gadgets on the planet: the smartphone. The Oscar-winning director behind Oppenheimer, Inception, and the upcoming The Odyssey says his decision isn't about rejecting technology altogether. It's about protecting something he believes has become increasingly rare - time to think.

In an interview with The Telegraph ahead of the premiere of The Odyssey, Nolan explained that he still doesn't own a smartphone, despite living in a world where QR codes, digital tickets, and messaging apps have become everyday necessities. His reasoning, however, is far more practical than philosophical.

Read more
Letterboxd could find a new home at Netflix, but Sony is fighting for it, too
Netflix wants Letterboxd, but Hollywood isn't letting it go without a fight
Letterboxd

Letterboxd, the fast-growing social network for film lovers, could soon have a new owner. According to a report by Puck News, the New Zealand-based platform has been exploring a potential sale, attracting interest from several major entertainment companies, including Netflix, Sony Pictures Entertainment, and Paramount Skydance.

While no deal has been confirmed, the discussions highlight how valuable online fan communities have become as streaming platforms compete not just for viewers, but also for the audiences that influence what people watch next.

Read more
Disney+ is exploring a free tier to fight back against YouTube’s growing TV dominance
Disney is eyeing a free tier as YouTube keeps stealing its TV audience
The Disney+ app on a TV screen while blue lights illuminate the wall behind.

Watching Disney+ without paying for a subscription could eventually become an option. According to Business Insider, Disney is considering a free tier that would let people watch some content without a paywall.

The idea is still in the early stages, with no timeline or launch details, but it reflects a growing challenge. YouTube and other free, ad-supported platforms like Tubi and Roku are attracting more TV viewers, forcing streaming services to rethink how they compete.

Read more