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L.A. Noire dev Team Bondi may be joining Mad Max creator’s Australia studio

Team Bondi, the developer of the Rockstar Games-published L.A. Noire, may be in discussions that will see Brendan McNamara and his crew absorbed into George Miller’s KMM Studios, insider sources tell Kotaku. Miller is of course known as the creator of the Mad Max series; more recently, KMM’s animation spin-off Dr. D has seen success with its Happy Feet movies. It’s hard to say what role the Bondi staffers would take on, or if that possibility is even being discussed.

In terms of concrete information (albeit from anonymous sources), McNamara has visited the offices of Dr. D. It is also “broadly known” at KMM that Miller is a fan of the Noire director, largely for his “refusal to compromise his artistic vision in the face of deadlines” (Kotaku’s words). Everything else in the story is speculation on the part of both the sources and the writer.

Team Bondi was recently embroiled in a scandal following the release of L.A. Noire. Former staffers stepped forward publicly to blow the whistle on what they considered to be unacceptable working conditions at the studio. The blame was placed in large part on McNamara, who was characterized by some as a “bully.” One still-active Bondi staffer responded with a letter to the International Game Developer’s Association, which by that point had launched an investigation, defending the studio and the working environment there.

Whether or not the allegations are true — the reality is probably somewhere in the middle, as it often is — the whole incident was a major blow to Bondi’s reputation. Some at KMM believe that absorbing McNamara and his team into the company is possible because it would bring in that experience while losing the tainted name.

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Adam Rosenberg
Former Digital Trends Contributor
Previously, Adam worked in the games press as a freelance writer and critic for a range of outlets, including Digital Trends…
L.A. Noire ‘isn’t complete yet,’ according to a Rockstar Games rep

The last announced downloadable content release for Rockstar Games and Team Bondi's open world adventure game L.A. Noire. That doesn't mean we've seen the last of Cole Phelps, however. That's what a Rockstar rep seemed to indicate in a recent chat with Kotaku. Actually, forget the "seemed to"... that's exactly what was said.

"The game isn't complete yet," the rep said, without further clarification. Which leaves plenty of room for speculation. There's still some content out there that hasn't been released as paid DLC, such as the "Consul's Car" case that came with PlayStation 3 versions of the game. There are also multiple in-game references to Cole's time on the Burglary desk, where he worked between Traffic and Homicide. Its exclusion from the final game seemed strange, but perhaps it was meant all along as a large-scale DLC pack.

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L.A. Noire expansion Reefer Madness fires up a new trailer

The newest downloadable content for L.A. Noire, a vice case, is on the way and we have the new trailer below to prove it. The DLC titled “Reefer Madness,” will be released on July 12 on both Xbox Live and the PlayStation Network for 320 MS points or $3.99 respectively. Those that purchased the Rockstar Pass for $10 will receive the case as part of that fee.
The "Reefer Madness" case pits Vice Detective Cole Phelps against drug smugglers pushing the vile weed known as marijuana onto the streets of L.A. In order to stop people smoking it and possibly committing suicide or committing rape as the 1936 film of the same name suggests will happen, Phelps and his partner must crack one of the city’s largest narcotics rings.
The “Reefer Madness” DLC is the second additional case for the game, and it joins the arson-based investigation currently available under the name “Nicholson Electroplating,” as well as two other cases that were originally pre-order bonuses, but can both be purchased as well.

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Rockstar cuts ties with L.A. Noire developer, Team Bondi

Now that the warm glow of the worldwide success of L.A. Noire has begun to ebb, the backlash to the development of the game has begun. The process of developing a video game is a grueling one, as anyone that has worked in the industry can tell you. Standard 40-hour work weeks quickly turn into 60-hour weeks, weekends are sacrificed, and the crunch time leading up to a release can lead to unimaginable amounts of stress. At the best of times, these conditions can be considered harsh, but reports out of Australia are claiming that the working conditions at Team Bondi go beyond that, and border on dangerous. The management of Bondi is also said to have grated on Rockstar to the point that it will not publish Bondi's next game.
Rumors of excessively difficult working conditions at Team Bondi have been floating around for a while thanks to an anonymous Twitter source that appeared a few years back, but a recent article on IGN explaining why L.A. Noire took seven years to develop has raised more questions, and put the developer on the hot seat. In the article, 11 former Team Bondi employees spoke on the condition of anonymity, and outlining working practices a and corporate mindset which sound to be at the very least unethical, if not downright illegal. As a result, according to DigitalSpy, the International Game Developers Association (IGDA) have begun an investigation into the developer.
"Certainly reports of 12-hour a day, lengthy crunch time, if true, are absolutely unacceptable and harmful to the individuals involved, the final product, and the industry as a whole," IGDA chairman, Brian Robbins, said.
One common complaint against the management of Team Bondi was that it hired young and inexperienced staff, then worked them well beyond what anyone expected until most quit, and more staff were hired. In the seven years of development, well over 100 employees either quit or were fired, and the high attrition was an accepted part of life at the developer.
While the entire management structure was criticized, Team Bondi founder, and writer director of L.A. Noire, Brendan McNamara is singled out for his treatment of employees, and supposed mismanagement. In a follow-up article on, one former Bondi employee wrote in support of the 11 that "When Brendan came on board, it became clear that he was a huge bully with no talent, vision or management skill. But he really knew how to intimidate."
McNamara has replied that the turnover is to be expected, and that the working conditions were no worse than anywhere in the gaming industry.
"People don't work any longer hours than I do. I don't turn up at 9 a.m. and go home at 5 p.m., and go to the beach. I'm here at the same hours as everybody else is. We're making stuff that's never been made before," McNamara said. "We're making a type of game that's never been made before. We're making it with new people, and new technology. People who're committed to put in whatever hours they think they need to."
One of the complaints that repeatedly came up was that McNamara would often attempt to change small details, and would go to the programmer directly, rather than the lead in charge. The results often led to confusion.
"Often the leads weren't involved," one programmer said in the report. "If you'd talk to your lead and say, 'Hey, Brendan's making this unreasonable demand,' they'd be understanding, but they're ultimately powerless. They can't go and tell Brendan that it's not feasible, just as much as I couldn't tell him. He just won't listen to reason."
McNamara asserts that as the writer and director, plus his position as studio founder, that he retains the right to do that, and maybe he does. But the lack of a firm organizational structure, along with several other things, led to the game being repeatedly delayed, and the budget was blown past on several occasions — so much so that the original publisher, Sony Computer Entertainment Association, dropped the game.
In the spring of 2006, Rockstar took over the publishing rights. Things seemed to be going well, and the relationship between Rockstar and Bondi grew to the point that Rockstar considered incorporating Team Bondi under the Rockstar brand, but that soon changed.
“Rockstar used to be very keen on making Team Bondi something like 'Rockstar Sydney' - the more they worked with Team Bondi management, the more they came to understand that this was a terrible idea,” one source said.
As far back as 2007, Bondi continued to tell its employees that it was entering crunch time, and so mandatory overtime and weekend work days would be in effect until the release of the game. This led to massive amounts of overtime, but the wording of the contracts with salaried employees was such that it was not obligated to pay overtime bonuses until three months after completion of the project. With a seven-year development and massive attrition, that led to a huge amount of unpaid overtime.  "No overtime was officially paid in the three years and three months that I worked at Team Bondi," one former artist said.
As the project went on, and after several target dates came and went, Rockstar began to take a more active role in the development.
“Team Bondi are trying to find another publisher for their next title, but the relationship with Rockstar has been badly damaged -- Brendan treats L.A. Noire like a success due to his vision, but I think Rockstar are the ones who saved the project. They continued to sink money into L.A. Noire, and their marketing was fantastic. Without their continued support, Team Bondi would have gone under several years ago."
"Rockstar also made a huge contribution to the development; their producers were increasingly influential over the last two years of the game's development, and overruled many of the insane decisions made by Team Bondi management. At a lower level, Rockstar also pitched in with programmers, animators, artists, QA, etc. Part of the conflict between Team Bondi and Rockstar was due to Rockstar's frustration with Team Bondi's direction, and eventually Team Bondi's management in turn resented Rockstar for taking lots of creative control.”
The next step for Team Bondi is to release a PC version later this year. After that it will begin work on a new game — but it will have to do so without Rockstar.
Since its release in May of this year, L.A. Noire has sold 4 million copies and received general acclaim.

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