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12 art masterpieces from Getty Museum now available for high-resolution download

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It used to be that the only way to see great works of art was to visit the museums that house them or purchase a poster from an art shop. But this week the J. Paul Getty Trust, the world’s richest art institution (not to be confused with the Getty Images stock agency), has released 4,600 images from its collection to the public for free to use. This means anyone can download these high-resolution scans (we’re talking 800 dpi) to use for any purpose, in any manner – commercial or private – as long as they are properly credited to the “Getty Open Content Program.”

The set includes renowned pieces you’ve seen in your art history books as well as lesser known ones, most of them not exhibited in Getty’s museums in Los Angeles (Getty’s collection is huge, although it specializes mainly in antiquities and Western art). Besides paintings, there are also nearly 600 photographs available. To browse Getty’s collection, you can use its search feature; pieces that are part of the “Open Content Program” will have a download option.

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Before a piece is downloaded, a user will be asked what his/her intention is, whether it’s for private or public use. This is part of Getty’s research into understanding how its collection will be used. There are plans to release more content down the line (the 4,600 pieces are a fraction of what Getty owns). “We’re conducting a thorough review of copyright and privacy restrictions on our holdings to identify all the images we can make available,” said Getty Trust CEO James Cuno. (You can read more about the program, and why the Getty Trust is doing this, starting with Cuno’s letter.)

Getty isn’t the first institution to start an “open access” program. Getty cites the Walters Art Museum, the National Gallery of Art, Yale University, the Los Angeles County Museum of Art, and Harvard University as forward-thinking institutions that have inspired it to do the same. With Getty’s involvement, the art world just became a lot more accessible to everyone.

So now, instead of having to buy a pricey poster to hang on your wall or print a terribly low-res version of it, you can have a high-res digital copy stored on your hard drive. To give you a small taste of Getty’s massive collection, here are 12 of the art world’s greatest masterpieces, from Van Gogh to Monet and Stieglitz. But with more than 4,000 to choose from, you have a lot of museum browsing ahead of you.

Irises, Vincent van Gogh

Vincent van Gogh (Dutch, 1853 - 1890) Irises, 1889, Oil on canvas Unframed: 71.1 x 93 cm (28 x 36 5/8 in.) Framed: 95.3 x 115.6 x 7.9 cm (37 1/2 x 45 1/2 x 3 1/8 in.) The J. Paul Getty Museum, Los Angeles
Vincent van Gogh (Dutch, 1853 – 1890)Irises, 1889, Oil on canvasUnframed: 71.1 x 93 cm (28 x 36 5/8 in.)Framed: 95.3 x 115.6 x 7.9 cm (37 1/2 x 45 1/2 x 3 1/8 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

Wheatstacks, Claude Monet

Claude Monet (French, 1840 - 1926) Wheatstacks, Snow Effect, Morning, 1891, Oil on canvas Unframed: 64.8 x 99.7 cm (25 1/2 x 39 1/4 in.) Framed: 88.6 x 123.2 x 7.9 cm (34 7/8 x 48 1/2 x 3 1/8 in.) The J. Paul Getty Museum, Los Angeles
Claude Monet (French, 1840 – 1926)Wheatstacks, Snow Effect, Morning, 1891, Oil on canvasUnframed: 64.8 x 99.7 cm (25 1/2 x 39 1/4 in.)Framed: 88.6 x 123.2 x 7.9 cm (34 7/8 x 48 1/2 x 3 1/8 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

The Hand of Man, Alfred Stieglitz

Alfred Stieglitz, photographer (American, 1864 - 1946) The Hand of Man, 1902, Photogravure Image: 24.1 x 31.8 cm (9 1/2 x 12 1/2 in.) The J. Paul Getty Museum, Los Angeles
Alfred Stieglitz, photographer (American, 1864 – 1946)The Hand of Man, 1902, PhotogravureImage: 24.1 x 31.8 cm (9 1/2 x 12 1/2 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

La Promenade, Pierre-Auguste Renoir

Pierre-Auguste Renoir (French, 1841 - 1919) La Promenade, 1870, Oil on canvas Unframed: 81.3 x 64.8 cm (32 x 25 1/2 in.) Framed [outer dim]: 110.2 x 94 x 8.9 cm (43 3/8 x 37 x 3 1/2 in.) The J. Paul Getty Museum, Los Angeles
Pierre-Auguste Renoir (French, 1841 – 1919)La Promenade, 1870, Oil on canvasUnframed: 81.3 x 64.8 cm (32 x 25 1/2 in.)Framed [outer dim]: 110.2 x 94 x 8.9 cm (43 3/8 x 37 x 3 1/2 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

Houses at Bougival, Camille Pissarro

Camille Pissarro (French, 1830 - 1903) Houses at Bougival (Autumn), 1870, Oil on canvas Unframed: 88.9 x 116.2 cm (35 x 45 3/4 in.) Framed: 110.5 x 138.1 x 9.8 cm (43 1/2 x 54 3/8 x 3 7/8 in.) The J. Paul Getty Museum, Los Angeles
Camille Pissarro (French, 1830 – 1903)Houses at Bougival (Autumn), 1870, Oil on canvasUnframed: 88.9 x 116.2 cm (35 x 45 3/4 in.)Framed: 110.5 x 138.1 x 9.8 cm (43 1/2 x 54 3/8 x 3 7/8 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

View of the Boulevards of Paris, William Henry Fox Talbot

William Henry Fox Talbot, photographer (English, 1800 - 1877) View of the Boulevards of Paris, May 1843, Salted paper print Image: 16.4 x 21.4 cm (6 7/16 x 8 7/16 in.) Sheet: 18.7 x 23.2 cm (7 3/8 x 9 1/8 in.) The J. Paul Getty Museum, Los Angeles
William Henry Fox Talbot, photographer (English, 1800 – 1877)View of the Boulevards of Paris, May 1843, Salted paper printImage: 16.4 x 21.4 cm (6 7/16 x 8 7/16 in.) Sheet: 18.7 x 23.2 cm (7 3/8 x 9 1/8 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

Still Life with Apples, Paul Cézanne

Paul Cézanne (French, 1839 - 1906) Still Life with Apples, 1893 - 1894, Oil on canvas Unframed: 65.4 x 81.6 cm (25 3/4 x 32 1/8 in.) Framed [outer dim]: 84.5 x 101.3 x 6 cm (33 1/4 x 39 7/8 x 2 3/8 in.) The J. Paul Getty Museum, Los Angeles
Paul Cézanne (French, 1839 – 1906)Still Life with Apples, 1893 – 1894, Oil on canvasUnframed: 65.4 x 81.6 cm (25 3/4 x 32 1/8 in.)Framed [outer dim]: 84.5 x 101.3 x 6 cm (33 1/4 x 39 7/8 x 2 3/8 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

Portrait of Alfonso d’Avalos, Titian

Titian (Tiziano Vecellio) (Italian, about 1487 - 1576) Portrait of Alfonso d'Avalos, Marquis of Vasto, in Armor with a Page, probably January - February 1533, Oil on canvas Unframed: 110 x 80 cm (43 5/16 x 31 1/2 in.) The J. Paul Getty Museum, Los Angeles
Titian (Tiziano Vecellio) (Italian, about 1487 – 1576)Portrait of Alfonso d’Avalos, Marquis of Vasto, in Armor with a Page, probably January – February 1533, Oil on canvasUnframed: 110 x 80 cm (43 5/16 x 31 1/2 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

River Scene, Camille Silvy

Camille Silvy, photographer (French, 1834 - 1910) River Scene, negative 1858; print 1860s, Albumen silver print Image (oval): 25.7 x 35.6 cm (10 1/8 x 14 in.) Mount (oval): 41.1 x 51.1 cm (16 3/16 x 20 1/8 in.) The J. Paul Getty Museum, Los Angeles
Camille Silvy, photographer (French, 1834 – 1910)River Scene, negative 1858; print 1860s, Albumen silver printImage (oval): 25.7 x 35.6 cm (10 1/8 x 14 in.) Mount (oval): 41.1 x 51.1 cm (16 3/16 x 20 1/8 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

The Milliners, Edgar Degas

Edgar Degas (French, 1834 - 1917) The Milliners, about 1882 - before 1905, Oil on canvas Unframed: 59.1 x 72.4 cm (23 1/4 x 28 1/2 in.) Framed: 77.8 x 91.1 x 6.4 cm (30 5/8 x 35 7/8 x 2 1/2 in.) The J. Paul Getty Museum, Los Angeles
Edgar Degas (French, 1834 – 1917)The Milliners, about 1882 – before 1905, Oil on canvasUnframed: 59.1 x 72.4 cm (23 1/4 x 28 1/2 in.)Framed: 77.8 x 91.1 x 6.4 cm (30 5/8 x 35 7/8 x 2 1/2 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

Bullfight, Goya

Francisco José de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 - 1828) Bullfight, Suerte de Varas, 1824, Oil on canvas Unframed: 49.8 x 70.8 cm (19 5/8 x 27 7/8 in.) Framed [outer dim]: 64.8 x 75.9 x 5.7 cm (25 1/2 x 29 7/8 x 2 1/4 in.) The J. Paul Getty Museum, Los Angeles
Francisco José de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 – 1828)Bullfight, Suerte de Varas, 1824, Oil on canvasUnframed: 49.8 x 70.8 cm (19 5/8 x 27 7/8 in.)Framed [outer dim]: 64.8 x 75.9 x 5.7 cm (25 1/2 x 29 7/8 x 2 1/4 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

The Abduction of Europa, Rembrandt

Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669) The Abduction of Europa, 1632, Oil on single oak panel Unframed: 64.6 x 78.7 cm (25 7/16 x 31 in.) Framed [outer dim]: 77.2 x 93.7 x 5.4 cm (30 3/8 x 36 7/8 x 2 1/8 in.) The J. Paul Getty Museum, Los Angeles
Rembrandt Harmensz. van Rijn (Dutch, 1606 – 1669)The Abduction of Europa, 1632, Oil on single oak panelUnframed: 64.6 x 78.7 cm (25 7/16 x 31 in.)Framed [outer dim]: 77.2 x 93.7 x 5.4 cm (30 3/8 x 36 7/8 x 2 1/8 in.)The J. Paul Getty Museum, Los Angeles Image used with permission by copyright holder

(Digital images courtesy of the Getty’s Open Content Program.)

Les Shu
Former Senior Editor, Photography
I am formerly a senior editor at Digital Trends. I bring with me more than a decade of tech and lifestyle journalism…
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