Skip to main content
  1. Home
  2. Photography
  3. Legacy Archives

US Forest Service clarifies permit requirement for commercial photography and videography

Add as a preferred source on Google

Update: U.S. Forest Service Chief Tom Tidwell clarified the agency’s intention, saying, “The U.S. Forest Service remains committed to the First Amendment. To be clear, provisions in the draft directive do not apply to news gathering or activities.” It also says the $1,500 commercial fee “is erroneous, and refers to a different proposed directive.”

According to the USFS, “The proposal does not apply to news coverage, gathering information for a news program or documentary. However, if a project falls outside of that scope and the filming is intended to be on wilderness land, additional criteria are applied to protect wilderness values. In that case, a permit must be applied for and granted before any photography is permitted.”

Recommended Videos

“If you’re there to gather news or take recreational photographs, no permit would be required,” Tidwell says. “We take your First Amendment rights very seriously. We’re looking forward to talking with journalists and concerned citizens to help allay some of the concerns we’ve been hearing and clarify what’s covered by this proposed directive.”

The news concerns a directive the USFS has put forth that creates “permanent guidance for the evaluation of proposals for still photography and commercial filming” on USFS-governed property. Essentially, the USFS wants to establish a consistent permit procedure nationwide. The USFS says that the directive has actually already been in place for four years as a “good faith effort,” but the new ruling would make acquiring permits mandatory. This proposal will not affect visitors or recreational photographers, unless models or actors are used, or in places where photography and videography are explicitly prohibited.

Permit fees will be much lower than the original $1,500 reported by the Oregonian. Daily permits will cost $30 a day for a group up to three people, while a larger production of more than 70 people may require permits costing up to $800. The Forest Service says permits are nothing new, as it has always required them. It cites Disney’s “Lone Ranger” movie as an example of a production that obtained a permit.

We have reached out to the U.S. Forest Service for additional details.

Original story: Wildlife preservation, media censorship, money-making scheme – call it whatever you want, but the U.S. Forest Service is planning to charge photographers, videographers, and reporters for permission to take a photo or shoot a video on the 36 million acres of public land the agency oversees, if their activities are for commercial purposes, according to the Oregonian.

The decision isn’t final, as a ruling will take place in December after the public makes its comments. But it’s not just the media that’s affected: the plan is to charge everybody who captures footage on USFS property – up to $1,500 for a permit, according the Oregonian report – if they in turn use said footage for commercial gain, even if it’s a nonprofit. The ruling affects news reporters, unless they are covering breaking news (tourists and anyone shooting for personal use are exempt). It’s unclear how long the permits last, and anyone who breaks the rule could be fined up to $1,000, says USFS spokesman Larry Chambers, even if it’s an iPhone photo or video.

The reasoning for this stems from the Wilderness Act of 1964, according Liz Close, the USFS’ acting wilderness director. The Act was implemented to protect the U.S. wilderness from commercial exploitation, but Close “didn’t cite any real-life examples of why the policy is needed or what problems it’s addressing,” the Oregonian reports. Close says it’s not about problems, but responsibility of protecting the preserves.

Related: FAA green lights commercial drone use for movie and TV companies

Naturally, people are crying foul, pointing to First Amendment right of the freedom of the press. “It’s pretty clearly unconstitutional,” Gregg Leslie, legal defense director at the Reporters Committee for Freedom of the Press in Alexandria, Va., told the Oregonian. “They would have to show an important need to justify these limits, and they just can’t.”

It’s unclear how the agency plans to enforce this ruling, but U.S. Senator Ron Wyden of Oregon said that the USFS needs to approach this cautiously, especially with the increase use of smartphones.

“The Forest Service needs to rethink any policy that subjects noncommercial photographs and recordings to a burdensome permitting process for something as simple as taking a picture with a cell phone,” Wyden said. “Especially where reporters and bloggers are concerned, this policy raises troubling questions about inappropriate government limits on activity clearly protected by the First Amendment.”

Close’s response to First Amendment advocates is that its ruling does not prohibit breaking news.

Rules for photographing or video recording on private property are clear: you need to attain permission. However, given that the USFS governs public land, it’d be interesting to see if the basis for the ruling has any merit. But such rules are not unheard of: Back in June, the National Park Service banned the use of drones.

Les Shu
Former Senior Editor, Photography
I am formerly a senior editor at Digital Trends. I bring with me more than a decade of tech and lifestyle journalism…
The FCC’s latest crackdown could put more than DJI drones at risk in the US
Robot, Person, Face

DJI may have found creative ways to keep some of its products flowing into the US, but those efforts are now drawing increased attention from regulators. According to The Verge, the US Federal Communications Commission (FCC) has started cracking down on several companies it believes could be helping DJI continue selling products in the country. These businesses have been described by industry observers as "DJI front companies" because they market or import products that appear to be closely tied to the Chinese drone maker while operating under different brand names.

DJI's alleged back door may be closing

Read more
I bought Kodak’s viral keychain camera, and the bad photos are part of its charm
The Kodak Charmera is barely a camera, and I still keep using it
Machine, Wheel, Camera

I bought the Kodak Charmera partly because I wanted a portable digital camera, and partly because I wanted a pretty little collectible. The Charmera is sold as a blind box, so you do not know which version you are getting until the box is opened. There are multiple retro Kodak-style designs, plus a transparent secret edition that looks like the one everyone would want.

I had the shopkeeper pick my box for better luck, and it worked out. I got the yellow variant, which is inspired by Kodak's original 80s disposable camera. The transparent one is definitely the fun collector’s piece, but the yellow model feels like the proper Kodak version. It looks like a tiny toy camera that escaped from a souvenir shop, found a keyring, and now hangs around wherever you go.

Read more
This new $30 keychain camera is coming for Kodak Charmera with a flip screen for selfies
Yashica's new camera makes toy photography more fun
YASHICA Funtastic Keychain Camera in multiple variants

Tiny digital cameras are all the rage, and Yashica is now offering a very cute toy photography experience of its own. The company’s new Funtastic Keychain Camera is exactly what the name suggests, a miniature digital camera small enough to clip onto your keys, bag, or lanyard. The popular Kodak Charmera is the obvious comparison, which brings a tiny blind-box keychain camera that became a viral collectible.

Now, Yashica's version lands in the same novelty-camera lane, but adds one very useful trick, which is a 180-degree flip screen.

Read more