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Robin Wright to House of Cards bosses: You better pay me or I’m going to go public

House of Cards
On Netflix’s crown jewel show House of Cards, the President of the United States has used his power to get what he wants, and the First Lady, played by Robin Wright, has done the same. Wright said in a recent interview that life has been imitating art behind the scenes as she had to use threats to get pay equal to that of co-star Kevin Spacey, who plays President Frank Underwood.

During a talk at New York City’s Rockefeller Center, Wright said she requested pay equal to Spacey’s because she viewed House of Cards as one of the rare TV shows where “the male, the patriarch, and the matriarch are equal.” However, just like Claire Underwood, Wright used some key information and carefully placed threats. “I was looking at the statistics and Claire Underwood’s character was more popular than [Spacey’s] for a period of time. So I capitalized on it. I was like, ‘You better pay me or I’m going to go public,’ and they did,” she said.

A set number on each star’s salary is harder to get clarity on than Frank and Claire’s marriage. In March 2014, prior to the season two premiere, Spacey’s salary was reportedly increased from $5 million to $9 million. However, following the show’s second season in August 2014, Spacey was reportedly pulling in half a million dollars per episode, which would put his salary at $6.5 million for season two, far short of the $9 million previously reported.

In Wright’s case, there is even less news about her salary, however a little deduction shows she received a raise of at least $2 million between season two and season three of House of Cards. According to Forbes, Wright was the 14th highest-paid TV actress of 2015, earning $5.5 million andplacing her salary at $450,000 per episode. Wright did not make the Top 10 of the list in 2014, with Lena Dunham’s 2014 earnings of $3.5 million rounding out the list. Earning less than $3.5 million would mean Wright pulled in under $270,000 per episode for season two, a little more than half the salary of her co-star Spacey.

If art keeps imitating life, then the next President of the United States may look to Netflix for their running mate.

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Keith Nelson Jr.
Former Digital Trends Contributor
Keith Nelson Jr is a music/tech journalist making big pictures by connecting dots. Born and raised in Brooklyn, NY he…
What binge-watching House of Cards taught me about life, death, and snacks
house of cards canceled netflix kevin spacey

Two feet of snow suffocates everything around me. My right knee, mangled the day before while dislodging my Toyota Corolla from a snowdrift, rests atop an ottoman. I am nuzzled in grandma-knitted afghan blankets, and a pair of cats sleep heavily on my legs. A feast of junk food – powdered donuts, corn chips and neon-yellow “cheese” dip, coffee, soda, beer, and, for some sick reason, a pack of cold hot dogs – lays sprawled on the glass-topped side table.
It is late Sunday morning. The weekend chores are done. There is nowhere to go, no one to see. And an unwatched season two of Netflix’s award-winning series House of Cards awaits me in my queue: The perfect storm of couch potato freedom.
Let the binge-watching begin.
What I’m trying to say here is, binge-watching screwed with my head.
And so it did, my daylong dive into the pseudo-fictional underworld of American politics. As expected, I was enamored. Unexpectedly, my sense of reality got lost somewhere beneath the opaque veil of television awesomeness that is a House of Cards marathon. After the television went dark some 13 hours later, the air smelled different. The incandescent light in the room shone with a glow of doom. My skin felt like the slick scales of an anaconda. The cold hot dogs tasted especially delicious. 
What I’m trying to say here is, binge-watching screwed with my head.
Much has been written about the pitfalls and benefits of binge-watching, a practice that Netflix believes is the “new normal,” with 61 percent of respondents to a recent poll saying they engage in the practice (defined as watching between two and six episodes in a single sitting). And 73 percent said they “have positive feelings towards binge streaming TV.” That hasn’t stopped cynical chatterboxes like myself from condemning the practice as the latest symptom of society’s ills. But, at this point, I think we can all agree that binge-watching is going nowhere fast.
My first binge-watching experience happened in 2006, back when all Netflix offered was disks shipped in the mail. My brother had the box set of Firefly, and we spent an entire Saturday in his cramped Manhattan apartment devouring what has since become a cult classic. Thanks to the entire bottle of whisky we downed, however, it was regular ol’ binge drinking that got to me more than the hours of television. Since then, I have repeated the indulgence with Lost, The Wire, and The Sopranos (minus the scotch … mostly).

So when I hit “play” on the first episode of House of Cards’ new season, which launched in the wee hours of Valentine’s Day, I knew what I was getting myself into. Six episodes in a single sitting? Ha! That’s child’s play – I was going for the full 13.
By the time I reached “Chapter 18” (episode five of the new season), however, my mind was reeling. The debauchery, backstabbing, and all around ruthlessness of Frank Underwood and the rest of the show’s characters had unsettled me. Did the world really work this way? Are our leaders this merciless and calculating? Is anything I’ve ever read (or reported, for that matter) really true? Is anything true?
When one of the journalist characters in the show said, “I’m sorry the world is this f**ked up,” I thought she was talking directly to me, about my world – our world.
Did the world really work this way? Are our leaders this merciless and calculating?
Of course, our world really is as f**ked up as it is in the show – if not exactly, then certainly in spirit. But that’s neither here nor there – what matters is that, by binge-watching House of Cards, I had stopped observing a realm of fantasy and somehow passed through into it. This has happened to me before, but only in the grip of a good book. Even the other fantastic shows I binge-watched failed to fully suck me in. This time, I was completely consumed.
Perhaps this is merely unique to House of Cards, a show so firmly rooted in reality that one can’t help but confuse it with the Washington, D.C., we can go visit on a bus. But had I not surrendered myself to unlimited television consumption, I doubt it would have had the same effect. The story played a large role, but it was the binge-watching, the total immersion for hours on end, that left me wondering whether I can ever trust or love anyone ever again. Not unlike a trip fueled by something of a higher octane, binge-watching House of Cards left this viewer with a distorted view of reality. And still, days later, I’m trying to climb back to the surface.
Is binge-watching good or bad, you ask? Who knows? But it certainly alters the television-watching experience.

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