Skip to main content

The critics’ biggest issue with The Rise of Skywalker is what makes it great

Star Wars: The Rise of Skywalker | Final Trailer

The Star Wars franchise has a long history of providing answers to questions fans didn’t ask. Where Han Solo got his name, how the Force works on a chemical level, or even Anakin’s parentage.

But we all know those aren’t the questions The Rise of Skywalker had on its shoulders.

(Warning: Spoilers abound below. If you haven’t yet watched The Rise of Skywalker, please turn back now. We have spoken.)

Within the first 10 minutes of the film, the writers want you to know that they mean business. No more beating around the bush. No more mystery. In just a few lines of exposition in the prologue, Palpatine is quickly established as the new baddie, Snoke is explained away as his puppet, and Kylo Ren has a new mission for the film: Hunt down Rey at all costs.

It’s a resetting of the stakes and context, for sure, and I’d be lying if I wasn’t taken aback by the straightforward nature of the opening crawl and prologue. Critics have already made it clear  that this “emphasis on the plot” gets in the way of the emotional underpinning of the characters. But once I settled in, I found the exact opposite to be true.

A sigh of relief

The Force Awakens and The Last Jedi raised some huge questions, and I’ll admit I was anxious about the answers this conclusion would provide. Would they leave things ambiguous? Would they shortcut through answers? What if the answers themselves just don’t feel right? Those questions lurked beneath my general excitement for another Star Wars movie as the opening crawl began to scroll.

But as questions were answered one by one, I felt a sense of relief overcome my nerves. This trilogy, and this entire series, was coming to an end. They were really doing it. In bringing back the Emperor, it was being made explicit. And for me, the answers given felt more and more satisfying as the plot of the film marched on. Not everyone will like them all, but after the years of investment made in our main characters, the answers rang true to me. They felt earned.

My enjoyment of the film’s approach goes beyond just jibing with the answers provided, too. The straightforward approach did exactly what a proper close to a trilogy should do. It allowed us, the audience, to focus on the characters.

Your focus determines your reality

Like how Snoke proudly informs us that Kylo Ren is the son of Han Solo in The Force Awakens, Rey’s true lineage as the granddaughter of Emperor Palpatine is revealed in The Rise of Skywalker in a matter-of-fact way. Sure, you can call it retconning, or complain about a turn away from what Kylo Ren said about Rey’s parents in The Last Jedi, but as we’ve long contended in previous articles, a film’s lead villain is hardly the most reliable source of information. And thanks to this clear revelation in Abrams’ film, I felt free to thoroughly enjoy Rey’s journey and what she ultimately chooses to do with that knowledge.

The emotional repercussions of Rey’s family allowed her struggle with that knowledge — rather than the grand family tree behind it — and be the beating heart of the story. The same is true for what we learn about Leia and Ben Solo.

Instead of dwelling on the extreme detail of the state of the galaxy or the political stakes, Skywalker focuses squarely on the things that actually matter: Rey’s journey, the friendship between her and Poe and Finn, Ben Solo’s redemption, and Leia’s Jedi backstory. Each of those stories resonated and were woven together to form an emotional weight to the film that felt conclusive. That, more than anything, is what I wanted from The Rise of Skywalker.

Could the film have spent its first act setting up the mystery of the Emperor’s return? Sure. I certainly didn’t expect to see Ian McDiarmid’s face in the flesh within the first few minutes. But I would never trade the final moments we got with these characters for more time spent on explaining answers.

JJ Abrams and company had a colossal task in wrapping up nine films spanning over four decades in a clear and satisfying way. Giving us answers to some of the franchise’s most difficult questions right out of the gate allowed The Rise of Skywalker to do just that, while also offering a fun and thrilling final chapter to the Skywalker saga.

Editors' Recommendations

Luke Larsen
Senior Editor, Computing
Luke Larsen is the Computing Editor at Digital Trends and manages all content covering laptops, monitors, PC hardware, and…
10 video games that would make great movies
botw how to get hylian shield the legend of zelda breath wild first dlc pack detail 24fd

Hollywood hasn't had the best track record when it comes to turning video games into feature-length films. Most of these adaptations have received the cinematic equivalent of a "Game Over" upon release, leading many to believe that a great video game movie is impossible.
The film industry has gotten more skilled at bringing games to the big screen in recent years, however, with Sonic the Hedgehog and Detective Pikachu being prime examples of the turnaround. Just as filmmakers got better at making superhero movies, they could start adapting more and more video games for cinemas the right way, and Digital Trends has put together a list of popular games that have not yet gotten the Hollywood treatment and would be perfect for theaters.

10. Star Fox

Read more
Andor has a chance to make Star Wars feel fresh one more time
Diego Luna walks through a scrapyard of ships in a scene from Andor.

After the long road starting from the lead character's inception in 2016's Rogue One: A Star Wars Story to the series' announcement in 2018, Andor has finally premiered on Disney+ with the potential to be the most ambitious show on the streamer since The Mandalorian. The three-episode premiere made a solid first impression, showcasing exciting new elements to see front and center in a Star Wars production.

It's grounded, grittier, and setting the stage for tantalizing character drama and political intrigue across its cast of characters. At the same time, it's still early days for this 12-episode season (and 24-episode series overall), and Lucasfilm has been falling back into the trap of timeline overfamiliarity. The budding age of the Rebellion on its face is far from original for a franchise with such boundless possibilities, but Andor's moving pieces could make this era worthwhile -- at least one more time.
The post-Revenge of the Sith, pre-A New Hope dilemma

Read more
The Rebellion rises in trailer for Rogue One prequel, Andor
Diego Luna walking among a wrecked city in Andor.

The Star Wars universe hasn't always given a lot of attention to the early days of the Rebellion against the Empire. It was the central focus of the animated series Star Wars Rebels, but next month, Andor, is set to take an even grittier approach to that era in live-action. This series is a prequel to Rogue One, one of the most widely-praised modern Star Wars films, with Diego Luna reprising his role as Cassian Andor. But as the new trailer demonstrates, Cassian isn't the only one fighting back.

Andor | Official Trailer | Disney+

Read more