Skip to main content

Visual effects Oscar contenders include ‘Blade Runner 2049’ and ‘The Last Jedi’

R
Image used with permission by copyright holder
It’s officially Oscars season once again and the Academy of Motion Picture Arts and Sciences announced the 20 films in the running for nominations in the “Best Visual Effects” category at the 90th Academy Awards. Among the films are sci-fi sequel Blade Runner 2049 and the upcoming Star Wars: Episode VIII – The Last Jedi, which hits theaters December 15.

The Academy revealed its shortlist for the visual effects category this week, and indicated that the list of potential visual effects Oscar nominees will be shortened to 1o films by the end of December. Those 10 films will then advance to the nomination voting stage of the Academy’s selection process.

The final list of Visual Effects nominees will be announced with the rest of the Academy Awards nominations on January 23.

The 20 films on the initial shortlist of potential Visual Effects nominees include (in alphabetical order):

Alien: Covenant

Beauty and the Beast

Blade Runner 2049

Dunkirk

Ghost in the Shell

Guardians of the Galaxy Vol. 2

Jumanji: Welcome to the Jungle

Justice League

Kong: Skull Island

Life

Logan

Ojka

Pirates of the Caribbean: Dead Men Tell No Tales

The Shape of Water

Spider-Man Homecoming

Star Wars: The Last Jedi

Thor: Ragnarok

Valerian and the City of a Thousand Planets

War for the Planet of the Apes

Wonder Woman

The broadcast for the 90th Academy Awards ceremony will kick off March 4 at 8 p.m. EST on ABC. Late-night talk show host Jimmy Kimmel will return as the ceremony’s host, making him just the second consecutive-years host since Billy Crystal emceed the 1997 and 1998 ceremonies.

The ceremony was pushed back from the event’s usual February air date in order to avoid conflict with broadcasts of the 2018 Winter Olympics.

Last year’s Oscar for visual effects was won by Disney’s live-action adaptation of The Jungle Book, which won a competitive category that also included oil-rig disaster movie Deepwater Horizon, Marvel’s reality-bending superhero film Doctor Strange, stop-motion animated adventure Kubo and the Two Strings, and sci-fi prequel film Rogue One: A Star Wars Story. Digital Trends profiled all five nominees in our annual “Oscar Effects” series.

Editors' Recommendations

Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
How 1917’s single-shot style changed the game for visual effects
George MacKay as Schofield in a trench | 1917 VFX

Director Sam Mendes' award-winning drama 1917 takes its audience on a journey through the battlefields of World War I alongside a pair of young soldiers who must journey behind enemy lines to deliver a message that could save thousands of soldiers' lives.

That premise is enough to make it a harrowing adventure, but Mendes presents the film as a single, seemingly continuous shot that makes the pair's journey an experience unlike any other war film ever made. Integrating the film's complicated, effects-driven sequences with Mendes' single-shot format -- including a mid-air dogfight that comes crashing to Earth and a dangerous voyage on a raging river, among other elements -- was tasked to a visual effects team led by Academy Award winner Guillaume Rocheron (Life of Pi).

Read more
How The Lion King visual effects team used VR to go inside Disney’s CG adventure
Lion King

Disney is no stranger to reinventing its most popular properties, and that's exactly what the studio did with 2019's The Lion King, a remake of the 1994 feature of the same name that swapped traditional animation for a photo-realistic, computer-generated environment and animal characters.

Directed by Jon Favreau, the film follows a young lion cub named Simba who must embrace his destiny as ruler of the land and avenge the murder of his father. The film's visual effects team was tasked with making an entire cast of photo-realistic CG animals talk -- and occasionally sing -- their way through Simba's story, and was led by three-time Academy Award winner Robert Legato.

Read more
How visual effects made battles bigger and Hulk smarter in Avengers: Endgame
Avengers End Game Hulk

Avengers: Endgame | VFX Breakdown | Framestore

Few films can be called the biggest movie ever made, but that’s the title Avengers: Endgame earned when it brought Marvel Studios’ groundbreaking “Infinity Saga” to a close after 23 films and earned just shy of $2.8 billion worldwide.

Read more