Skip to main content
  1. Home
  2. Entertainment
  3. News

Box office hits and misses: ‘Transformers’ struggles while ‘Wonder Woman’ stays strong

Add as a preferred source on Google

After a string of critically questionable but financially successful installments, Michael Bay’s live-action Transformers franchise is finally starting to show some rust with Transformers: The Last Knight.

The fifth chapter of the blockbuster series — which has collectively earned almost $1.4 billion in U.S. theaters and more than $4 billion worldwide so far — had the weakest debut of the live-action franchise up to this point.

Recommended Videos

Despite premiering on a Wednesday, The Last Knight still failed to cross the $100 million mark across its five-day debut, and generated just $45.3 million domestically over its first three-day weekend. Both numbers are well below the previous low marks for the series domestically, and aligned with a similarly low grade from audiences and critics, which gave the film a relatively low “B+” grade (the same grade as 2009’s maligned Transformers: Revenge of the Fallen) and a mere 15-percent approval rating, respectively.

For the sake of comparison, 2011’s Transformers: Dark of the Moon also opened on a Wednesday, but earned $97.8 million for its first three-day weekend and $162.6 million over the first five days it was in theaters.

Continuing a trend we’ve seen quite often lately, there’s still some hope for The Last Knight internationally. On its way to earning an estimated $196.2 million outside the U.S., The Last Knight brought in more than $123.4 million from China alone, the largest premiere for any Transformers film so far in the world’s second-largest market.

# Title Weekend U.S. Total Worldwide Total
1. Transformers: The Last Knight $45.3M $69.1M $265.2M
2. Cars 3 $25.1M $99.8M $141.2M
3. Wonder Woman $25.1M $318.3M $652.8M
4. 47 Meters Down $7.4M $24.2M $24.2M
5. All Eyez On Me $5.8M $38.6M $38.6M
6. The Mummy $5.8M $68.5M $342.1M
7. Pirates of the Caribbean: Dead Men Tell No Tales $5.2M $160M $677.8M
8. Rough Night $4.7M $16.6M $24.2M
9. Captain Underpants: The First Epic Movie $4.2M $65.7M $71.9M
10. Guardians of the Galaxy Vol. 2 $3M $380.2M $851.2M

As for the rest of the weekend’s movies, Cars 3 and Wonder Woman ended up in a tie for second place based on early estimates of the two films’ box-office numbers. The final tally won’t be official until later in the week, but the estimates offer both good and bad news for the projects involved.

Pixar’s animated sequel Cars 3 is now expected to end its run just ahead of the worst-performing film in the studio’s history, 2015’s The Good Dinosaur. It’s a disappointing finish for what was once one of Pixar’s most successful franchises.

As for Wonder Woman, the celebrated solo adventure of the DC Comics superheroine is now on pace to become the highest-grossing film in Warner Bros. Pictures’ DC Extended Universe domestically. The film has already earned more than all three of the prior films in the franchise had earned in U.S. theaters at this point in their runs, and isn’t showing any signs of slowing down.

There weren’t any other major releases that factored into the weekend’s highest-grossing films, but the upcoming week is likely to bring a few new additions to the top ten.

Universal Pictures’ animated sequel Despicable Me 3 is expected to take the box-office crown, but this week also brings to theaters director Edgar Wright’s much-anticipated, high-octane heist film Baby Driver and the potent comedy duo of Will Ferrell and Amy Poehler in the The House.

Rick Marshall
Former Contributing Editor, Entertainment
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
Dark Matter season 2’s most interesting question may be what comes after Amanda and Daniela’s choices
Amanda and Daniela made their choices. Season 2 is exploring what happens when those choices aren't enough.
Clothing, Coat, Jacket

For all its quantum mechanics and competing realities, Dark Matter has always been less interested in the choices people make than in what happens once they have to live with them.

Jason Dessen (Joel Edgerton) remains the character around whom most of those choices orbit. Season 1 began when an alternate version of the Chicago physicist, Jason2, abducted him and crossed into his world to take over the life he believed he should have had. That life included Daniela (Jennifer Connelly), Jason's wife and the mother of their teenage son, Charlie. The abduction also brought Jason into the life of Amanda (Alice Braga), a psychiatrist who worked on the Box project in Jason2's reality and had been romantically involved with him.

Read more
Netflix is developing an animated ‘Diablo’ series, landing another video game win
Let's hope Netflix does justice to the mythos of Burning Hells and High Heavens.
Representation of Diablo and Netflix on a poster.

Netflix is continuing its push into the world of gaming with yet another adaptation of a hit franchise. At BlizzCon 2026, it was announced that the streamer is developing an animated series set in the expansive Diablo universe. Here is the official premise of the upcoming show, as per Variety: 

“After decades of bringing entire universes to life through our games, we’re partnering with some creative powerhouses to tell even more stories beyond gaming across new screens. A new animated series set in the world of ‘Diablo’ is in development with Netflix. More details will be shared in the future, but this is only the beginning, with even more taking shape across our universes.”

Read more
Alyssa Goeckner’s The Song Of The Universe explores music as a deep cinematic experience
Featuring 15 songs on the soundtrack, The Song Of The Universe will be told across 20 episodes as part of the first season.
Still from The Song Of The Universe.

Alyssa Goeckner has given nearly two decades to the music industry, working with artists like Steve Aoki and Afrojack, and releasing music under Sony and Universal, among other labels. As a singer, songwriter, producer, director, and original-IP creator, her work has appeared on Billboard charts under the names Miss Palmer and Bishøp over the years. Her next endeavor is her most exciting yet, and it fundamentally shifts how music can transcend the medium and evolve into a cinematic experience with deep visual storytelling.

The Song Of The Universe is the latest project from Bishøp, which keeps music as the central theme of a multi-episode cinematic story that revolves around her as the eponymous character, fighting to restore the balance of light against the forces of darkness.

Read more