Skip to main content
  1. Home
  2. Entertainment
  3. Legacy Archives

Uwe Boll sues Berlinale film fest over $175 entry fee

Add as a preferred source on Google

If you are among the poor and wretched masses that have been subjugated to one of or—God help you—all of director Uwe Boll’s films, you have our sympathy. And yet despite the avalanche of criticism against the German filmmaker, he simply refuses to quit and has gone on to challenge his critics to verbal debates, taken to publicly insulting them, even going as far as to set up boxing matches against critics. But now he may have outdone himself, as he is seeking to file criminal charges against the Berlinale film festival–over the matter of a 125 Euro ($175) entry fee.

In Boll’s latest bought with ridiculousness, the director is claiming that his required entry fee is an example of a breach of trust and unfair competition. Boll claims that the 125 Euro entry fee is unfair to his film, as many other movies have had their entry fees waived. He also believes that the festival’s director Dieter Kosslick was acting in bad faith, and would not judge the film on its own merits. According to The Hollywood Reporter, Boll plans to file criminal charges with Berlin’s state attorney next week to go with the pending lawsuit he has already filed.

Recommended Videos

“Kosslick has been fighting me for the last 25 years, as Berlin festival director and before, when he was head of (German regional film board) the NRW Filmstiftung,” Boll said in an interview with The Hollywood Reporter. “I don’t believe the Berlinale handles all films fairly. Kosslick has his deals with the major studios and invites his old pals from the Filmstiftung days. There isn’t fair competition.”

At the heart of the dispute is Uwe Boll’s newest offering. Where the majority of his career has been spent butchering video game adaptions, Boll has decided to show the world his more artistic side, God help us all. His upcoming film is called Auschwitz, and it is of course based on the concentration camp of the same name.

If this doesn’t send shivers of weird down your spine, please go watch Blood Rayne, Postal, or In the Name of the King: A Dungeon Siege Tale, then try to imagine the man behind those gems being responsible for telling the true story of one of the most horrible and soul-crushing places ever to exist. When people try to think of inappropriate film pairings to use in conversation as a joke, like saying “imagine Michael Bay remaking Citizen Cane”, this example of Boll filming a story about Auschwitz should set the new standard. Feel free to google the trailer yourselves, but be warned, beyond the graphic nature of the clip, it is also very stupid. By the way, the guard at the beginning is Boll himself (the picture above is Boll in costume as the Nazi guard).

As for the entry fee, the fraud and bad feelings stem from Boll being forced to pay it, while several of his Hollywood and other well financed cohorts have had the fee waived. There is a very simple explanation for that according to the Berlinale—they were invited where Boll was not.

“The entry fee is only required for films that apply to the festival,” Frauke Greiner, Berlinale’s head of press, told THR. “[Our guidelines allow us to] waive the fee for films we invite to be submitted, which is the case for many films we screen outside of Germany. It is all legal.”

In other words, the film festival’s decision makers thought Boll’s films were kinda leaning towards terrible, so they didn’t invite him.  In response Boll is suing and will seek felony charges against the festival.  Thanks for keeping things spicy, Uwe.



Ryan Fleming
Former Gaming/Movies Editor
Ryan Fleming is the Gaming and Cinema Editor for Digital Trends. He joined the DT staff in 2009 after spending time covering…
Letterboxd could find a new home at Netflix, but Sony is fighting for it, too
Netflix wants Letterboxd, but Hollywood isn't letting it go without a fight
Letterboxd

Letterboxd, the fast-growing social network for film lovers, could soon have a new owner. According to a report by Puck News, the New Zealand-based platform has been exploring a potential sale, attracting interest from several major entertainment companies, including Netflix, Sony Pictures Entertainment, and Paramount Skydance.

While no deal has been confirmed, the discussions highlight how valuable online fan communities have become as streaming platforms compete not just for viewers, but also for the audiences that influence what people watch next.

Read more
Disney+ is exploring a free tier to fight back against YouTube’s growing TV dominance
Disney is eyeing a free tier as YouTube keeps stealing its TV audience
The Disney+ app on a TV screen while blue lights illuminate the wall behind.

Watching Disney+ without paying for a subscription could eventually become an option. According to Business Insider, Disney is considering a free tier that would let people watch some content without a paywall.

The idea is still in the early stages, with no timeline or launch details, but it reflects a growing challenge. YouTube and other free, ad-supported platforms like Tubi and Roku are attracting more TV viewers, forcing streaming services to rethink how they compete.

Read more
Netflix is worried people aren’t watching enough so its next move could change the app forever
Netflix's next big update could look a lot more like cable TV
Netflix on TV couple watching

Netflix has spent years telling the entertainment industry that binge-worthy originals and a simple user experience were enough to stay ahead. That strategy helped make it the world's biggest streaming service. But according to a Wall Street Journal report, the company is increasingly concerned about a different metric: engagement.

While Netflix continues to post healthy profits and retains one of the lowest subscriber cancellation rates in the industry, executives are reportedly seeing early signs that people are spending less time watching content. That matters because engagement - not just subscriber numbers - has become one of the biggest indicators of whether customers will stick around, watch ads, and continue paying for the service.

Read more