Sorry, DSLR, but Sony mirrorless is now the best-selling full-frame camera

Sony A7R III
Image used with permission by copyright holder

Mirrorless cameras may have finally nudged the DSLR off the top spot — the best-selling full-frame camera in the U.S. is now a mirrorless model. On August 15, Sony shared data that puts it as the top-selling brand for full-frame cameras for the first-half of 2018 in the United States.

Sony slid into that top spot in both dollar amount and the number of cameras sold during the first-half of 2018 in the U.S, according to data from the NPD Group, a company that tracks retail sales. During that time, four out of every 10 full-frame cameras sold carried the Sony name, the company says. Sony’s new status comes as the company maintains the top spot for the most sold mirrorless cameras overall for more than six years.

Recommended Videos

The new sales statistics come as the industry sits on the precipice of what could be a major shift. With Nikon expected to announce a new full-frame mirrorless on August 23, Sony and Leica will no longer be the only brands offering a full-frame sensor inside a mirrorless camera. Rumors suggest Canon is thinking of doing the same, but the DSLR giant has yet to confirm the existence of a full-frame mirrorless.

Sony’s full-frame mirrorless cameras were generally well-received from the start, but the company says it was the third-generation models, the A7R III and A7 III, that propelled sales to that top position, along with the speed-focused A9. The company’s full-frame interchangeable lens cameras grew by 78 percent from 2017. While increasing speed and performance, the third generation in the series also addressed some of the user feedback on the larger sensor mirrorless format, including a significant increase in battery life. (While Sony has SLR-like models like the A77 II, those use an APS-C sensor).

While Canon and Nikon have historically held the spots for the best-selling professional cameras, industry analysts like Scott Peterson at Gap Intelligence suggest that it’s because Sony wasn’t at the top for DSLRs that the company was able to innovate in the mirrorless category.

“Sony has established a lot of clout and the big reason why is they had nothing to lose,” Peterson said. “They didn’t have noteworthy SLRs to drain from so they’ve been shooting for the moon, better, higher, faster.”

Sony’s Alpha series led the company to take the second spot for full-frame cameras in 2017. Those numbers aren’t without shift, however — Nikon said the D850 lead the company to the top spot for full-frame sales for the month of December 2017.

Sony is celebrating the growth with a “Be Alpha” campaign, which includes events throughout 2018, including a campaign launching on World Photo Day, August 19, in New York City. The campaign also encourages creators to use the hashtag #BeAlpha.

“We’re extremely proud of achieving number-one overall share in full-frame cameras in the US market, as well as holding a strong No. 1 share in the mirrorless market for six years running,” Neal Manowitz, vice president of Digital Imaging at Sony Electronics, said in a press release. “More than anything, we owe this to our community. It is our pleasure to create for you, the true creators. You pushed us to innovate, to change, to continually adapt, and your voice remains core to everything we do.”

Additional details on the campaign are available at www.alphauniverse.com.

Editors' Recommendations

Hillary never planned on becoming a photographer—and then she was handed a camera at her first writing job and she's been…
Smaller and cheaper, the full-frame Lumix S5 is exactly what Panasonic needed

Panasonic has officially announced the Lumix S5, a lightly teased and heavily leaked full-frame mirrorless camera that brings many of the capabilities of the Lumix S1 and S1H to a smaller and friendlier form factor. At $2,000 (body only), it is the cheapest S-series camera yet, but carries over several professional features from its larger siblings.

Weighing 25 ounces, not only is it more than half a pound lighter than the S1, but it's a hair under the Lumix GH5, a camera that uses a much smaller Micro Four Thirds sensor. Fortunately, Panasonic did not sacrifice build quality to get there. The S5 is built on a full magnesium-alloy chassis with a weather-sealed body. It has a robust hand grip, dual SD card slots, and a fair amount of direct-access control, although the top LCD display has vanished.

Read more
Sony A7S III hands-on: Confessions of a devout Panasonic user

I’ve been using Panasonic’s cameras for about a decade now, so you could say that I’m a devout user. Over the last few years, though, we’ve seen Micro Four Thirds eclipsed by the swarm of full-frame cameras that have entered the market and proven their superiority. So, given the chance to check out the new Sony A7S III, I was eager to uncover what all the hype is about.
The tease of better low-light performance
I met up with the Sony folks on a hot and humid day, spending less than a couple of hours in total getting a feel for the A7S III. Able to harness the light-soaking power of its backside-illuminated 12.1-megapixel Exmor R image sensor, I know how incredibly gifted it is under low light. It should be a beast, but with the limited time on my hands and the brutality of the midday sun, there was no way of me experiencing its ability firsthand. A bummer indeed. Still, it beats what comes out of my aging Panasonic GH4 and G85 -- both of which crumble at low-light footage with anything above ISO 1600.

What I will tell you is that the autofocusing system of the A7S III is light-years ahead of anything I’ve experienced over in Micro Four Thirds land. That’s partly due to the magic of its hybrid autofocus system, which features 759 phase-detection AF points and 425 contrast-detection points. Shooting a quick VLOG style clip, I’m impressed that it locks on to my face and doesn’t hunt for focus. It’s a nagging problem with the contrast-based autofocus system that Panasonic has relied on for ages, so experiencing something that’s quick, locks on, and doesn’t hunt incessantly reassures me that I can trust the camera.
The ergonomics: The good and bad
Even though it’s not particularly new, especially for anyone who’s owned a Panasonic mirrorless camera, the Sony A7S III features an articulating LCD screen that's ideal for shooting video. For Sony fans, this is a welcome upgrade over its predecessor’s fixed tilting screen. One minor nuance I noticed while capturing photos using the QXGA 9.44 million-dot OLED electronic viewfinder was that it wouldn’t activate if the articulating LCD screen was tilted in any way. Who knows why this is the case, but it could be a matter of the software not being final on this preproduction model.

Read more
Canon EOS R5 vs. Sony A7S III vs. Panasonic S1H: Best full-frame for video?

The Canon EOS R5 and Sony A7S III are the two most talked-about cameras of summer, but don't discount 2019's Panasonic S1H. All three are full-frame mirrorless models, but where the R5 is a more "traditional" hybrid still camera that happens to shoot 8K video, the A7S III an S1H are built specifically with video in mind. And while it may be a year old, the S1H still holds some advantages over the other two.

The S1H and the A7S III are the true competitors here. The EOS R5 really should be targeting still photographers, but that messaging was muddied by Canon's marketing prior to the camera's release. But given that all three tout high-end video features and are priced in the $3,500 to $4,000 range, a comparison is natural.
At a glance:
Canon EOS R5

Read more