Skip to main content
  1. Home
  2. Entertainment
  3. News

The Coen brothers are working on the script for the ‘Scarface’ remake

Add as a preferred source on Google

Universal Pictures’ plans to produce yet another remake of gangster classic Scarface prompted quite a bit of discussion but the latest update on the project might win over some of its early critics.

The studio announced that the upcoming film — which is now officially titled Scarface — will have its script worked on by four-time Academy Award winners Joel Coen and Ethan Coen, the filmmaking duo collectively known as the Coen Brothers. The movie also received an official release date of August 10, 2018.

Recommended Videos

Set to star Rogue One: A Star Wars Story actor Diego Luna, the new Scarface will be a modern reimagining of the story told in both Howard Hawks’ original 1932 film and director Brian De Palma’s 1983 remake. The film is expected to be set in Los Angeles and features a Mexican immigrant as the lead character (presumably played by Luna).

There is currently no director attached to Scarface after filmmaker Antoine Fuqua (The Magnificent SevenTraining Day) departed the film to work on the sequel to The Equalizer. With the Coen Brothers working on the script and the film’s star already in place, the search for a director will likely move quickly to meet the 2018 release date.

Originally inspired by Armitage Trail’s 1929 novel of the same name, which was loosely based on the rise and fall of infamous mobster Al Capone, the 1932 film Scarface follows an Irish immigrant in 1920s Chicago as he rises through the ranks of the criminal underworld. De Palma later helmed a remake of the film from a script penned by Oliver Stone, and famously cast Al Pacino as Tony Montana, a Cuban refugee who rode the drug trade to power in 1980s Miami.

Rick Marshall
Former Contributing Editor, Entertainment
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
Letterboxd could find a new home at Netflix, but Sony is fighting for it, too
Netflix wants Letterboxd, but Hollywood isn't letting it go without a fight
Letterboxd

Letterboxd, the fast-growing social network for film lovers, could soon have a new owner. According to a report by Puck News, the New Zealand-based platform has been exploring a potential sale, attracting interest from several major entertainment companies, including Netflix, Sony Pictures Entertainment, and Paramount Skydance.

While no deal has been confirmed, the discussions highlight how valuable online fan communities have become as streaming platforms compete not just for viewers, but also for the audiences that influence what people watch next.

Read more
Disney+ is exploring a free tier to fight back against YouTube’s growing TV dominance
Disney is eyeing a free tier as YouTube keeps stealing its TV audience
The Disney+ app on a TV screen while blue lights illuminate the wall behind.

Watching Disney+ without paying for a subscription could eventually become an option. According to Business Insider, Disney is considering a free tier that would let people watch some content without a paywall.

The idea is still in the early stages, with no timeline or launch details, but it reflects a growing challenge. YouTube and other free, ad-supported platforms like Tubi and Roku are attracting more TV viewers, forcing streaming services to rethink how they compete.

Read more
Netflix is worried people aren’t watching enough so its next move could change the app forever
Netflix's next big update could look a lot more like cable TV
Netflix on TV couple watching

Netflix has spent years telling the entertainment industry that binge-worthy originals and a simple user experience were enough to stay ahead. That strategy helped make it the world's biggest streaming service. But according to a Wall Street Journal report, the company is increasingly concerned about a different metric: engagement.

While Netflix continues to post healthy profits and retains one of the lowest subscriber cancellation rates in the industry, executives are reportedly seeing early signs that people are spending less time watching content. That matters because engagement - not just subscriber numbers - has become one of the biggest indicators of whether customers will stick around, watch ads, and continue paying for the service.

Read more