Skip to main content

Director Ayumu Watanabe on creating Fortune Favors Lady Nikuko

For many fans of the genre, over-the-top action is the norm for mainstream anime, but Fortune Favors Lady Nikuko, from animation studio Studio 4°C and director Ayumu Watanabe,  is another example of how strong the genre can also be when telling stories that slow the pacing down and bring things back down to earth. This anime adaptation of author Kanako Nishi’s novel of the same name visualizes the colorful and peaceful town that Kikuko and her titular mother share, detailing a tender coming-of-age story for Kikuko that sees her discover her sense of self in contrast to the wonderfully eccentric Nikuko’s unwavering — and inspiring — sense of optimism.

The premise is a simple one, but it uses its sincerity to its advantage in exploring grounded, relatable, and emotionally resonant themes wrapped up in a quaint, yet vibrant world. Remaining faithful to the source material’s spirit is often a challenge for any director in any medium or genre, and Digital Trends spoke with director Watanabe on how he and the studio painted such a visually and audibly atmospheric picture for this anime adaptation of Nishi’s writing.

Note: This interview was conducted with a translator present and has been edited for length and clarity.

The young protagonist Kikuko and her mother Nikuko on their boat home in the harbor.
Image used with permission by copyright holder

Digital Trends: When you were first taking on this project, did you foresee any particular expectations or challenges from the offset? And if so, did they change or evolve as you made and finished this movie? 

Ayumu Watanabe: When I took on this project originally, it was a novel written by Miss Kanako Nishi. And when we asked her if we could make this into a film, she just had one request for us, which was that she wanted us to shed light on new talent in the movie. So when we held auditions for the part of Maria — Kikuko’s classmate and friend — we actually cast an actor with little professional experience. This was her debut, and I think that was a challenge for us. But I think as the film production progressed, it turned out to be a huge success.

I’ve seen through your earlier credits that you’ve been a storyboard artist, and I was curious if your experience as a storyboard artist had any influence on the direction of this film.

I do think, yeah, my time as a storyboard artist does come in handy because I can directly convey what I want or ask the animators what I want because I could draw what I want. But I really have to think about trying not to draw too much for them because then that takes away from their creativity. So controlling that aspect is a little bit of a challenge for me, of course.

Nikuko with Ninomiya overlooking the town through the forest.
Image used with permission by copyright holder

One of the things I particularly loved about this movie was the sound design. Everything felt so atmospheric, with so much ambiance. So alongside having to create a visual image for this world, how important was the sound design when directing this movie and giving it audio?

I worked with [sound designer Mr. Kasamatsu] on my previous film, Children of the Sea, and he really understands the importance of sound and how it creates the overall finish of the film. And he really supported me, so I think he did a really good job.

Did you have any particular approach when it came to directing the actors to capture the kind of energy, tone, and how the characters interacted with each other?

I was actually very careful with how I interacted with the actors. I was not very specific. I wanted them to feel the movie and the script. And I really put importance on how they read the lines first and what they felt from reading the lines, understanding the lines, and what came out of them. That was really important to me.

And when it comes to adapting the source material, since this is such an intimate story with the coming of age aspect of a young girl and dealing with things like social structures in school and coming into adolescence, what do you want viewers to take away after they’ve watched Fortune Favors Lady Nikuko?

What you realize in life is really important and realizing that the clues to finding happiness are really anywhere in life, whether that’s school or whether you’re at home.

Director Ayumu Watanabe and Studio 4°C’s Fortune Favors Lady Nikuko is now playing in theaters.

Editors' Recommendations

Topics
Guillermo Kurten
Freelance Writer, Entertainment
A University of Houston graduate in Print Media Journalism, Guillermo has covered sports entertainment and practically all…
Slash/Back director talks homegrown horror and the film’s amazing score
Tasiana Shirley sits on top of a shipping container with a rifle in a scene from Slash/Back.

It's typically a bit cliché to describe a movie as a "labor of love" for its filmmaker, but that really is the case for Slash/Back director Nyla Innuksuk and her story of teenage girls in a remote Arctic community battling an alien invader.

Set and shot in the Inuit hamlet of Pangnirtung in Nunavut, Canada, Slash/Back features a cast almost entirely composed of local residents -- including its teenage (and preteen) stars -- with the community they live in serving as the focal point of the film's fictional invasion by terrifying, tentacled creatures who wear their victims' skins. Innuksuk, who grew up in the Inuit hamlet of Igloolik, shot the film in "Pang" (as it is informally known) with a crew of 50 people in 2019, determined to showcase the beauty of the people, place, and culture of the Arctic region.

Read more
Director K. Asher Levin on genre filmmaking and his new horror movie, Slayers
Thomas Jane and Kara Hayward point crossbows in a scene from Slayers.

K. Asher Levin is first and foremost a fan of cinema. What started as a conversation to promote Slayers quickly turned into a discussion about genre filmmaking and the legendary filmmakers of the1970s. For the record, it's hard to disagree with Levin's point about how Martin Scorsese is the greatest genre filmmaker of all time. Nevertheless, Levin is a student of the game, and Slayers is his attempt to inspire a new generation of genre fans.

Written and directed by Levin, Slayers follows Elliot Jones (Thomas Jane), a vampire hunter whose sole mission is to hunt down the creatures who killed his daughter. After years of hunting, Jones has found those responsible for his daughter's death, but needs help infiltrating their layer. Enter "The Stream Team," a group of clout-chasing social media superstars who lack self-awareness and humility. When the team is invited to a billionaire's estate, they quickly learn the compound is a breeding ground for vampires. Forced to team up with Flynn (Kara Hayward), a gamer on the team, Jones conducts the hunt of a lifetime inside the house to avenge his daughter. Framed as a vampire movie, Slayers is also a unique takedown of the media and its capitalistic principles.

Read more
Speak No Evil director on making a horror movie about being too damn nice
speak no evil 2022 movie review 1

We've seen horror films that have dealt with babysitter slashers, camp counselor-hunting psychopaths, serial killer dream killers, deadly plastic dolls, chainsaw-wielding maniacs, and even some Killer Klowns from Outer Space. But has the horror genre ever had a film about the terror caused by being too polite?

That's the intriguing premise behind Speak No Evil, the new Danish film that is just one of a few movies in the "Airbnb subgenre" of deadly rental house hosts. In an interview with Digital Trends, the film's director, Christian Tafdrup, talks about the real-life inspiration for his movie, why he was drawn to the horror genre despite never having made one, and how he wants his film to make people a little bit more comfortable about speaking up in awkward social situations.

Read more