Skip to main content

Hands-on with the Panasonic Lumix GX1

Image used with permission by copyright holder

The Lumix GX1 (not to be confused with the Canon G1 X) is Panasonic’s latest ICL release and one of the newest cameras to hit the micro four-thirds market. Panasonic’s been in on this segment since the beginning, along with the Olympus PEN series, but hasn’t risen to quite the same esteem as some newer entries.

We’ve seen manufacturers fill out their MFT lineups: those meager first tip-toes into this territory are now fleshed out series, appealing to consumers of all skill levels and price brackets (relatively speaking). Panasonic’s MFT products have been somewhat tailored to the middle market, but the GX1 is without a doubt its top of the line MFT camera.

Of course these devices come with their drawbacks, and the GX1 is no exception. DSLR shooters will immediately notice and miss high speed shooting (you have 20fps continuous shooting with this camera but the resolution decrease makes using it a sacrifice) and bigger sensors are simply better. But these are the exceptions you make for a MFT camera, and luckily Panasonic has included more than a few benefits.

For starters, the accessories that shooters can add to the device are a serious upgrade. The new LVF2 viewfinder ($250) is crisp and clear, and there was little to no distortion that you can experience with external viewfinders. And Pansonic’s new standard zoom 14-42mm/F3.5-F5.6 (35mm equivalent) HD lens is so smooth and quiet that video will be much improved, and it’s also considerably slimmer than the kit lens.

We’re also happy Panasonic went with a boxier, flat-top style. The GF3 has a bubble-like exterior, with a shiny, toy-like coating. It’s clear that Panasonic wants to reach a different consumer with this product (it’s also more reliant on auto mode and presets), and given the MFT/compact ICL rise to popularity, it’s not a terrible idea. But it feels a little premature: for the most part, we still think like those willing to shell out +$450 on a camera want a little more. The GX1, depending on your kit option, ranges from $950-$900 (it’s $700 for the body only). 

And that’s where the GX1 comes in. It’s a more serious camera for a more serious consumer. Still, it’s a crowded market, and manufacturers are taking these cameras’ specs up by leads and bounds–and doing it quickly. It’s going to be difficult for some brands not to get lost in the crowd.

Check out the GX1’s specs, and our hands-on video below.

  • 16-megapixel, ¾ sensor
  • Full HD 1080/60i video
  • ISO 60-12800
  • 3-inch 460k touchscreen LCD display
  • Built-in flash and hot shoe

Editors' Recommendations

Molly McHugh
Former Digital Trends Contributor
Before coming to Digital Trends, Molly worked as a freelance writer, occasional photographer, and general technical lackey…
Panasonic Lumix S1H is the first full-frame camera that can shoot 6K video
panasonic s1h first full frame 6k camera news lumix featured

The Lumix S1 and S1R full-frame mirrorless cameras haven't yet been out for 6 months, and already Panasonic has introduced a third model, the Lumix S1H. In what appears to be a video-focused version of the S1, the S1H is the world's first full-frame camera to shoot 6K/24p video. It also includes numerous other video-specific features, like support for anamorphic lenses and internal 10-bit 4K at up to 60 frames per second.

Regardless of resolution or framerate, the S1H promises unlimited record times without the risk of overheating. Video bit rate has not been revealed, but the full V-Log color profile will come as standard, offering a claimed 14 stops of dynamic range.

Read more
In the zoom-versus-speed debate, Panasonic’s 10-25mm f/1.7 gives you both
panasonic lecia 10 25 f17 news leica dg 25mm announced

Panasonic is tallying up the "world's firsts" in a slew of announcements made Friday, May 31. In addition to revealing the first full-frame 6K camera in the Lumix S1H, it also announced a new lens for its smaller Micro Four Thirds system, the Leica DG Vario-Summilux 10-25mm f/1.7. The zoom lens is designed with both still photographers and video shooters in mind, and is the first standard zoom to feature a constant f/1.7 aperture.

Impressive as it is, such a combination of wide aperture and zoom range is certainly easier to achieve on the Micro Four Thirds format compared to lenses for larger full-frame sensors. The 2.5x zoom offers a 20-50mm full-frame equivalent focal length, while the f/1.7 aperture is equivalent to f/3.4 on full-frame. Still, it is by far the fastest zoom lens to grace the Micro Four Thirds format thus far, while also offering a unique focal range not quite matched by other zooms.

Read more
Panasonic Lumix S1 vs. Canon EOS R: A full-frame mirrorless matchup
Panasonic Lumix S1



Read more