Skip to main content

Sony brings fast autofocusing, pro features to new entry-level DSLR

With Sony killing it in the mirrorless camera sector, it’s easy to forget that it also makes DSLRs. The company’s new A68 touts fast autofocusing as one of its strengths. The camera, which was first announced in Europe in November, is now officially available in the U.S. It’s reasonably priced at $700, and comes with an 18-55mm kit lens; the camera will also be available body only, for $600. Shipment is scheduled for April 2016.

The A68 doesn’t introduce anything revolutionary, but Sony’s brought some of its latest tech to this entry-level DSLR. Although the camera is larger and heavier than Sony’s E-mount models, the A68 has an extensive selection of A-mount lenses to pick. Slotting between the entry-level A58 and enthusiast-level A77 II, the A68’s features include a newly developed 24-megapixel APS-C CMOS sensor and 8-frames-per-second (fps) continuous shooting with autofocus. Built-in image stabilization will steady any A-mount lens. Among the competition, Sony says it’s comparable to the Nikon D5500 and Canon EOS Rebel T6i/T6s.

The autofocus system, “4D Focus,” was first introduced in the A77 II. It uses 79 AF points (15 cross points) that cover much of the frame, as well as a center f/2.8 point for low-lit scenes . “Included are 15 cross points as well as a dedicated F2.8 AF sensor point for dimly-lit scenes,” Sony says. “This all adds up to extremely fast, wide area AF with predictive tracking that locks faithfully onto fast-moving subjects. Additionally, the camera utilizes Sony’s unique Translucent Mirror Technology to deliver constant AF tracking at up to 8 fps (tele-zoom with 1.5x crop).”

Working alongside the sensor is Sony’s Bionz X image processor, delivering an ISO range of 100-25,600. The Bionz X uses “detail reproduction and diffraction-reducing Technologies plus area-specific noise reduction, resulting in pristine, finely detailed shots every time,” Sony says.

The A68 records movies at Full HD (1080), but only at 30p/24p/25p. When using an SDXC card, you can record in XAVC S format, which has a high bit rate of 50 Mbps. The Multi Interface Shoe lets you add accessories like mics and lights to enhance your videos.

While the A68 is considered an entry-level, step-up DSLR, there are pro-like features and controls. At the top is a display LCD that shows your shooting parameters, similar to the ones found in enthusiast DSLRs. An OLED Tru-Finder electronic viewfinder has 100-percent frame coverage – the same as the one in the A77 II. The 2.7-inch LCD tilts up to 135 degrees and down 55 degrees, letting you frame your shots from different angles. For more advanced users, the A68 has 10 buttons you can customize for your favorite settings. However, Sony elected not to include wireless connectivity.

Editors' Recommendations

Les Shu
Former Digital Trends Contributor
I am formerly a senior editor at Digital Trends. I bring with me more than a decade of tech and lifestyle journalism…
Sony A7S III hands-on: Confessions of a devout Panasonic user
Sony A7S III closeup in hand

I’ve been using Panasonic’s cameras for about a decade now, so you could say that I’m a devout user. Over the last few years, though, we’ve seen Micro Four Thirds eclipsed by the swarm of full-frame cameras that have entered the market and proven their superiority. So, given the chance to check out the new Sony A7S III, I was eager to uncover what all the hype is about.
The tease of better low-light performance
I met up with the Sony folks on a hot and humid day, spending less than a couple of hours in total getting a feel for the A7S III. Able to harness the light-soaking power of its backside-illuminated 12.1-megapixel Exmor R image sensor, I know how incredibly gifted it is under low light. It should be a beast, but with the limited time on my hands and the brutality of the midday sun, there was no way of me experiencing its ability firsthand. A bummer indeed. Still, it beats what comes out of my aging Panasonic GH4 and G85 -- both of which crumble at low-light footage with anything above ISO 1600.

What I will tell you is that the autofocusing system of the A7S III is light-years ahead of anything I’ve experienced over in Micro Four Thirds land. That’s partly due to the magic of its hybrid autofocus system, which features 759 phase-detection AF points and 425 contrast-detection points. Shooting a quick VLOG style clip, I’m impressed that it locks on to my face and doesn’t hunt for focus. It’s a nagging problem with the contrast-based autofocus system that Panasonic has relied on for ages, so experiencing something that’s quick, locks on, and doesn’t hunt incessantly reassures me that I can trust the camera.
The ergonomics: The good and bad
Even though it’s not particularly new, especially for anyone who’s owned a Panasonic mirrorless camera, the Sony A7S III features an articulating LCD screen that's ideal for shooting video. For Sony fans, this is a welcome upgrade over its predecessor’s fixed tilting screen. One minor nuance I noticed while capturing photos using the QXGA 9.44 million-dot OLED electronic viewfinder was that it wouldn’t activate if the articulating LCD screen was tilted in any way. Who knows why this is the case, but it could be a matter of the software not being final on this preproduction model.

Read more
Canon EOS R5 vs. Sony A7S III vs. Panasonic S1H: Best full-frame for video?
Panasonic S1H top LCD display

The Canon EOS R5 and Sony A7S III are the two most talked-about cameras of summer, but don't discount 2019's Panasonic S1H. All three are full-frame mirrorless models, but where the R5 is a more "traditional" hybrid still camera that happens to shoot 8K video, the A7S III an S1H are built specifically with video in mind. And while it may be a year old, the S1H still holds some advantages over the other two.

The S1H and the A7S III are the true competitors here. The EOS R5 really should be targeting still photographers, but that messaging was muddied by Canon's marketing prior to the camera's release. But given that all three tout high-end video features and are priced in the $3,500 to $4,000 range, a comparison is natural.
At a glance:
Canon EOS R5

Read more
Price for entry-level 13-inch MacBook Pro RAM upgrade quietly doubles to $200
apple macbook pro 13 review 2020 07

The price tag to upgrade the RAM of the entry-level 13-inch MacBook Pro has doubled, opening the door for similar cost increases to affect other Apple computers.

Apple quietly made the price adjustment without any official announcement, taking the price to upgrade the RAM of the cheapest model of the recently released 13-inch MacBook Pro from $100 to $200, as first spotted by MacRumors.

Read more