We tested the Axiom Epic Grandmaster 500 speaker system in a moderately sized, acoustically treated room. Associated test equipment included a Marantz SR6005 A/V receiver, LG BD 370 Blu-Ray disc player, Pioneer PL-61 Turntable with Ortofon OM-5E catridge, Bellari Phono Pre-Amp and HeadRoom Micro DAC. To ensure proper break-in, we ran the speakers at low volume for 50 hours prior to our listening test.
From the very first note of music, it was clear that the Axiom sound was inarguably high-end. They stand well above most of the speakers that you will find in any big-box electronic store and, indeed, many high-end brands we’ve tested as well. From here, it can be assumed that our critique of the Axioms will be over the sort of nuances that are generally reserved for the, shall we say, more enthusiastic audio fans.
We started our listening with the M22 speakers in stereo with no assistance from the subwoofer. We picked some deliberately punchy, bass heavy tracks from Victor Wooten’s 2008 album Palmystery to gauge the M22’s bass capabilities on their own. We found that the M22s were able to get well down into the bass region tonally, but did little to add palpability to Victor’s slapping bass sounds. While this may sound like a drawback, we actually found it to be a benefit. Many speaker manufacturers make engineering efforts to eek as much bass as possible from smaller speakers. The motivation is that, with more bass performance, the speaker will sound “bigger” and sell better. There is a trade-off, though, and it usually comes in the form of muddy midrange performance. To the contrary, the M22’s had exquisite mid-range qualities. With the Wooten album, we got an excellent taste of Victor’s tone. The sound was not muddy or otherwise colored. We quickly switched to Diana Krall’s Girl in the other Room album and noted Diana’s voice came through clearly, as if she weren’t in the other room at all, but sitting right there with us.
We then added in the EP500 subwoofer to fill in the lower octaves. It was then that the room came to life. With the bottom end amply filled in by the EP500, the system had a very well integrated sound that didn’t come off like a subwoofer and satellite system. Though there was a little missing from the mid-bass region, the EP500 did a remarkable job of playing up into the 80hz range smoothly-no small feat for a 12” subwoofer.
Satisfied with our stereo tests, we switched over to multi-channel music and movie content. We queued up the Word of Mouth Big Band’s Word of Mouth Revisited album and ended up listening our way through all 13 music tracks. For the bulk of the album, the bass player takes residence in the center channel. This gave us an opportunity to test the musicality of the VP150 and we were very satisfied with what we heard. Musically speaking, the VP150 was a perfect match for the M22s. It blended well and showed no sign of strain, even when we pushed it hard with highly dynamic and often loud music sections.
This seamless timbre matching was echoed (forgive the pun) in the surround speakers. With many multi-channel music discs, the surrounds are used for specific instruments, not just ambient sounds and reverb. For this reason, it is critical that the surround speaker be able to perform as well as any other speaker in the system. The QS8s did just that. In fact, we felt that their performance was on par with the M22s in terms of midrange accuracy, even with the oddly positioned drivers designed primarily for home theater use.
Having put the system through its musical paces, we switched over to movies for a while. We used a variety of surround scene favorites including a few from Avatar, Superman Returns, Gladiator and UP.
It was impossible not to notice the EP500’s deep, low frequency effects capability. The sub’s performance was deep and gut wrenching while simultaneously nimble and articulate. To get such definition from a 12” sub is rare and a real treat.
Again, the QS8 surrounds impressed us, this time with their enveloping surround effect playback. The design of the QS8 paid off nicely, providing a seamless, and wide surround stage that sounded more like a 7.1 system than a 5.1 system. Those without the room for rear surrounds should certainly consider the QS8 as a surround speaker option in a 5.1 configuration.
We only have a few criticisms of the Epic Grandmaster 500 system: Dialogue reproduced from the VP150 center channel had a very slight nasal quality that, were we not so familiar with our test material, might have gone unnoticed. Also, we found that opinions of the high frequency reproduction of the speaker system varied greatly from listener to listener. Some found the sizzle at the top end tiring, others found it refreshing; however, this just serves to prove that sound quality is a very subjective matter and, at the end of the day, one needs to listen to a speaker before deciding if it is right for them. Given the outstanding over-all quality of the Axiom system we tested, we think that these speakers will be a great match for a broad range of listeners.
Axiom’s Epic Grandmaster 500 system offers knockout performance at an extremely reasonable price. Not only do the speakers sound fantastic, but they look good as well and should meet with the approval of the more design conscious persons in the house. Since they are quite sensitive, these speakers can be mated with just about any A/V receiver, though we found that the more power we fed them, the better they sound. In short: Axiom deserves a spot toward the top of your short list for performance loudspeakers.
- Excellent sound and build quality
- Space conscious cabinet design
- Rock solid subwoofer performance
- Reasonably priced
- Bulky subwoofer
- Premium finish options are expensive
- High frequencies may be aggressive for some listeners