Skip to main content

Troubled Flash solo movie may be getting not one, but two directors

UNITE THE LEAGUE – THE FLASH
The Flash has a wildly popular television series, but Warner Bros. Pictures has had one problem after another with its plans for a live-action movie starring Ezra Miller as the fleet-footed superhero. The director’s chair on the troubled project has become a revolving door in recent years, but Warner Bros. Pictures has now reportedly found a new filmmaker — or in this case, filmmakers — to helm the movie.

Vacation directors John Francis Daley and Jonathan Goldstein are reportedly in talks to direct Flashpoint, the upcoming solo feature that puts Miller front and center as DC Comics’ scarlet speedster.

According to Variety, WB attempted to convince Batman actor Ben Affleck to direct the film, only to have him decline the offer. The studio then had to wait until there was an opening in Miller’s schedule due to his work on Fantastic Beasts: The Crimes of Grindelwald, the upcoming sequel to Fantastic Beasts and Where to Find Them, which finished filming in December 2017.

Daley and Goldstein are no strangers to superhero movies, having penned an early draft of the screenplay for Spider-Man: Homecoming, the critically praised 2017 film that brought Marvel Comics’ famous web-slinger into Marvel’s cinematic universe. In addition to directing 2015’s comedy franchise reboot Vacation, the pair also directed the upcoming crime comedy Game Night, starring Rachel McAdams and Jason Bateman.

The involvement of Daley and Goldstein suggests that the studio is going for a more comedic take on Flashpoint than it has with the other films in its DC Extended Universe of live-action films. The most recent draft of the script came from King Arthur: Legend of the Sword screenwriter Joby Harold, which is reported to be a full rewrite after the studio decided to go in a different direction with the character than prior drafts of the script had taken him.

Details are scarce regarding the plot of Flashpoint, but the film is reported to be set after the events of Justice League and be inspired by the DC Comics story arc of the same name, which had The Flash deal with the dangerous fallout of a decision he once made to alter the past using his powers.

Daley and Goldstein are the latest in a long list of filmmakers attached to Flashpoint in various forms over the years. Abraham Lincoln: Vampire Hunter and Pride and Prejudice and Zombies screenwriter Seth Grahame-Smith was originally expected to make The Flash (as it was titled at that point) his directorial debut, only to have him leave the project due to creative differences with the studio. Rick Famuyiwa, who directed the critically acclaimed drama Dope, was later hired, only to depart in October 2016 due to creative differences.

Most recently, the studio reportedly met with Matthew Vaughn (Kick-AssKingsman: The Secret Service), Robert Zemeckis (Forrest GumpBack to the Future), and Sam Raimi (Spider-ManThe Evil Dead) in May 2017 about the film, with Zemeckis rumored to be the leading contender for the director’s chair.

The studio has been shaking things up over the last few months after all but one of its superhero movies have underperformed expectations critically and commercially. The sole bright spot for the studio so far has been 2017’s Wonder Woman, with Man of Steel, Batman v Superman: Dawn of JusticeSuicide Squad, and Justice League all failing to live up to their potential in one way or another. The next film in the DCEU hitting theaters is Aquaman, which premieres December 21.

There’s currently no release date set for Flashpoint.

Editors' Recommendations

Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
The 10 most popular movies on Netflix right now
A man holds a woman as they stare into each other's eyes.

Netflix is one of the most popular streaming services in the world, with nearly 250 million subscribers. And just what do those people tend to watch? In particular, what is the most popular movie on Netflix? Each week, the streaming service releases a list of its 10 most-watched movies over a recent seven-day period to keep subscribers in the loop regarding its most popular titles.

One of the surprise hits of 2023, Anyone But You, is now on Netflix. After its box office success, Anyone But You is now a Netflix hit after debuting at No. 1. Zack Snyder's Rebel Moon — Part Two: The Scargiver moves up one spot this week from No. 3 to No. 2. Other notable entries in the top 10 are King Richard at No. 4 and Rust Creek at No. 5. Below, we've listed the top 10 movies in the U.S. from April 22 to April 28, along with general information about each film, such as genre, rating, cast, and synopsis.

Read more
7 most overrated Netflix shows of all time, ranked
Eleven, Will, Mike, and Jonathan standing and staring in a still from Stranger Things Season 4.

Netflix is home to great television. The best shows on Netflix usually dominate the pop culture discourse, earning positive praise from critics and fans alike. Some even make it all the way to the Emmys, with projects like The Crown even claiming the top prize.

However, not every show from the streamer is a home run. Even those that are widely acclaimed can easily be blown out of proportion. The quality of these shows has been severely exaggerated by both critics and audiences, and while they remain worthy and entertaining additions to the streamer's ever-increasing library, they might not be the masterpieces some consider them to be.
7. Stranger Things (2016-present)

Read more
25 years ago, The Matrix led a mini movement of sci-fi simulation thrillers
A man walks into a simulation in The Thirteenth Floor.

One way to grasp how fully our relationship to computers changed over the 1990s is to look at the cyberthrillers Hollywood made during that time. Mass surveillance, identity theft, the hacking of the soul — all the nascent technological anxieties of this new era were uploaded to movie screens like a virus. But there was no stopping what was coming, and over just 10 years, a world merely flirting with mass connectivity went irreversibly online. By the end of the decade (and, by extension, the century and millennium), the internet had become a major part of everyday life for many people. In turn, the word of warning evolved at the movies. Suddenly, computers weren’t just threatening your safety, your privacy, and your humanity. They were replacing life itself.

In the spring of 1999, the American multiplex was inundated with variations on that scary conclusion. First came The Matrix, a savvy sleeper blockbuster that used irresistible pop philosophy as the Krazy Glue of its spirited genre pastiche. Mere weeks later, eXistenZ, a weird Canadian thriller, dabbled in similar ideas, while bending them into the less mainstream shape of a drolly deranged espionage movie. And a few weeks later still, on Memorial Day weekend, we got The Thirteenth Floor, a twisty neo-noir about realities within realities that had the misfortune of opening in the wake of not just Matrix mania, but also the box-office event that was Star Wars: Episode 1—The Phantom Menace.

Read more