Review: ‘Star Trek Into Darkness’

Abrams tweaks the loyalists and thrills the clueless with 'Star Trek Into Darkness'

Jokes about J.J. Abrams and his love for the lens flare used to be cute, but they take on new meaning after you’ve been subjected to Star Trek Into Darkness.

The light scattering comes so frequently and swallows up so much of the screen that portions of the actors’ faces are often obscured while a performance is delivered. This should not be. It shatters the illusion that sitting in a darkened theater is supposed to create, and – more importantly – it is artistically out of place. The dreamy haze of the lens flaring is constantly at odds with Star Trek‘s grounded fictional science.

This speaks in part to the disconnect that longtime fans feel between the source material and Abrams’ revised take on Gene Roddenberry’s creation. The science fiction of yesteryear’s Star Trek was always firmly moored to an established foundation. Even if you didn’t possess the knowledge that the series’ futureworld marvels were built on established theories, there was always an ever-present sense of legitimate pseudoscience seeping out from every frame and every jargon-filled utterance.

Abrams is a born storyteller with a real knack for weaving the sorts of fantastical tales that Old Trek tended to rein in. He managed to strike an effective balance between knowing nods to franchise lore and sci-fi blockbuster spectacle in his 2009 series reboot, but Into Darkness swings too wildly toward both extremes. It’s either too slavishly locked to referencing the roots of the series or too caught up in melting audience eyeballs with searing visual splendor.

The finished work feels forced more often than it doesn’t, and little room is left for the viewer to ever settle into the sort of happy middleground that 2009’s feature so effectively toed. Star Trek Into Darkness is perfectly entertaining as a work of blockbuster spectacle, but the source that it draws from feels more like a distant speck in the rearview than it did before. This is the best kind of fanfic, writ large across a big screen with all of the Abramsverse trickery that you might want. It’s still fanfic though, and we all know how readily that stuff is accepted by diehards as canon. It isn’t.

It’s too bad, as there’s a fun ride here buried deep beneath the surface-level annoyances of lens flare, winking references, and shaky handheld action. Abrams packs in a little something for everyone. Franchise diehards get to keep a running tally of backward-facing nods, to Klingons, to Tribbles, to everything from Bat’leth to Daystrom. Mainstreamers get all the eye candy they could possibly want in the beautifully rendered virtual scenery and slickly choreographed action, at least when the camera takes the time to stop jumping around and takes things in. There’s real tension in the plot too, even if it telegraphs itself a bit too heavily at times.

An uneven pre-summer blockbuster that is nonetheless absolutely worth seeing on a giant screen.

This is a difficult story discuss in the context of a review, with Abrams taking a spoiler-a-minute approach that keeps you guessing even if you’re nearly positive that some Big Reveal or another is coming. For all of the twists that Trek takes as the crew of the U.S.S. Enterprise barrels into the darkness of a corrupt Federation and a looming war, nothing ever feels truly surprising. This may be less true for those viewers that don’t tug on geeky Internet threads in the run-up to release, but that highlights yet another problem: even in the midst of the non-stop parade of references, Into Darkness never taps into what a diehard fan would really want.

Klingons and Tribbles are merely things. It’s fun to see them on screen as realized in this Abramsverse take on Star Trek, but the feeling of unknown adventure and discovery that is so intrinsic to everything that the series represents is nowhere to be found.  This is a tale of intrigue, one where shadowy plots and political machinations ultimately take center stage. It is a Big Story with a sweeping focus, but it feels all wrong. Strip away the Enterprise, the familiar names and nods, and you’ve basically got a distant-future follow-up to Mission Impossible III.

The performances support this refusal to embrace the core ideals of Star Trek, less because of any one actor’s lacking talents and more because the writing just isn’t there for those in the supporting cast. The Enterprise crewmembers get their expected moments to ham it up in front of the camera, but we come back now to how forced it all feels. Karl Urban continues to deliver the best Deforest Kelley impression out there, but it’s all one-liners. Simon Pegg and Anton Yelchin feel like under-realized caricatures of Scotty and Chekov, respectively. John Cho’s Sulu is nearly invisible. Zoe Saldana’s Uhura would be as well, if not for her necessary presence as the Love Interest.


The three main players – Chris Pine’s Kirk, Zachary Quinto’s Spock, and Benedict Cumberbatch’s newcomer antagonist John Harrison – fare better, but only just. Pine finds his inner-Shatner, blustering around like an outer space cowboy until he learns some all-important Lessons and rises to challenge of being the leader that everyone knows he can be. Quinto is similarly steeped in the teachings of Leonard Nimoy. His continuing relationship with Uhura is often played for laughs, but effectively so. Spock has always been one of science fiction’s most brilliant straight men, and Quinto nails it yet again.

Cumberbatch is a fresh-faced new arrival and he brings a real sense of menace to his performance, an impressive feat for a character that could easily have been written as a one-note Villain. His Harrison exists in a grey-shaded space, a fact which becomes increasingly apparent as we come to know him in the film’s second and third acts. The success of the character is a combined result of writing and performance: the script paints a meaty and complex figure in Harrison, and Cumberbatch rises to the challenge of delivering a captivating take on the writers’ words.

The result is an uneven pre-summer blockbuster that is nonetheless absolutely worth seeing on a giant screen. Abrams gives good fantasy, and while Star Trek might not be the best platform for such an approach, this remains an objectively entertaining film. Diehard fans will benefit most from putting aside all preconceived notions about what the story could or should be and simply letting it wash over them. Like 2009’s reboot, Star Trek Into Darkness is one for the mainstream that takes to heart a familiar pointy-eared fellow’s memorable bit of sage advice: “The needs of the many outweigh the needs of the few, or the one.”

Emerging Tech

Parker Solar Probe captures first image from within the atmosphere of the sun

NASA has shared the first image from inside the atmosphere of the sun taken by the Parker Solar Probe. The probe made the closest ever approach to a star, gathering data which scientists have been interpreting and released this week.
Home Theater

‘Star Trek: Discovery’ season 2 gets a new, Spock-heavy trailer

CBS has released a new trailer for Star Trek: Discovery season 2, which premieres January 17 on CBS All Access. The new trailer features series newcomers Spock and Christopher Pike prominently.
Movies & TV

Pedro Pascal officially cast as 'The Mandalorian' as Disney show fills out cast

The Mandalorian, Jon Favreau's live-action Star Wars series planned for Disney's streaming video service, will be one of the most expensive television shows ever made. Here's everything we know about it so far.

The hottest Nintendo Switch games you can get right now

The Nintendo Switch's lineup started off small, but games have steadily released as the console continues through its second year. Here are the best Nintendo Switch games available now, from Super Mario Odyssey to Fortnite.
Movies & TV

A ‘Venom’ sequel is on its way, and Spider-Man could play a role

'Venom' screenwriter Jeff Pinker confirms that a follow-up to Sony's Spider-Man spin-off is in the works. Could a certain friendly neighborhood webslinger join the action? Pinker says that it's "not impossible."
Movies & TV

Netflix is testing an instant scene-replay feature, but would you use it?

Ever felt like Netflix was missing a scene-replay button? The company is currently trialing a feature that lets you skip back to the start of the scene you just watched, though early tests appear to be annoying some viewers.
Movies & TV

'Spider-Man: Into the Spider-Verse' is one of the hero's best movies ever

One of Spider-Man's most memorable big-screen adventures, animated feature Spider-Man: Into the Spider-Verse simultaneously feels like nothing we've ever seen before and a tale that feels familiar in all the best ways.
Home Theater

From the Roku Ultra to the Fire TV Cube, these are the best streaming devices

There are more options for media streamers than ever, so it’s more difficult to pick the best option. But that’s why we're here. Our curated list of the best streaming devices will get you online in no time.
Movies & TV

Celebrate the 25th anniversary of ‘The X-Files’ with the show’s 10 best episodes

The X-Files premiered 25 years ago, so here are the 10 best episodes of the award-winning sci-fi series. From alien-abduction drama to hilarious satires, these are the best episodes from all 11 seasons of the hit series.
Movies & TV

Can't get enough lightsaber action? Here's how to get your Star Wars fix online

Few of us want to deal with DVDs or Blu-ray discs anymore. Unfortunately, the Star Wars movies are few and far between when it comes to streaming. If you want to watch Star Wars online, check out our guide on where to find the films online.

Psychedelic 'Spider-Man,' Superman goes evil, 'Star Trek: Discovery' trailer

This week on Between the Streams, we'll talk about the wondrous, psychedelic adventure that is Spider-Man: Into the Spider-Verse. We'll also discuss Dr. Strange 2, the freaky trailer for Brightburn (Superman goes evil?), and more.
Home Theater

Streaming services blast past networks for the most scripted TV shows in 2018

For the first time in history, streaming services like Netflix, Hulu, and Amazon, produced more original scripted series than broadcast or cable channels, setting a new record for the number of TV shows on the air.
Home Theater

The best Dolby Atmos movies for your home theater sound as good as they look

If you've got your hands on some sweet Dolby Atmos gear, the next step is to find films that take advantage of it. These are our picks in every genre for the best Dolby Atmos movies currently available on Blu-ray and streaming services.
Movies & TV

Do you have questions about Hulu? We’ve got answers

Not sure which Hulu subscription is right for you? We're here to help. This is your complete guide to Hulu and Hulu with Live TV, including content offerings for each service, pricing, internet requirements, and more.