Skip to main content
  1. Home
  2. Entertainment
  3. News

Spectre poised to end Daniel Craig’s James Bond run on a box office high note

Add as a preferred source on Google

Skyfall may be a hard act to follow, but Spectre looks to be up to the job. The latest James Bond film arrives in U.S. theaters next week, and analysts expect it to have an $80 million opening, reports Variety.

The spy film hit theaters in the U.K. on Oct. 26 and quickly began smashing box office records. According to reports, Spectre had the country’s highest-grossing Tuesday and Wednesday ever, bringing in $24.5 million in its first two days. Numbers are expected to swell going into the weekend, potentially even over taking Skyfall in Bond’s home country.

Recommended Videos

Sources tell Variety that Sony hopes to open in at least the mid-$60 million range, but the latest 007 flick (and 24th in the franchise) is reportedly on course to do much better. If it does hit the expected $80 million mark in the U.S., it won’t be enough to overtake Skyfall, but it would still be very impressive. And while Spectre shares an opening weekend with The Peanuts Movie, a Fox film projected to bring in around $40 million, Skyfall faced much less competition.

Skyfall‘s performance was as impressive globally as it was domestically. The film grossed over $1 billion worldwide, a mission no other Bond film so far has managed to accomplish. It’ll be interesting to see how Spectre fares; like Skyfall, it comes from director Sam Mendes and stars Daniel Craig. Both factors should be a huge draw for fans of the movies.

Spectre may be the last installment in the series to feature the impressive duo, though, as both seem likely to leave the franchise behind. In fact, Craig has been so emphatic that he shared how he’d prefer to commit suicide rather than think about playing the iconic British spy again. If Spectre is indeed their final 007 contribution, it seems they’ll be going out with in Bond-worthy style.

Spectre hits theaters stateside on Nov. 6.

Stephanie Topacio Long
Stephanie Topacio Long is a writer and editor whose writing interests range from business to books. She also contributes to…
EXCLUSIVE: Obsession composer Rock Burwell breaks down the horror hit’s unsettling score
Composer Rock Burwell talks creating the Obsession's beloved score, the film's Oscar campaign, and collaborating with director Curry Barker
Nikki (Inde Navarette) and Bear (Michael Johnston) sitting on a bed together in the horror film, Obsession, written and directed by Curry Barker.

Horror fans can't stop talking about Obsession, and Rock Burwell's haunting musical score has been one of the most celebrated elements of the movie. Made on a reported $750,000 budget with many emerging actors and crew members, Obsession has grossed over $300 million at the box office.

The film's extraordinary turnout has made it one of the highest-grossing horror movies of all time. Director Curry Barker has even told The Hollywood Reporter that Focus Features plans to launch an Oscars campaign for Obsession, making Burwell's score a possible awards contender.

Read more
Google is diving into the film world with millions of dollars, and yes, AI is involved
Google makes its first-ever stake in a movie studio.
Chiwetel Ejiofor looking astonished in Backrooms, the horror film directed by Kane Parsons and produced by A24.

Google is investing roughly $75 million in A24, the studio behind the latest hits like Backrooms and Obsession, according to the Wall Street Journal.

The investment comes attached to a new AI research partnership between A24 and Google DeepMind, Google's artificial intelligence research lab.

Read more
Amazon pulls back from Sam Altman film ‘Artificial’ as it may have hit too close to home
Amazon MGM Studios walked away despite strong test screenings and a finished cut
OpenAI CEO Sam Altman during the Uncapped podcast in June 2025.

Amazon MGM Studios just backed out of releasing Artificial, Luca Guadagnino's movie about OpenAI CEO Sam Altman.

According to Deadline, the studio confirmed it will no longer distribute the nearly finished film, even though it had been in the works for roughly a year and had already screened well in early test audiences.

Read more