Skip to main content

65’s ending explained

Warning: this article contains major spoilers for 65 (2023).

65’s story is fairly simple. Set “prior to the advent of mankind,” the sci-fi film follows Mills (Adam Driver), a for-hire pilot from a distant world who ends stranded on an uncharted planet after his ship is hit by an unexpected asteroid storm. With all of his cryogenically asleep passengers presumed dead, Mills briefly considers killing himself in 65’s opening minutes before he discovers that one of his passengers, a little girl named Koa (Ariana Greenblatt), survived their crash.

What is 65 about?

After waking Koa up, Mills takes it upon himself to journey with her to their ship’s emergency escape vessel, which crash-landed over a dozen kilometers away on a distant mountain. Unfortunately for Mills and Koa, viewers quickly discover that they haven’t crash-landed on just any planet, but a prehistoric Earth that is still populated by dinosaurs. As a result, the duo’s escape from Earth doesn’t end up being nearly as easy as they would have liked.

Over the course of 65’s lean 93-minute runtime, Mills and Koa are forced to face off against a number of dinosaurs, many of which immediately try to kill the pair. In case that wasn’t bad enough, it’s revealed in 65’s second act that the asteroid field that caused Mills and Koa’s ship to crash was merely the leftover debris from another much larger asteroid that is heading straight for Earth. The asteroid in question is the same one that will wipe out all of the planet’s non-avian dinosaurs.

Mills carries Koa through a swamp in 65.
Patti Perret/Sony Pictures Entertainment

Does Adam Driver really battle a Tyrannosaurus rex in 65?

Following their discovery of the incoming asteroid, Mills and Koa rush to get to their escape vessel before Earth’s surface is totally remade. Once they reach their escape vessel, however, Koa not only realizes that both of her parents were killed in the crash that brought her to Earth in the first place, but that Mills also lied to her about her family being at their destination. For a few moments, it looks like Koa and Mills are going to be split apart irrevocably by the latter’s grief and sense of betrayal.

Instead, Mills opens up to her about the loss of his own daughter, Nevine (Chloe Coleman), who died while he was away on the very mission that has brought him and Koa together. Despite not being able to fully understand him, Koa recognizes Mills’ vulnerability. It’s the pair’s shared grief, consequently, that brings them back together. Unfortunately, just as Koa and Mills are about to leave Earth, their escape vessel gets hit by a meteor, which sends it tumbling off its mountain perch.

On the ground, Mills and Koa find themselves surrounded by three very angry Tyrannosaurus rexes. Mills gets out of their escape vessel and manages to defeat two of the massive dinosaurs on his own. Once his sole weapon runs out of ammo, though, it’s only a well-timed geyser blast and a last-minute save from Koa that prevents the remaining T-Rex from killing Mills. With only seconds to spare, Mills and Koa then run back to their escape vessel and leave Earth just as it is hit by a planet-altering asteroid.

How does 65 end?

Mills shows a futuristic scanner to Koa in 65.
Patti Perret/Sony Pictures Entertainment

As he and Koa fly toward the rescue vessel waiting somewhere in the stars for them, Mills closes his eyes and remembers some of his final memories with his daughter. For a moment, it looks like the pilot is going to give in to the pain of his multiple wounds and die. He’s pulled back to consciousness, though, when Koa takes his hand in hers. 65 then ends on an image of Mills and Koa’s ship speeding away and becoming yet another speck of light in a sea of stars.

As far as endings go, 65’s is ultimately a reflection of the film itself. It’s a simple, bare-bones conclusion that plays with a lot of familiar ideas and story beats, but nonetheless achieves an emotional resolution that is moving in its own small way and surprisingly optimistic. As exciting as many of 65’s action sequences are, it’s really Mills and Koa’s ability to bond over their grief that keeps them alive. It’s only fitting then that 65 ends on an image that highlights both connection and loneliness in equal measure.

65 is now playing in theaters.

Editors' Recommendations

Topics
Alex Welch
Alex Welch is a TV and movies writer based out of Los Angeles. In addition to Digital Trends, his work has been published by…
Aliens is overrated. Here’s why the James Cameron sequel fails to live up to Alien
Ripley tends to Newt in Aliens.

Time has been kind to Aliens, James Cameron’s 1986 sequel to 1979’s Alien. Such varied publications as Slant Magazine, Empire, and RogerEbert.com have hotly declared that the film exceeds its predecessor, and its influence as an action thriller continues, all these decades later, to eclipse Alien’s legacy of creeping horror.

But in an era when more and more films resemble Aliens, it’s become clear that Alien is the superior entry, and indeed that Aliens represents, in its well-meaning way, a betrayal of the instincts that made the first movie great.
The film is duplicative of Alien as it attempts to honor it

Read more
10 best sci-fi movies of 2023, ranked
A woman lies on an operating table in Poor Things.

2024 is right around the corner, so we only have a few more days to celebrate the highs and lows of 2023’s film slate. Fortunately, this year has given movie fans plenty to talk about. Over the past 12 months, viewers have gotten more memorable films than they have from any other year since 2019. That’s particularly true for the year’s feature-length sci-fi offerings, ranging from broadly appealing to shockingly experimental.

In recent weeks, we’ve honored this year’s best comedies, thrillers, and TV shows. Now, it’s time to look back and remember the 10 best sci-fi movies of 2023, including several underrated gems that most moviegoers may have missed when they were originally released.
10. Linoleum

Read more
Wait, David Lynch directed a commercial for the Sony PlayStation?
A man's head floats away in Welcome to the Third PLace.

Movie fans everywhere know who David Lynch is. (And if you don't, well, you've got problems.) Heck, even casual film lovers can recite many of his famous works: the seminal '80s classic Blue Velvet; the ABC series Twin Peaks, which ruled pop culture for a brief time in 1990; and the original Dune, which is one of the most perplexing bombs of all time. Most people know what "Lynchian" means and know what it stands for: bizarre imagery, dreamlike states, and narratives so opaque they are barely there at all.

Lynch hasn't made a narrative movie since 2006's Inland Empire, so the appetite for anything new from the veteran filmmaker is stronger than ever. Maybe that's why a "lost" work by Lynch was recently talked about and shared widely on Twitter. I use the term "lost" loosely here since it's always been floating in the digital ephemera, just waiting to be watched for the first time or the fifth. And I also use the word "film" loosely, as it's not a feature-length film but a 60-second commercial for the PlayStation 2.

Read more