The best thrillers on Netflix right now

Sarah Snook (Succession) headlines Run Rabbit Run, a thriller that takes some horrific turns. Sarah (Snook) is a single mother with a contentious relationship with her ex-husband, Peter (Damon Herriman). But Sarah’s real problem is with her daughter, Mia (Lily LaTorre). Inexplicably, Mia has taken on a new persona and declared that she is someone named Alice.

While Sarah doesn’t believe her daughter at first, the evidence mounts that Mia’s behavior somehow is tied to a dark episode in Sarah’s past. Something unnatural is happening with Mia, and Sarah may pay the price for keeping her secrets for so many years.

You might want to watch God’s Crooked Lines with subtitles, otherwise, you may miss some critical details in this Spanish thriller. Bárbara Lennie stars as Alice Gould, a woman who has herself institutionalized by her husband, Heliodoro (David Selvas), in the late ‘70s and she finds herself under the care of Doctor Teodoro Ruipérez (Federico Aguado). However, Alice has her own hidden agenda as she tries to solve a murder while feigning mental illness.

Some of the creeps that Alice encounters, including the Gnome (Luis Sacristán), the Elephant Man (Francisco Javier Pastor), and the twins Romulo and Remo (both played by Samuel Soler). The scary part is that the staff at the institute pick apart Alice’s story and raise questions about whether she is an investigator or if she is simply paranoid and delusional.

Adapted from the true-crime novel of the same name, The Good Nurse stars Jessica Chastain as Amy Loughren, a single mother and ICU nurse. When a series of untimely patient deaths start cropping up around the hospital, Amy begins to suspect that new hire Charles Cullen (Eddie Redmayne) is the man responsible. Both Chastain and Redmayne are the kind of talents we expect greatness from, and truly, both actors go out of their way to foster a sort of surreal pathos for their characters, especially the latter. It’s a solid thriller and a tragic and haunting reminder that we don’t have to dig into fiction to tell some of the most grueling stories imaginable.