Skip to main content
  1. Home
  2. Entertainment
  3. Photo Galleries
  4. News

Digital Trends may earn a commission when you buy through links on our site. Why trust us?

He Lived Long and Prospered: Leonard Nimoy dead at 83

Add as a preferred source on Google

Veteran actor Leonard Nimoy, who became a household name with his portrayal of Spock in the Star Trek television series and the countless projects spun out of the sci-fi franchise, has died at age 83.

Nimoy passed away the morning of Friday, February 27, in his Los Angeles home, The New York Times reports. According to his wife, Susan Bay Nimoy, the cause of death was end-stage chronic obstructive pulmonary disease, a result of the long smoking habit that he had given up more than three decades ago. Nimoy had been hospitalized earlier this week due to symptoms of the disease.

An icon in the science-fiction community, Nimoy had experienced a career resurgence in recent years, with a featured role in the hit series Fringe, prominent voice-acting roles in films like Transformers: Dark of the Moon and various video games, and a recurring cameo (as Mr. Spock / “Spock Prime”) in the recently rebooted Star Trek movie franchise.

Leonard-Nimoy-042
Image used with permission by copyright holder

Over the course of a career spanning more than 60 years, Nimoy earned four Primetime Emmy Award nominations, as well as a long list of awards and nominations from the Academy of  Science Fiction, Fantasy & Horror Films, the Hugo Awards, and the animation-focused Annie Awards, among other honors. He also directed two installments of the original Star Trek franchise, Star Trek III: The Search For Spock and Star Trek IV: The Voyage Home, as well as the hit 1987 comedy 3 Men and a Baby and the 1990 Gene Wilder comedy Funny About Love.

Nimoy’s career extended far beyond the screen, though, with his interest in photography earning him exhibitions of his work in various galleries over the years. He also penned two volumes of an autobiography and several volumes of poetry that were often paired with his photography.

It was his interest in music that earned him the most attention outside the Star Trek fan community, however. Nimoy released five albums over the years that spanned a wide spectrum of genres — from campy sci-fi and fantasy themes to popular folk songs and covers of classic country and rock songs. His 1967 recording of The Ballad of Bilbo Baggins may be the most widely known of his songs, becoming a viral hit of sorts when footage found its way online from a performance of the song on the short-lived variety show Malibu U.

Leonard-Nimoy-010
Image used with permission by copyright holder

Nimoy’s long legacy also includes the creation of his Star Trek character’s famous salute, which involves holding up one hand with the middle and ring fingers separated to form a “V” symbol, and the accompanying wish that the recipient of the gesture “Live Long and Prosper.” The salute was inspired by Nimoy’s memories of the way Jewish kohanim (priests) position their hands while offering a blessing, and the “Live Long and Prosper” sentiment was derived from the Jewish prayer that accompanies the gesture.

Nimoy is survived by his wife, Susan, and two children and six grandchildren from an earlier marriage.

Rick Marshall
Former Contributing Editor, Entertainment
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
Netflix is worried people aren’t watching enough so its next move could change the app forever
Netflix's next big update could look a lot more like cable TV
Netflix on TV couple watching

Netflix has spent years telling the entertainment industry that binge-worthy originals and a simple user experience were enough to stay ahead. That strategy helped make it the world's biggest streaming service. But according to a Wall Street Journal report, the company is increasingly concerned about a different metric: engagement.

While Netflix continues to post healthy profits and retains one of the lowest subscriber cancellation rates in the industry, executives are reportedly seeing early signs that people are spending less time watching content. That matters because engagement - not just subscriber numbers - has become one of the biggest indicators of whether customers will stick around, watch ads, and continue paying for the service.

Read more
EXCLUSIVE: The Mandela Catalogue producer shares new details about the upcoming horror adaptation
Producer Aaron B. Koontz discusses adapting The Mandela Catalogue with Alex Kister and Steven Spielberg
A man with a scary face in The Mandela Catalogue Vol.4.

Following the box-office success of A24's Backrooms, Hollywood has turned its attention to another analog horror phenomenon. On July 2, Deadline announced that producers Aaron B. Koontz (Shelby Oaks) and Steven Spielberg are developing a film adaptation of the viral YouTube horror series, The Mandela Catalogue.

Series creator Alex Kister will direct the film with a screenplay written by Tyler Clifton. According to Kister, the film follows a group of high school graduates "struggling to maintain their grip on reality after the disappearance of a local student sparks a chain of unexplainable, unsettling events."

Read more
Microdramas are booming, and Character.AI is turning it into a two-way obsession
Watch an AI microdrama, then interrogate the characters yourself
Character.AI AI Microdramas Featured

Microdramas have already conquered the tiny vertical screen. Character.AI wants to make the experience even more immersive. The chatbot platform has launched c.ai Series, a collection of original, mobile-first microdramas created by its in-house studio. Each show consists of bite-sized vertical episodes, although watching is only half the experience. Viewers can also chat directly with the characters afterwards, revisit moments from the story, explore relationships, or begin entirely new storylines.

It is the latest attempt to blend streaming with audience participation. Netflix recently took another route with Unhinged, a horror game that turns a viewer’s phone into a controller and allows them to call during gameplay. Meanwhile, Character.AI is bringing interactivity into the fiction itself by keeping its characters available long after an episode ends.

Read more