Skip to main content

Mr. & Mrs. Smith review: an entertaining blend of spies, action, and romance

Donald Glover and Maya Erskine drag a man with a bag over his head together in Mr. & Mrs. Smith.
Mr. & Mrs. Smith
“Donald Glover and Maya Erskine make their respective TV returns with an action comedy series that is more consistently thrilling than it has any right to be.”
Pros
  • Donald Glover and Maya Erskine's commanding, likable lead performances
  • A fun, effortlessly watchable mission-of-the-week format
  • A wide array of scene-stealing guest stars
Cons
  • Occasional pacing issues throughout its eight episodes
  • A few unnecessary homages to the 2005 film that inspired it

Mr. & Mrs. Smith is the platonic ideal of a movie-to-TV adaptation. The new Amazon Prime Video original series is based on the Doug Liman-directed, Brad Pitt and Angelina Jolie-led 2005 film of the same name, and it doesn’t deviate much from the formula established by its source material. It is, like the movie that inspired it, a thriller about a couple, John (Donald Glover) and Jane Smith (Maya Erskine), who just so happen to be paid assassins. In Liman’s Mr. & Mrs. Smith, though, Pitt’s John and Jolie’s Jane don’t realize they’re both spies. It’s the discovery of their shared profession, in fact, that nearly tears their marriage apart.

The new Mr. & Mrs. Smith, created by Glover and Francesca Sloane (Fargo, Atlanta), inverts that premise. Its pilot follows Glover and Erskine’s ambitious, for-hire mercenaries as they’re knowingly paired up to pose as a married couple, and it isn’t long before their fake relationship becomes a real one. This simple change allows the series to take a different approach to the same themes about love, work, and trust that are present in its 2005 predecessor, and, with eight episodes to tell its story, it’s able to explore its characters’ tumultuous relationship far more deeply than a two-hour feature film ever could.

A bloodied Donald Glover stands next to a disheveled Maya Erskine in Mr. & Mrs. Smith.
David Lee / Prime Video

Once it’s finished delivering its mysterious, violent prologue, which hints at one possible fate for its two leads, Mr. & Mrs. Smith doesn’t waste any time diving into its story. The series premiere, directed by frequent Glover collaborator Hiro Murai, uses a string of cross-cuts and scripted questionnaires to efficiently set up not only the personalities and pasts of Glover’s John and Erskine’s Jane but also the odd, privately-funded program and company responsible for bringing them together. From there, it follows the two as they embark on their “first date”: a tailing mission that takes them across New York City.

Mr. & Mrs. Smith wisely doesn’t deviate much from the structure of its first installment. Across its 8-episode first season, the series sticks close to a mission-of-the-week format that makes each of its chapters feel different from the rest. By dedicating entire episodes to assignments set in the Italian Dolomites and Lake Como, Mr. & Mrs. Smith gets to spotlight its real locations and give John and Jane’s often action-packed adventures enough room to breathe. The series isn’t afraid to show off its budget and lives up to its genre’s standards by offering an experience that is as entertaining as it is eye-catching.

The series’ purposefully episodic format further gives it a chance to pack itself full of noteworthy guest stars, including Sarah Paulson, who shines as a hilariously oblivious couples therapist, and Wagner Moura and Parker Posey, who take over Mr. & Mrs. Smith’s most uncomfortable chapter as a couple whom John and Jane invite over for dinner one night. While he’s given shockingly little to do in the show’s first season, Paul Dano also makes an impact in a role that gives him the rare opportunity to stretch some of his comedic muscles onscreen.

Donald Glover and Maya Erskine sit on a bench together in Mr. & Mrs. Smith.
David Lee / Prime Video

As memorable as its supporting performers are, Mr. & Mrs. Smith’s success rests entirely on the shoulders of Glover and Erskine. The series was originally meant to be led by Glover and his Solo: A Star Wars Story co-star, Fleabag creator Phoebe Waller-Bridge, but she left the project in 2021 over creative differences. Erskine replaced Waller-Bridge several months later, and it’s hard to imagine a version of the show ever existing without her.

The PEN15 co-creator has such palpable chemistry with Glover that the two make it easy to accept the notion that their characters would be willing to embark on such an ill-advised romance. The series mines plenty of drama and comedy from the juxtaposition of Glover’s low-key, delightfully vain performance and Erskine’s confident, prickly turn opposite him. That said, John and Jane’s relationship does progress at a surprisingly brisk pace — they get together far sooner than you might expect — and Mr. & Mrs. Smith’s desire to chart a complete arc across its first season results in its central romance ricocheting from strong to troubled at a sometimes jarring rate.

Its core duo’s romantic issues allow the series to play with its format in the back half of its season, as well as shift its focus away from John and Jane’s globe-trotting missions before they can become repetitive. Erskine and Glover’s chemistry together makes the speed at which their characters’ bond rises and dips seem far more forgivable than it might have otherwise.

Donald Glover and Maya Erskine lie on the floor together in Mr. & Mrs. Smith.
David Lee / Prime Video

The series’ first season isn’t perfect, but Mr. & Mrs. Smith nonetheless emerges as the rare movie-to-TV adaptation that actually seems worthwhile. It’s as entertaining and straightforward as everyone familiar with the film that inspired it will want it to be, but it also isn’t afraid to experiment and — as it does in its finale — go to places that are unexpectedly weird, raw, and goofy. It’s a confidently made series that rightly believes in the strength of its premise and the talent of its leads, and it doesn’t overstay its welcome, either. On the contrary, it leaves you hungry for more. Few could have expected that from a show based on a fairly forgettable mid-2000s action movie, but its unlikely origins make Mr. & Mrs. Smith seem all the more impressive.

Mr. & Mrs. Smith premieres Friday, February 2, on Amazon Prime Video. Digital Trends was given early access to all of the series’ eight episodes.

Editors' Recommendations

Alex Welch
Alex Welch is a TV and movies writer based out of Los Angeles. In addition to Digital Trends, his work has been published by…
The 50 best movies on Netflix right now (April 2024)
Glen Powell and Sydney Sweeney in Anyone But You.

Netflix couldn't have asked for a better late April gift than the streaming premiere of Anyone But You. Thanks to Netflix's deal with Sony, 2024's blockbuster rom-com is already on top of the list of the most popular movies on Netflix, leaving Zack Snyder's Rebel Moon – Part Two: The Scargiver in second place. But things could be much worse for Rebel Moon – Part Two, which is performing well a week after its debut.

The other new addition for the week is King Richard, a sports drama starring Will Smith that's appearing on loan from Warner Bros. Discovery. It's also one of Netflix's top movies of the week, which suggests that the film may find sustained popularity on this platform that it didn't get on Max.

Read more
The 50 best shows on Netflix in April 2024
The cast of Dead Boy Detectives.

For the final weekend of April, Netflix has debuted one last original show for the month: Dead Boy Detectives. This series was a bit of a gamble because it was dropped by Max. And it might be humiliating for the Warner Bros. Discovery regime if Dead Boy Detectives goes from being a castoff to a breakout hit. Netflix may be able to create lighting in a bottle, but it doesn't always work out, as exemplified by the disappointing performance of the resurrected Girls5eva earlier this year.

The other new addition this week is White Collar, a forbearer of Suits on the USA Network that ended 10 years ago. All six seasons of White Collar are now available, and it's already one of the most popular shows on Netflix. If White Collar can come anywhere close to the success that Suits has had on Netflix, then we can probably expect to see more shows like this in the future.

Read more
Does the sci-fi classic Alien have the best movie marketing campaign ever?
An alien egg cracks open with the tagline "In space no one can hear you scream" underneath in the Alien movie poster.

There’s a case to be made that the Xenomorph is the greatest movie monster ever conceived. It’s certainly among the most iconic. H.R. Giger, the Swiss artist who designed the title creature of Alien, took inspiration from Francis Bacon and Rolls-Royce, and emerged with a biomechanical killing machine that's instantly identifiable in silhouette. Cross a tapeworm with a shark, a cockroach, a dinosaur, and a motorcycle, and you’re close to describing the nightmare Giger and director Ridley Scott inflicted on unsuspecting moviegoers in 1979.

A monster so unforgettable sells itself. One look is all it would take to know that you had to see the cursed thing in action. And yet, there’s barely a glimpse of the alien in any of the original advertising for Alien. The beast is completely absent from the posters, and the trailer contains only a borderline-subliminal flash of its earliest larval stage, the face hugger. Unless you subscribed to a select few science fiction fan magazines — the ones boasting some enticing behind-the-scenes images, all part of a final “hard push” to get asses in seats — you were going into Alien blind, completely unprepared for the exact nature of the threat faced by its cast of unlucky galaxy-traversing characters.

Read more