Skip to main content

George Romero, creator of ‘Night of the Living Dead’ and horror icon, has died

George Romero dies at 77
Gage Skidmore/Flickr
George Romero, the man who resurrected the zombie genre and inspired generations of horror filmmakers, has died at age 77. The co-writer and director of 1968’s Night of the Living Dead died in his sleep after a “brief but aggressive battle with lung cancer,” according to a statement provided to The Los Angeles Times by Romero’s longtime producing partner, Peter Grunwald. The filmmaker reportedly passed away while listening to the score from 1952’s The Quiet Man, one of his favorite films.

His wife, Suzanne Desrocher Romero, and his daughter, Tina Romero, were at his side at the time of his death, according to his family.

A visionary filmmaker best known for his work in the horror genre, Romero made Night of the Living Dead for just $114,000 after co-writing, directing, and editing the film, and even played an on-screen role in it as well. The film went on to become a massive hit, and was groundbreaking for a variety of reasons, including its role in re-igniting the zombie, its success on a shoestring budget, and Romero’s decision to cast an African-American actor in the film’s lead role.

Duane Jones, who played Ben in Night of the Living Dead, is regarded as both the first African-American to play the lead in a mainstream horror film and one of the first African-American actors to play a lead role that wasn’t originally specified for a black actor. Recalling the decision to cast Jones, Romero said he was “the best actor we met to play Ben. If there was a film with a black actor in it, it usually had a racial theme, like The Defiant Ones. Consciously I resisted writing new dialogue because he happens to be black. We just shot the script.”

NIGHT OF THE LIVING DEAD (FULL)

Romero followed Night of the Living Dead with the romantic comedy There’s Always Vanilla, one of several projects he directed outside the horror genre. Those projects included 1981’s Knightriders, which cast Ed Harris and Tom Savini as members of a troupe of Renaissance Fair regulars who joust on motorcycles while attempting to live by Arthurian ideals, and several episodes of the 1970s sports documentary series The Winners.

Still, the genre most closely associated with Romero is horror, and he went on to direct many popular — and terrifying — examples of the genre over a career that spanned more than 40 years. His first horror film after Night of the Living Dead was 1972’s Season the Witch, followed by The Crazies in 1973. The latter film was remade in 2010.

He finally gave fans a sequel to Night of the Living Dead in 1978 with Dawn of the Dead, which found similar success at both the U.S. box office and abroad, and achieved a similarly iconic status with its story about a group of people fleeing the zombie outbreak who take refuge in a shopping mall. As with Night of the Living Dead, Romero blended the mix of shambling creatures and the setting for the film to create a potent political statement — in this case, a reflection on consumerism and greed.

I always used the zombie as a character for satire or a political criticism …

Dawn of the Dead also marked Romero’s first film with Savini, who served as a makeup and special-effects artist on the project and went on to collaborate with Romero on many of his subsequent films.

Romero later followed Dawn of the Dead with another sequel, 1985’s Day of the Dead, which was set within a military bunker deep underground. That film continued the franchise’s success both critically and commercially. It would be 20 years before he returned to the series, and the final three films that he directed all served to extend his “Of The Dead” franchise. His 2005 film Land of the Dead was another critical and commercial success, and it was followed by two smaller films: 2007’s Diary of the Dead and 2009’s Survival of the Dead. The 2009 film would be his final project as a director, although he also worked on several spinoff projects set within the universe of the franchise for various other media, including several comic book series.

Although he helped kick-start the zombie genre decades ago, Romero made it clear on several occasions that he wasn’t a fan of some of the recent, popular projects featuring living-dead threats. In a 2013 interview with Big Issue, Romero explained why he declined an invitation to direct some episodes of The Walking Dead television series on AMC.

“Basically it’s just a soap opera with a zombie occasionally,” he said of the show. “I always used the zombie as a character for satire or a political criticism and I find that missing in what’s happening now.”

Along with his work on zombie films, Romero also directed several well-regarded horror films outside of that theme, including a pair of films involving horror novelist Stephen King: 1982’s horror anthology Creepshow, and an adaptation of King’s novel The Dark Half in 1993.

Romero is survived by his wife and three children, and his creative legacy lives on in the countless filmmakers, writers, and creators in various media who count him among the inspirations for their work.

Editors' Recommendations

Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
The Walking Dead Season 10 theories: Who lives, who dies, and who returns
Carol Peletier – The Walking Dead - Melissa McBride | TVs Most Badass Moms

Fans are gearing up for the upcoming 10th season of The Walking Dead, which premieres Sunday, October 6. And there are plenty of questions that still need answers.

What will become of the group, now that they're back in Alexandria? What revenge will they get on Alpha and The Whisperers for their dirty deeds, and what will Alpha do next once things come to a head (pun intended)?

Read more
Everything leaving Netflix in May 2024
Russell Crowe and Guy Pierce as Bud and Exley looking into a car in L.A. Confidential.

Netflix is always at its best when it has a robust lineup of movies from other studios to go along with its original films. But in May, Netflix is going to lose a lot of great flicks, because several of its movies on loan from rival studios are going back home. This month, that includes L.A. Confidential, the first four Hunger Games movies, Puss in Boots: The Last Wish, and even Where the Crawdads Sing, which enjoyed a nearly 18-month run on Netflix following its theatrical release.

Fox's short-lived sitcom The Mick is also departing Netflix, which tends to shed movies more often than it does shows. But there is an upside to this month's content migration: May has a full 31 days and a holiday weekend. That should go a long way toward helping plan your movie nights so you can catch these films and shows before they depart.

Read more
Everything leaving Hulu in May 2024
Aaron Eckhart in Thank You For Smoking.

May is one of the longest months of the year, and Hulu subscribers may need all 31 days to catch some of their favorite movies before they leave at the end of the month. The brilliant satire Thank You For Smoking, the intense noir thriller L.A. Confidential, The Wrestler, Taken, Salt, Life of Pi, Scarface, and more are all on their way out of the door. Some of them have gone through this cycle before and come back to Hulu. But there's no guarantee that you'll see them again on this streaming service.

Right now, you have time to catch all of these films at your leisure. If you go through our list of everything leaving Hulu in May 2024, it should be easy start planning your movie nights in advance. Our favorite picks for the month are in bold.

Read more