Skip to main content
  1. Home
  2. Entertainment
  3. Features

Star Wars: Stories that still deserve Disney+ shows

Add as a preferred source on Google

Though Lucasfilm is still on its sabbatical from putting Star Wars movies on the big screen, Disney+ has quickly made itself a secondary home to the epic sci-fi fantasy franchise in the meantime. Even when the IP returns to theaters in 2023, whichever movie that ends up being, the parent company’s streaming platform will undoubtedly look to continue fleshing it out with TV shows. But as big as the galaxy far, far away is, there is still a wealth of lore ripe for tapping into.

While many supplemental Star Wars works were never truly considered canon even pre-Disney, the company effectively relegated almost everything else to Legends continuity when it bought the franchise for a staggering $4 billion. Lucasfilm has since been reintroducing elements of Legends stories in a piecemeal fashion, but there’s still thousands of years’ worth of history ripe for readapting.

Recommended Videos

The distant past of the Old Republic

Star Wars: The Old Republic MMORPG promo art featuring a collage of characters.
Image used with permission by copyright holder

For many veteran Star Wars fans, the dense lore of the Old Republic era is nothing new when it comes to stories in desperate need of Lucasfilm’s acknowledgment. The era itself is regarded as part of the Disney-era canon, though, only in vague pieces. Fan-favorite hero/villain character Revan has been confirmed to have existed in The Rise of Skywalker, but only through a supplemental Easter egg.

It would be admittedly easy to say “adapt the Knights of the Old Republic games.” But since video game developer Aspyr is set to release a top-to-bottom remake of at least BioWare’s original game for the PlayStation 5 and PC, it’d be best to dig into the other tens of thousands of years’ worth of history within that era alone for a new premise.

A great place to look toward for reference material would be Dark Horse Comics, as the publisher was known in decades past for padding out Star Wars’ extended universe. The publisher has since regained publishing rights to Star Wars, but its Tales of the Jedi comic book series from 1993 to 1998 could be a good template for a serialized — and canonized — Old Republic-era TV show on Disney+.

A Jedi wielding a green lightsaber and more in the background of Tales of the Jedi comic art.
Image used with permission by copyright holder

While that name is ironically going to be used in an upcoming anthology-style Star Wars animated series, the comics covered a large chunk from the Old Republic, ranging from the Great Sith War to the Great Hyperspace War. The crux of Tales of the Jedi‘s conflict stems from an ancient Jedi-turned-Sith and how his dark legacy inspires a pair of newly christened Sith to ignite a war against the Jedi.

This story is more than enough disconnected from the Skywalker Saga to avoid stepping on any canonical toes, and it would introduce an entirely fresh cast of heroes and villains in the process. Lucasfilm has been arguably playing it too safe with the stories they’ve been adapting post-Skywalker Saga, and while the likes of The Mandalorian have proven to be critically well-received hits, going into the distant past would be an exciting thing for audiences to see in live-action.

Having a wide cast of Jedi, Sith, and anything could make for a compelling story told from multiple perspectives and branching character arcs. There’s no reason to expect any straight adaptations of Legends works, but the prospect of having a new “Big Bad” in the form of Exar Kun and Qel-Droma could be reinvigorating — at least temporarily — for a franchise that still can’t seem to move past Darth Vader and Emperor Palpatine.

Darth Bane and the Rule of Two

A smoldering illusion of Darth Bane appearing before Yoda in The Clone Wars animated show.
Lucasfilm / Lucasfilm

Keeping up with the theme of the Dark Side of the Force and the Sith would be an especially interesting direction to focus on for Star Wars. Having them be shadowy puppet masters or snakes biding their time to strike is exciting to a point, but we’ve still seen surprisingly little of them in live-action for how imposing a threat they are to the galaxy.

During the waning days of the Old Republic, a single Sith Lord chose to uproot the “establishment Sith” for how ineffective they were as a group in combatting the Jedi. The Sith were inherently tribalistic, selfish, and power-hungry, which meant that a unified force or masses of Masters and Apprentices would never last. Infighting was rampant, making the Sith an enemy of themselves as much as the Jedi.

Therefore, there’s a canonical reason as to why we’ve only ever seen a couple of them at a time in the movies: The Rule of Two. Palpatine himself was enforcing it in the movies, which was that there could only ever be one Master and one Apprentice. One to hold the power, and one to crave it.

Of course, this would certainly lead to a regicide once — or if — the apprentice becomes strong enough. But should the Master kill his attempted usurper, another apprentice takes their place. It’s a cruel way to sustain the new Sith order, but it lasted them hundreds of years. And the creation and creator of the Rule of Two — Darth Bane — would make an excellent premise for a serialized Disney+ show.

Split image of the reprinted editions of the Darth Bane trilogy.
Image used with permission by copyright holder

Author Drew Karpyshyn wrote a trilogy of books centered around this villain — who’s since been acknowledged in canon — detailing how he mercilessly killed the skeleton crew of Sith Lords still desperately holding onto the shred of influence they had left, and eventually took on an apprentice named Darth Zannah. As the trilogy went on, it put more focus on this young Sith Apprentice and how she eventually challenged Darth Bane for his title.

Having a series that puts the villains’ perspective at the forefront would be an ambitious new direction for a major live-action Star Wars project to go. Not enough is known about the Sith’s history in canon, and Lucasfilm shouldn’t coast on them being perpetually unknown villains forever. Getting bolder is something it will need to do once it can inevitably no longer get away with making more gaps in prequel, original, and sequel trilogies, and embracing more Legends lore — as well as unadapted canon — would be an excellent way to do that.

Guillermo Kurten
Freelance Writer, Entertainment
A University of Houston graduate in Print Media Journalism, Guillermo has covered sports entertainment and practically all…
Amazon Prime Video’s latest trick is natural lip-sync for dubbed audio
At last, translated audio will look natural on the actors' faces. And yeah, AI is involved.
Amazon Prime Video lip-sync technology

I have watched plenty of stuff on streaming platforms where the translated audio doesn't feel natural on the faces of the actors appearing on the screen. It just looks odd and takes away the fun from watching dubbed films and TV shows. I would prefer to watch content with the original audio and see the translated captions, rather than deal with the asynchrony between the audio and facial expressions. Amazon finally has a solution.

The company is launching a new lip-sync technology on Prime Video that will use AI and VFX to sync the lip movement of actors so that they appear to naturally speak the dialog, even if it has been translated and dubbed from another language. The technology is making its debut with the first and second seasons of Maxton Hall, and will also be used when the third season premieres on the platform.

Read more
EXCLUSIVE: Hope director Na Hong-jin on making his sci-fi epic after a decade
Filmmaker Na Hong-jin opens up about his decade-long journey to make Hope
Hwang Jung-min and Hoyeon in the film Hope.

Ten years after releasing his horror film The Wailing, filmmaker Na Hong-jin has returned with a new feature, the epic sci-fi thriller Hope. Set in the town of Hope Harbor, this South Korean film follows the police chief (Hwang Jung-min), his deputy (Hoyeon), and a team of hunters as they try to kill a giant creature rampaging through their village, leaving death and destruction in its path.

Nominated for the Palme d’Or at the Cannes Film Festival, Hope delivers a suspenseful, gory, and action-packed adventure in the vein of Jaws and Attack on Titan. Having already premiered in South Korea, the movie has received a 78% "Fresh" rating from critics on Rotten Tomatoes. Acclaimed film studio NEON is now set to distribute the movie throughout the United States, giving American audiences a chance to see this unhinged, ultraviolent adventure.

Read more
This wild new TV mount moves your screen without you touching it
TVs can already adjust their picture and sound without much help from you. Perlegear now wants the physical screen to adapt to you as well.
Indoors, Interior Design, Lamp

TVs have become incredibly smart over the years. They can automatically tweak picture quality, adjust sound for your room, and recommend what you should watch next. Yet once you bolt one to the wall, there’s one decidedly old-fashioned thing about it: it’s staying exactly where you put it.

Perlegear has an interesting solution at IFA 2026. The company is showing off the AX1 Smart Adaptive Mount, a motorized TV mount that detects where you’re watching from and automatically moves the television to a more comfortable height. It’s an idea that sounds a little excessive until you think about how many different ways we use TVs today. You might be sitting on the couch for a movie, standing up for a workout, playing a motion-controlled game, or have kids watching from the floor. The ideal screen position for one isn’t necessarily great for the others.

Read more