Skip to main content
  1. Home
  2. Entertainment
  3. Evergreens

3 underrated shows on Netflix you need to watch in January

Add as a preferred source on Google
A shot from American Vandal.
Netflix

A new year means new TV shows are on the horizon for Netflix. Several Netflix shows will debut in January, including The Brothers Sun, a dark comedy about a Taiwanese family’s criminal past starring Michelle Yeoh; Break Point season 2, a behind-the-scenes look into the lives of professional tennis players; and Griselda, a crime drama about drug lord Griselda Blanco starring Sofía Vergara.

These shows will likely become some of the most popular shows on Netflix. Besides the high-profile releases, there are several underrated shows on Netflix to watch in January. Our selections include a comedy about friends suffering from midlife crises, a hilarious Irish sitcom, and a brilliant satire of true crime.

Recommended Videos

Friends From College (2017-2019)

Friends From College | Official Trailer [HD] | Netflix

Friends From College takes the coming-of-age formula and applies it to a group of friends from Harvard entering their 40s. The group includes Ethan Turner (Keegan-Michael Key), a writer and Lisa’s husband; Lisa Turner (Cobie Smulders), a lawyer and Ethan’s wife; and Sam Delmonico (Annie Parisse), an interior designer who has been having an affair with Ethan for two decades.

The rest of the group includes Nick Ames (Nat Faxon), a trust fund baby who won’t let the party end; Max Adler (Fred Savage), Ethan’s literary agent; and Marianne (Jae Suh Park), a hippie and struggling actress. While staring down life’s next chapter, the college friends tackle new romances, old feelings, and complex relationships. Is it time for everybody to move on?

Watch Friends From College on Netflix.

Derry Girls (2018-2022)

A group of school girls stand in a line with paddles.
Channel 4

Travel back to the 1990s and relive the end of the Troubles through the eyes of a group of Irish teenagers in Lisa McGee’s comedy, Derry Girls. The series follows 16-year-old Erin Quinn (Saoirse-Monica Jackson) and her group of friends – Orla (Louisa Harland), Clare (Bridgerton’s Nicola Coughlan), Michelle (Jamie-Lee O’Donnell), and James (Dylan Llewellyn) – as they navigate teenage life at an all-girls Catholic secondary school Derry.

The series intertwines fictional storylines involving the girls’ lives with factual events from the Northern Ireland conflict. Thanks to terrific writing from McGee and fantastic performances from the ensemble, Derry Girls is a funny sitcom that is both a coming-of-age story and an authentic reflection of the political troubles of the time.

Watch Derry Girls on Netflix.

American Vandal (2017-2018)

Two kids look at papers while standing over a car.
Netflix

Who would’ve thought solving crimes involving phallic images and public defecation would be one of the best satires of true crime documentaries? American Vandal brilliantly spoofed true crime while presenting an engrossing mystery with subtle humor and thought-provoking commentary about today’s entertainment. Created by Dan Perrault and Tony Yacenda, American Vandal follows Peter Maldonado (Tyler Alvarez), an inquisitive sophomore who investigates crimes committed at the high school level with the help of his best friend Sam Ecklund (Griffin Gluck).

At the center of season 1 is Dylan Maxwell (Jimmy Tatro), a high school senior accused of drawing penises on 27 faculty cars. Season 2’s investigation revolves around “The Turd Burglar,” a mysterious figure who spiked the lemonade at St. Bernardine’s cafeteria with laxatives.

Watch American Vandal on Netflix.

Dan Girolamo
Former Entertainment Writer
Dan is a passionate and multitalented content creator with experience in pop culture, entertainment, and sports. Throughout…
Christopher Nolan’s personal take on smartphones is surprisingly practical
Christopher Nolan says not owning a smartphone helps him think better
Christopher Nolan sits in front of an IMAX camera.

Christopher Nolan has spent his career embracing cutting-edge filmmaking technology while resisting one of the most common gadgets on the planet: the smartphone. The Oscar-winning director behind Oppenheimer, Inception, and the upcoming The Odyssey says his decision isn't about rejecting technology altogether. It's about protecting something he believes has become increasingly rare - time to think.

In an interview with The Telegraph ahead of the premiere of The Odyssey, Nolan explained that he still doesn't own a smartphone, despite living in a world where QR codes, digital tickets, and messaging apps have become everyday necessities. His reasoning, however, is far more practical than philosophical.

Read more
Letterboxd could find a new home at Netflix, but Sony is fighting for it, too
Netflix wants Letterboxd, but Hollywood isn't letting it go without a fight
Letterboxd

Letterboxd, the fast-growing social network for film lovers, could soon have a new owner. According to a report by Puck News, the New Zealand-based platform has been exploring a potential sale, attracting interest from several major entertainment companies, including Netflix, Sony Pictures Entertainment, and Paramount Skydance.

While no deal has been confirmed, the discussions highlight how valuable online fan communities have become as streaming platforms compete not just for viewers, but also for the audiences that influence what people watch next.

Read more
Disney+ is exploring a free tier to fight back against YouTube’s growing TV dominance
Disney is eyeing a free tier as YouTube keeps stealing its TV audience
The Disney+ app on a TV screen while blue lights illuminate the wall behind.

Watching Disney+ without paying for a subscription could eventually become an option. According to Business Insider, Disney is considering a free tier that would let people watch some content without a paywall.

The idea is still in the early stages, with no timeline or launch details, but it reflects a growing challenge. YouTube and other free, ad-supported platforms like Tubi and Roku are attracting more TV viewers, forcing streaming services to rethink how they compete.

Read more