Skip to main content
  1. Home
  2. Entertainment
  3. Evergreens

5 underrated Black Mirror episodes you need to watch

Add as a preferred source on Google

With the anticipated sixth season of the British anthology series Black Mirror about to debut, fans can’t wait to sink their teeth into a new set of disturbingly thought-provoking episodes. With just five episodes set to debut on June 15 that feature a mix of actors like Annie Murphy (Schitt’s Creek, Russian Doll), Aaron Paul (Breaking Bad, Westworld), Kata Mara (House of Cards, Class of ’09), and Zazie Beetz (Atlanta, Easy), it’s poised to be an exciting season.

Looking back at the previous five seasons, there are episodes that stand out as being some of the best and most talked-about ones, like White Christmas, Black Museum, San Junipero, The Entire History of You, USS Callister, and, of course, the interactive special Black Mirror: Bandersnatch. If you’re looking to relive older episodes before diving into these new ones (or even after), there are a couple of underrated ones that are worth a second watch, too.

Recommended Videos

Men Against Fire (season 3, episode 5)

Stripe from the Black Mirror episode Men Against Fire sitting on his bed in a tank top looking worried.
Laurie Sparham / Netflix

A politically relevant episode, Men Against Fire follows a soldier named Stripe (Malachi Kirby) who is tasked with killing mutants known as roaches that he can spot using a neural implant. But when the implant malfunctions, he discovers that these “roaches” aren’t monsters at all, but rather terrified humans, including women and children, trying desperately to survive under siege. He grapples with this reality, or rather altered version of reality, that is forced on him. It’s meant to allow him to do his job without remorse, regret, or hesitation. But now that Stripe knows, can be continue?

The episode touches on genocide and “genetic cleansing,” and the terrifying ways that technology can help militaries with nefarious intentions. They can commission heinous acts while using unsuspecting and otherwise unwilling individuals to achieve them. Even when they learn the truth, the soldiers’ memories are wiped at the end of each raid so they can do it all over again. Stripe is left with an impossible choice that sparks discussion and debate about morality, loyalty, and coercion.

Smithereens (season 5, episode 2)

A man in the driver's seat of a car is on the phone, a young man in the seat behind him in the Black Mirror episode Smithereens.
Image used with permission by copyright holder

One of the most understated episodes of Black Mirror, Smithereens has a premise that’s relatable to just about anyone. Frustrated with people living with their heads stuck in their phones all day, a rideshare driver named Chris (Andrew Scott) decides to take a young man hostage. Jaden (Damson Idris) works for a dominant social media company called Smithereen and Chris believes he can reach the company’s billionaire owner, the eccentric Billy Bauer (Topher Grace), to make his demand: End his app once and for all, or else.

With parallels drawn between Smithereen and Twitter, as well as Jack Dorsey (Twitter’s CEO at the time) and Bauer, the underlying message behind the episode is about the power social media wields over people, and its damaging and dangerous addictive qualities. The episode was criticized for having too simple a message, though Scott received an Emmy nomination for his powerful performance. Nonetheless, sometimes simplicity is all that’s needed to get the message across, and this episode about social media, personal accountability, and guilt is one that will hit close to home for many people.

Fifteen Million Merits (season 1, episode 2)

A young man and woman stand side by side in an elevator, both wearing drab grey sweaters in a scene from the Fifteen Million Merits episode of Black Mirror.
Image used with permission by copyright holder

Coming off the heels of the disturbing first episode of Black Mirror, the second episode of the series continues the show’s mantra of worst-case scenario future situations related to our reliance on tech. Daniel Kaluuya (Get Out, Black Panther) stars as Bing alongside Abi (Jessica Brown Findlay, Downtown Abbey, Harlots) as two people who live in a society based on currency called “merits.” They must continuously cycle on a stationary bike to earn these merits, which can then be cashed in for various goods. Abi is determined to be famous, and Bing encourages her to participate in a talent show to pursue her dream. But the outcome is not what either of them hoped for.

A social commentary on capitalism with a Twilight Zone feel to it, Fifteen Million Merits takes a dark and twisted turn. People earn merits to not be subjected to looking at screens 24/7. Even when something undesirable appears, they are forced to stare — a high-pitched screeching noise sounds if they try to look away. We love our screens so much, but what if we were stripped of every luxury beyond them? This episode is an eye-opening warning about our reliance on technology, fake personas, and attention-seeking.

Hated in the Nation (season 3, episode 6)

Four people walk through a greenhouse in a scene from the Hated in the Nation episode of Black Mirror.
Laurie Sparham / Netflix

Criticized by many for being too long with a runtime of an hour and 29 minutes, Hated in the Nation has a big story to tell about social media, and it takes a while to get there. But if you go into the episode with the right mentality, knowing it is the length of a movie, it’s one Black Mirror episode worth watching again. A far-right journalist is found dead after writing a controversial column, and detectives are trying to get to the bottom of it. They soon realize a link between the death and that of others: they were all subjects of a “#DeathTo” hashtag online.

The episode shifts into Saw territory with a seemingly twisted killer playing their own political “Game of Consequences,” as the person who receives the biggest number of mentions under this hashtag each day is killed. A complicated story that involves facial recognition technology, government surveillance, and death by suicide, the episode is a terrifying look at the toxicity of social media and the detrimental effects of cancel culture.

Be Right Back (season 2, episode 1)

The android version of Ash looks at his girlfriend in a scene from the Be Right Back episode of Black Mirror.
Image used with permission by copyright holder

It’s a wonder that Be Right Back doesn’t get the attention it deserves as a fabulous episode about dealing with death and grief. When Martha’s (Hayley Atwell) boyfriend, Ash (Domhnall Gleeson), tragically dies in a car accident, she is tempted by a technology that allows her to continue to communicate with an AI version of him. By amassing everything Ash has posted online through his life, and everything posted about him, the AI can replicate his voice, personality, even memories — to the point where Martha truly feels like she’s talking to him.

Is it better to grieve in a healthy way and let someone go? Martha becomes obsessed with the technology that’s keeping Ash “alive,” and becomes further tempted when an upgraded version provides the opportunity to live with a synthetic android likeness of her dearly departed beau. She quickly realizes, however, that even if this robot looks, talks like, and even acts like Ash, it isn’t truly him. What’s so terrifying about this episode is that with the existence of AI chatbots, the amount of personal information we share online, and the latest developments in robotics, such a technology doesn’t seem that far off from reality. This episode of Black Mirror shows a haunting worst-case scenario of playing with life, death, and the emotional need to let go and move forward.

Christine Persaud
Christine has decades of experience in trade and consumer journalism. While she started her career writing exclusively about…
Netflix is worried people aren’t watching enough so its next move could change the app forever
Netflix's next big update could look a lot more like cable TV
Netflix on TV couple watching

Netflix has spent years telling the entertainment industry that binge-worthy originals and a simple user experience were enough to stay ahead. That strategy helped make it the world's biggest streaming service. But according to a Wall Street Journal report, the company is increasingly concerned about a different metric: engagement.

While Netflix continues to post healthy profits and retains one of the lowest subscriber cancellation rates in the industry, executives are reportedly seeing early signs that people are spending less time watching content. That matters because engagement - not just subscriber numbers - has become one of the biggest indicators of whether customers will stick around, watch ads, and continue paying for the service.

Read more
EXCLUSIVE: The Mandela Catalogue producer shares new details about the upcoming horror adaptation
Producer Aaron B. Koontz discusses adapting The Mandela Catalogue with Alex Kister and Steven Spielberg
A man with a scary face in The Mandela Catalogue Vol.4.

Following the box-office success of A24's Backrooms, Hollywood has turned its attention to another analog horror phenomenon. On July 2, Deadline announced that producers Aaron B. Koontz (Shelby Oaks) and Steven Spielberg are developing a film adaptation of the viral YouTube horror series, The Mandela Catalogue.

Series creator Alex Kister will direct the film with a screenplay written by Tyler Clifton. According to Kister, the film follows a group of high school graduates "struggling to maintain their grip on reality after the disappearance of a local student sparks a chain of unexplainable, unsettling events."

Read more
Microdramas are booming, and Character.AI is turning it into a two-way obsession
Watch an AI microdrama, then interrogate the characters yourself
Character.AI AI Microdramas Featured

Microdramas have already conquered the tiny vertical screen. Character.AI wants to make the experience even more immersive. The chatbot platform has launched c.ai Series, a collection of original, mobile-first microdramas created by its in-house studio. Each show consists of bite-sized vertical episodes, although watching is only half the experience. Viewers can also chat directly with the characters afterwards, revisit moments from the story, explore relationships, or begin entirely new storylines.

It is the latest attempt to blend streaming with audience participation. Netflix recently took another route with Unhinged, a horror game that turns a viewer’s phone into a controller and allows them to call during gameplay. Meanwhile, Character.AI is bringing interactivity into the fiction itself by keeping its characters available long after an episode ends.

Read more