Skip to main content

Apple TV+ seems OK for serious Apple fans, not so much for everyone else

I want to be excited about Apple TV+. I really, truly do.

As someone who generally loves the sort of prestige programming Apple favors for its streaming video service, has fully embraced cord-cutting for movies and TV shows, and appreciates (but isn’t fully invested in) the Apple ecosystem, the launch of Apple TV+ feels like something I should be eagerly anticipating.

Recommended Videos

But alas, the more I learn about Apple TV+, the more the service seems aimed at an audience that doesn’t include me.

Set to launch November 1, Apple TV+ has an impressive list of original movies and TV series the company has been touting at every opportunity. An anthology series produced by Steven Spielberg, a sci-fi drama from the creator of Battlestar Galactica, and a shockingly expensive series about a morning news show featuring the A-list trio of Jennifer Aniston, Reese Witherspoon, and Steve Carell are just a few of the highlights of Apple’s programming plans — all for $5 a month.

See logo on Apple TV Plus | Apple September 2019 Event Keynote
Julian Chokkattu/Digital Trends

The recently released trailer for See, a post-apocalyptic adventure series starring Jason Momoa, is like icing on the cake, really — particularly when you consider the gorgeous cinematography and visual effects likely to accompany a $15 million per-episode price tag.

And yet, Apple TV+ still seems to be falling short of its competition in the streaming marketplace in far too many ways.

Beyond the original programming, Apple has announced, the content outlook for Apple TV+ feels surprisingly barren. Of the original series Apple has flaunted so far, only a limited number of shows are expected to be available on the service at launch, and there’s been no mention of the sort of supplemental, licensed content that typically fills out a streaming service’s library (see Netflix, Hulu, and Amazon Prime Video).

If Apple TV+ launches in November with 10 or more original shows — an unlikely scenario, given that most of the projects announced so far are still in production — there’s been no word on what else will be available when subscribers binge their way through those series.

If Apple opts to release new episodes of each series weekly (instead of entire seasons all at once), the situation could become even more dire, as subscribers run out of things to watch on a weekly basis. (“Now that I’ve watched the new episodes of See and The Morning Show, what else is there?”)

Image used with permission by copyright holder

Even at $5 a month, that seems like a recipe for disaster — or at the very least, boredom.

As referenced above, major players like Netflix, Amazon Prime Video, and Hulu all boast robust libraries of licensed content to go along with their original projects, while lower-profile streaming options such as CBS All Access still manage to provide a decent enough mix of original and licensed fare (along with other programming perks like on-demand access to network shows) to justify the monthly expense.

Similarly, Disney has repeatedly suggested that its upcoming Disney+ service is putting quality over quantity by offering only in-house projects for the most part, including most of the Disney, Pixar, Marvel, and Lucasfilm libraries to its subscribers — but that’s no small amount of content when you consider the collective output of the studios.

And then there’s Apple TV+, which is currently confirmed to offer as few as four or five original series with A-list casts and creative teams, and … what else?

That could change, of course, but right now it feels increasingly like Apple wants us all to be too starstruck by the names the company is dropping to notice how few shows it will actually be providing subscribers.

During Apple’s September 10 presentation, the company also announced that anyone who buys a new MacOS or iOS device will get a free year of Apple TV+. It’s a nice offer, but when you consider that Apple devices typically cost upwards of $1,000, that $60 savings for a still-uncertain, relatively shallow stream of content becomes a little less enticing.

Given that Disney recently made its own Disney+ service available for less than $5 a month in a limited offer (it’s $7 per month regularly), while Netflix offers its Basic plan (and the massive library that comes with it) for $9 a month and Amazon Prime Video attaches its robust service for free with Amazon Prime, the idea of spending all of that money on an Apple device in order to save $60 on Apple TV+ isn’t viable. Instead, Apple TV+ is just a perk for Apple buyers.

Image used with permission by copyright holder

In the end, it’s just hard to get as excited about Apple TV+ as other streaming options out there — either existing or upcoming. From its price point to the amount of confirmed content to the way it’s being marketed right now, Apple TV+ seems like less of a stand-alone streaming service and more of an add-on element for people who are already fully invested in Apple and its ecosystem.

And that’s too bad, really.

Apple TV+ has an amazing amount of potential, and the amount Apple has invested in it so far, along with the creative talent it has attracted to its service, suggests that there’s going to be a lot to like about Apple’s foray into original movie and television content. Unfortunately, it’s just not enough to win me — and very likely the wider pool of potential subscribers — over just yet.

Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
This beloved kids movie is getting a gender-swapped reboot TV show at Disney+
A group of boys in orange jumpsuits stand together in Holes.

Grab your shovels and get ready to dig again. According to a Variety report, Disney+ has ordered a pilot for a Holes TV series.

The show would be a reimagining of Louis Sachar's 1998 novel. Instead of focusing on a boy, the Disney+ series will follow a teenage girl sent to a camp where the ruthless Warden forces the campers to dig holes for a "mysterious purpose.”
Per Variety, Alina Mankin will write and executive produce the Holes TV show, while Liz Phang will be an executive producer and the showrunner. Drew Goddard, who directed The Cabin in the Woods, will executive produce with Sarah Esberg. Mike Medavoy, the movie's executive producer, returns to the series in the same role. The film's producer, Walden Media, will produce the TV show for 20th Television.

Read more
Find out when Apple TV+ is free for one weekend in 2025
The cast of Severance stands together and looks up.

For one weekend in 2025, Apple TV+ will be free for all customers.

From January 3 through January 5, Apple TV+ will be free on any device where streaming is available. To take advantage of this offer, sign in with an Apple ID and password during the promotional period.

Read more
Apple Music adds three new radio stations for Latin, club, and chill fans
An iPhone displaying the Radio tab in Apple Music.

Apple Music has just doubled the number of its live hosted radio stations from three to six, with the addition of Apple Música Uno, Apple Music Club, and Apple Music Chill. The new stations are available now, from anywhere in the world. They join the existing radio lineup that includes the flagship Apple Music 1, Apple Music Country, and Apple Music Hits. Despite that they live under the Apple Music brand, you don't need an Apple Music subscription to access these stations -- they're available for free in the Apple Music app on both mobile and desktop platforms or on the web.

Apple Música Uno, as the name suggests, is a dedicated station for global Latin music, hosted at launch by Becky G. She'll be joined by fellow Latin stars Rauw Alejandro and Grupo Frontera, who will each host their own shows.

Read more