Skip to main content

Cobra Kai season 5 review: Crowded, but compelling, karate

In a crowded field of reboots and revivals, Cobra Kai has not only managed to stay alive over four seasons, but has thrived, earning a long list of accolades — including an Emmy nomination — ahead of its upcoming fifth season.

As with prior seasons, Cobra Kai season 5 mixes and matches the allegiances of the franchise’s heroes and villains yet again while bringing back more familiar faces from past Karate Kid films. It’s a formula that keeps working for the series no matter how many times it’s repeated, and the show’s entertaining fifth season continues that trend.

William Zabka, Ralph Macchio, and Yuji Okumoto stand in track suits in a scene from Cobr Kai season 5.
Netflix

Wax on

The saga of Ralph Macchio and William Zabka’s Karate Kid characters, Daniel LaRusso and Johnny Lawrence, took a dark turn at the end of the show’s fourth season, which put the fate of their merged “Miyagi-Fang”  karate school in jeopardy. Season 5 of Cobra Kai finds the pair each dealing with the aftermath of this scenario in different ways: Daniel becomes more committed to stopping Cobra Kai’s sinister new sensei, Terry Silver (Thomas Ian Griffith), while Johnny attempts to make amends for mistakes of his past and finally put karate behind him.

Recommended Videos

The series’ young cast also find themselves going down paths new and old, with Miguel Diaz (Xolo Maridueña) searching for his father, Sam LaRusso (Mary Mouser) struggling to cope with recent losses, Tory Nichols (Peyton List) forced into a difficult predicament, and Robby Keene (Tanner Buchanan) trying not to repeat his father’s mistakes. Meanwhile, Terry’s rapid expansion of Cobra Kai looms large over the lives of everyone, including the now-incarcerated co-founder of the school, John Kreese (Martin Kove).

There’s a lot going on as the show enters its fifth story arc, but Cobra Kai somehow manages to not only balance all of its narrative threads, but effectively use them to enrich the characters and their shared saga.

The young cast of Cobra Kai season 5 bow toward the camera.
Image used with permission by copyright holder

Crane kick

Cobra Kai has never been — or aspired to be — a show that holds up under intense scrutiny. It exists in a world where karate is as important to the California community where it’s set as football is to the deep South. Lives are shaped by the rivalries of the local dojos, and the annual All-Valley Karate Tournament can turn kids into local legends.

It’s also a show where violent karate fights can break out anywhere (but somehow result in few lasting injuries) — from the food court of the local mall to the halls of fictional West Valley High School. The audience and the series have an unspoken agreement not to question the silliness of this world, and it works for Cobra Kai, which unfolds in a colorful, alternate reality where karate is life.

The students of Cobra Kai face the camera in a scene from season 5.
Image used with permission by copyright holder

That premise gets pushed even further in season 5, and expands the show’s “karate everywhere” conceit well beyond the borders of the San Fernando Valley. Following Daniel’s brief excursion to Okinawa in the show’s third season, Cobra Kai takes its biggest steps outside its traditional California setting in season 5, sending Miguel, Johnny, and Robby to Mexico, among other locations well beyond the valley.

The narrative border-expansion in season 5 pays off, and ultimately makes the series’ world feel quite a bit bigger. That it does so without threatening the distance the show needs to maintain from the real world is a credit to the show’s cast and creative team, who clearly understand how to maintain that fragile balance.

Ralph Macchio, Yuji Okumoto, Courtney Henggeler, and William Zabka stand around a table in a scene from Cobra Kai season 5.
Image used with permission by copyright holder

Strike hard

While Macchio and Zabka continue to deliver strong performances in season 5, Maridueña and List both take their characters to a new level in the new season with emotional, dramatic arcs that let them showcase (or continue to showcase, in Maridueña’s case) their range. As the story arc of List’s character, Tory, finally begins to take a positive (and less predictable) turn, the show also does the same for Kove’s villainous role. While it doesn’t give Kove’s John Kreese a completely redemptive arc, it does add more layers to his story, and to the relationship he has with Cobra Kai and everyone he’s crossed paths with over the years.

Playing this season’s primary villain, Griffith throws himself into the role and offers up an antagonist that feels like the anti-Daniel. His character, Terry Silver, has talent and resources to rival (and exceed) Daniel without any of the morals, and it makes him one of the series’ most sinister villains so far. He’s a wonderfully fun foil to the show’s heroes, and his arc brings out the worst and best of both Daniel and Johnny in clever ways.

In a supporting role, Yuji Okumoto’s return as Chozen Toguchi is also a welcome addition to the show’s cast. Although the character largely plays a comedic part in the story, Okumoto brings enough gravitas and capable action chops to the role to prevent the character from becoming a tired, one-note joke.

Thomas Ian Griffith stares at the camera in a scene from Cobra Kai season 5.
Image used with permission by copyright holder

Sweep the leg

With a cast that seems to grow exponentially each season and the continual (and somehow, effective) recycling of the show’s basic formula, it’s difficult to imagine how long Cobra Kai can keep going. And yet, the series doesn’t show any signs of slowing down in season 5.

The series’ characters evolve just enough with each season to stay interesting, and the show never gets too full of itself or loses its self-aware humor about the surreal, karate-kicking world in which its story unfolds. The fifth season of Cobra Kai manages to hit the sweet spot between feeling both fresh and familiar, delivering plenty of surprises in both the story and the characters’ arcs, while also giving its audience all the cheer-worthy triumphs and shocking (but not too shocking) betrayals they’ve come to expect from it.

Ralph Macchio’s Karate Kid character and the Cobra Kai series are both unlikely champions (of martial arts cinema and the franchise revival era, respectively), and much like Daniel LaRusso himself, it’s hard to root against the series.

Season 5 of Cobra Kai premieres September 9 on Netflix.

Cobra Kai (2018)

Cobra Kai
70%
8.5/10
tv-14
5 Seasons
Genre
Action & Adventure, Drama, Comedy
Stars
Ralph Macchio, William Zabka, Courtney Henggeler
Created by
Hayden Schlossberg, Josh Heald, John Hurwitz
Watch on Netflix
Movie images and data from:
Rick Marshall
A veteran journalist with more than two decades of experience covering local and national news, arts and entertainment, and…
Conversations with A Killer: The Jeffrey Dahmer Tapes review: killer’s words yield little insight
A superimposed image of Jeffrey Dahmer in Conversations with a Killer.

It’s spooky season this month, and that means the atrocity mine is currently being plundered by content creators across America. The three-episode docuseries Conversations with a Killer: The Jeffrey Dahmer Tapes, directed by noted documentarian Joe Berlinger (Brother's Keeper, Paradise Lost), is Netflix’s second project tackling the infamous cannibal/necrophiliac/serial killer to debut in a matter of weeks. It follows Ryan Murphy’s 10-hour miniseries drama, Dahmer-Monster: The Jeffrey Dahmer Story. This Dahmer double dose mirrors the barrage of Ted Bundy content that Netflix put out in early 2019, following up the Zac Efron-led drama Extremely Wicked, Shockingly Evil and Vile with the docuseries Conversations with a Killer: The Ted Bundy Tapes (also directed by Berlinger). 

As was the case with Bundy, Netflix is convinced that a multipronged examination of Dahmer could lead to a better understanding of his psychology and motivations, teaching viewers warning signs or expanding our capacity for empathy. Or maybe they recognize that people are addicted to unspeakable tragedies and will do anything they can to maximize viewers’ compulsion for true crime? Attempting to satisfy on all accounts, The Dahmer Tapes oscillates uneasily between character study, social commentary, and pure shock value, landing somewhere in between all three.
In Dahmer's own words

Read more
Entergalactic review: a simple but charming animated romance
Three dudes cheer on a rooftop in Entergalactic.

Entergalactic isn’t like most other animated movies that you’ll see this year — or any year, for that matter. The film, which was created by Scott Mescudi a.k.a. Kid Cudi and executive producer Kenya Barris, was originally intended to be a TV series. Now, it’s set to serve as a 92-minute companion to Cudi’s new album of the same name. That means Entergalactic not only attempts to tell its own story, one that could have easily passed as the plot of a Netflix original rom-com, but it does so while also featuring several sequences that are set to specific Cudi tracks.

Beyond the film’s musical elements, Entergalactic is also far more adult than viewers might expect it to be. The film features several explicit sex scenes and is as preoccupied with the sexual politics of modern-day relationships as it is in, say, street art or hip-hop. While Entergalactic doesn’t totally succeed in blending all of its disparate elements together, the film’s vibrantly colorful aesthetic and infectiously romantic mood make it a surprisingly sweet, imaginative tour through a fairytale version of New York City.

Read more
Cyberpunk: Edgerunners review: Candy-coated chrome carnage
Lucy looks into the camera while David drives in a scene from Cyberpunk: Edgerunners.

Animated adaptations of video games are in a surprisingly good place right now -- particularly on Netflix, where shows like Arcane, Castlevania, and even Carmen Sandiego have delivered rewarding extensions of their respective franchises. That continues with Cyberpunk: Edgerunners, which serves up a wild anime adventure set in the world of 2020's Cyberpunk 2077.

Directed by Hiroyuki Imaishi (Gurren Lagann)  and Hiromi Wakabayashi (Star Wars: Visions), Cyberpunk: Edgerunners follows a teenage boy pulled into a dark world of high-tech mercenaries known as "Edgerunners." As he's drawn ever deeper into the world of body modification and corporate espionage, David (voiced by Zach Aguilar in the English version of the series) soon finds himself struggling to figure out what's truly important and where to draw the line when it comes to his cybernetic implants.

Read more